Author: John Paulsen (Page 4 of 19)

Tom Petty and the Heartbreakers: The Live Anthology


RIYL: The Byrds, Bob Dylan, Kings of Leon

Tom Petty set the standard for greatest hits compilations in 1993 when he released the aptly-titled Greatest Hits, which included 16 of his biggest singles, a soon-to-be-smash (“Mary Jane’s Last Dance”), and a very worthwhile cover (Thunderclap Newman’s “Something in the Air”). While some might argue that 1983’s “Change of Heart” (peaking at #21) and 1987’s “Jammin’ Me” (#18) were technically bigger hits than some of the singles that were included, no Petty fan worth his salt is going to argue that those two tunes held up better than the likes of “Listen to Her Heart” (#59) or “Here Comes My Girl” (#59).

Fast forward two years to Petty’s first box set, 1995’s Playback, which was a hodgepodge of hit singles, live tracks and rarities. The set wasn’t very cohesive, but it was important because of its excellent sixth disc (“Nobody’s Children”), which featured 11 leftover tracks from 1986 to 1993 – maybe the most productive span of Petty’s career.

Then there was 2000’s Anthology: Through the Years, which was essentially an expansion of the Greatest Hits disc, though, oddly enough, it didn’t include anything from post-Greatest Hits albums Wildflowers (“You Don’t Know How It Feels,” “It’s Good to Be King,” “You Wreck Me”), She’s The One (“Walls”) or Echo (“Free Girl Now,” “Room At the Top”).

petty live

So now we have The Live Anthology, which comes in several different formats – the standard set (48 tracks on 4 CDs), the deluxe set (62 tracks on 5 CDs, including a 14-track bonus disc, two DVDs, a Blu-Ray disc, a vinyl re-master of of the ’76 Official Live Leg, and more, only available at Best Buy), and a vinyl deluxe box set (51 tracks pressed on seven 180-gram audiophile quality vinyl LPs). This review is of the digital version of the standard set, which is the first live release from Tom Petty and the Heartbreakers since 1986’s Pack Up the Plantation-Live!

Eleven songs in the set are live versions of tracks included on both Greatest Hits and Anthology. (Think big hits like “Refugee” and “American Girl.”) Most of these tracks are relatively faithful interpretations of the studio versions, save for the beautiful “Learning to Fly” and “I Won’t Back Down,” which Petty often plays in concert with a much sparser production. Both tunes are well worth a listen.

Nine album tracks from The Live Anthology also made my recommended Tom Petty Deep Cuts playlist, and are welcome additions here. It’s hard to pick favorites, but it’s nice to see “Angel Dream (No. 2)” and “Have Love Will Travel” get some live love, and “Dreamville” is an especially impressive live performance. “Southern Accents” is vastly improved from the album version since it’s without the irritating, echoing cross stick that was used in the studio.

Considering that the set has been culled together from hundreds of hours of live recordings from 1979 to 2007, the most impressive thing is how cohesive each disc sounds when played start to finish. It’s almost as if the listener gets four individual, hour-long sets from the Heartbreakers. The band has never been afraid to dive into a cover or two, as evidenced by the the presence of Fleetwood Mac’s “Oh Well,” the Zombies’ “I Want You Back Again,” Booker T. and the MGs “Green Onions,” the Grateful Dead’s “Friend of the Devil,” the Dave Clark Five’s “Any Way You Want It” and more.

The Live Anthology is by no means definitive, but it provides a good, in-depth look at one of the greatest live acts of the last thirty years. Moreover, it’s available at the band’s website for $18.49, which is a nice deal for almost four hours of music. (Reprise, 2009)

The artist formerly known as Cat Stevens might sue Coldplay

Yusuf Islam (a.k.a. Cat Stevens) says that Coldplay’s “Viva La Vida” sounds an awful lot like one of his songs, “Foreigner Suite.” So much so that he might actually sue the band.

“The song definitely sounds like it,” he said of his song. “It has such logical chords and the melody has to be what it is…”

Asked during a telephone interview from London whether he would pursue the issue legally, Islam, 60, said “it depends on how well Satriani does.”

U.S. guitarist Joe Satriani has sued Coldplay, accusing the British band of copyright infringement. He claims substantial original portions of his song “If I Could Fly” are recycled in “Viva La Vida” and is seeking damages.

I’m not familiar with the song that Islam is referring to. Does anyone think he has a point, or is he reaching at straws?

iTunes Tips & Tricks: “Neglected Favorites”

If you’re like me and feel sometimes that your music collection is a little too vast, here’s a little trick that I learned not too long ago. I have 4000+ 4- and 5-star rated songs, and I realized that there were some personal favorites that I wasn’t hearing on a regular basis. (For all it’s features, iTunes doesn’t do the greatest job of shuffling through big playlists.)

Using iTunes’ “Smart Playlist” feature, I was able to create playlists of songs that I haven’t heard in some time (six months, a year, whatever).

1. Go to File > New Smart Playlist
2. In the first two drop-down boxes, choose “Rating” and “in the range.”
3. Choose 4 to 5 stars (or 3 to 5, if you like).
4. Hit the plus sign to the right to add a criterion.
5. Choose “Last Played” and “is not in the last” 6 “months” (or 9 months or whatever span you like).
6. Hit OK
7. Rename playlist “Neglected Favorites” (or whatever you like)

You can also add other criteria, like genre, artist or whatever.

So now you have a playlist of all of your top rated songs that you haven’t heard in the last six months. Once you start this playlist, songs will start to disappear when they’re played. As time wears on, new songs (that haven’t been played on your iTunes or iPod in the last six months) will begin to appear.

iTunes won’t let you forget a song!

Billy Bob Thornton’s uncomfortable interview

…and “uncomfortable” is an understatement.

By now you may have heard about Thornton’s interview (along with his band, The Boxmasters) with a Canada’s QTV where he takes exception to the host mentioning his acting career in the introduction. If you watch Thornton during the intro, you can see him shake his head a couple of times. For the first six or seven minutes of the interview, Thornton acts like a petulant child, giving short, ambiguous answers to direct questions. Then he goes off on a tangent talking about a monster magazine contest that he entered as a kid. Finally, around the seven-minute mark, he tells the host why he’s acting the way he is.

Thornton keeps asking the host, “Would you ask Tom Petty that?” The thing is — Billy Bob Thornton is no Tom Petty. Thornton is best-known as an actor who sees himself as a musician. Tom Petty is in the Rock & Roll Hall of Fame.

I feel for the host — he simply introduced Thornton and the rest of the band, and has to deal with pissy Billy Bob for the rest of the interview. He didn’t ask him any questions about his acting career and it’s completely understandable why he would mention Thornton’s history as an actor in the intro to give the interview context. It would be really odd if he just started the interview without mentioning it at all.

Thornton later says that Canadian audiences are like “mashed potatoes with no gravy” and canceled their two remaining Canadian shows after being booed in Toronto.

Steven Page leaves Barenaked Ladies

Even though it seems like Barenaked Ladies has run its course, the news that lead singer Steven Page has left the band is still a little surprising.

Singer-guitarist Steven Page said a big reason he decided to leave the Barenaked Ladies was he felt his songwriting voice was occasionally being squeezed out as a result of being in a five-member band.

A day after he announced on the band’s Web site that he was leaving the group, Page said the Barenaked Ladies has so many songwriting voices that he’s looking forward to a future as a solo artist.

“Frankly, the band itself was a five-way democracy and one of the great things about it is that it’s been about the five-way collaboration, but it’s also one of the things that’s made me decide to be a solo artist,” he said Thursday.

BNL just seemed like one of those bands that would be together forever.

« Older posts Newer posts »