Author: David Medsker (Page 32 of 96)

Massive Attack: Heligoland

February 9, 2010 / David Medsker

RIYL: The Specials’ “Ghost Town,” Radiohead’s In Rainbows, film noir soundtracks

If you read enough reviews of Heligoland (spoken as ‘Hell Ego Land’), Massive Attack’s new album and first in seven years, you’ll eventually be able to play Bingo with them. At some point, the phrases “dark,” “brooding,” “trip-hop,” “atmospheric,” and “guest vocals” will pop up in the majority of them, and as overused as those expressions are, they fit. Of course, the other reason many reviews will say these things – again – is because, well, what else is there to say about Massive Attack? They have carved such a unique niche for themselves that talking about their music is akin to dancing about architecture. Some bands just are. Massive Attack is one of them. It’s a sweet place to be if you can swing it, but it makes objective analysis of their music almost impossible.

Up to this point, however, no one has ever needed to write “twelve years removed from their last good album” when discussing Massive, but that is exactly where the band finds itself; you have to go back to last century’s Mezzanine (‘last century’ is a trick writers use for dramatic effect) to find their last consistent piece of work, so the band needs this one to stick. And for the most part, it does, certainly when compared to the 2003’s hazy 100th Window; with a more focused approach on songwriting rather than groovemaking, Heligoland plays like Radiohead’s In Rainbows if they had gone the Santana route and recruited a slew of guest vocalists. (Bingo!) Longtime friend Horace Andy sings on the odd “Girl I Love You,” which begins in the vein of “Angel” but ends with a horn section jazz-out not unlike Radiohead’s “The National Anthem,” and the skittery “Babel” is like “Bela Lugosi’s Dead” done as a drum ‘n bass track. That’s a good thing, in case you were wondering.

Massive’s achilles, however, has always been their tendency to stay in a groove until it becomes a rut, and Heligoland is no exception. There is a lot to admire about the album, but it’s difficult to love; for as much time as they spend exploring dark themes both musically and lyrically, it’s lacking in emotional impact, and not even Damon Albarn can save the album’s final third from coasting to the finish line. Still, bringing the band back to a duo (100th Window was basically a solo project by Robert “3D” Del Naja) was a step in the right direction, but now that they’ve made two albums without Andrew “Mushroom” Vowles, it’s evident that present day Massive Attack is much like Think Tank-era Blur without Graham Coxon. The band still exists, but things will never be what they once were. It is now up to us to accept this and hope for the best going forward. (Virgin 2010)

Massive Attack MySpace page
Click to buy Heligoland from Amazon

Alternative, Artists, CD Reviews, Electronica

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Gobotron: On Your Mark, Get Set…

February 4, 2010 / David Medsker

RIYL: The Lemonheads, Pavement, Ben Kweller

On Your Mark, Get Set… receives bonus points off the bat for the band title, which riffs on our favorite video game of all time. It also receives a couple ‘Who’d a thunk it’ points because the album is the work of Manchester Orchestra guitarist Robert McDowell, a band who had us running for the hills two minutes into their performance at last year’s Lollapalooza. But still waters apparently run deep, as McDowell’s solo venture, which he performed and recorded by himself one summer and mixed the following summer, bears no resemblance to his day job, forsaking shrieking melodrama for yesteryear-flavored indie pop. “Nice Things” could pass for a lo-fi Sloan, and “Never Turn Around,” with its classic give-and-take vocals, is as perfect a power pop song as you’re likely to hear in this year or the next. Which means, of course, that there is no chance of these elements being incorporated into Manchester Orchestra’s sound, a decision that is as understandable (five words: girls don’t like power pop) as it is unfortunate. With any luck, thought, the Audities listees will buy enough copies of On Your Mark, Get Set… to encourage McDowell to give it another go. (Favorite Gentlemen 2010)

Gobotron MySpace page

Alternative, Artists, CD QuickTakes, CD Reviews, Pop, Power Pop, Rock

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Seen Your Video: The New Heathers, “Agatha”

January 19, 2010 / David Medsker

As hooks go, the trick that the New Heathers use to get people to watch their video for “Agatha” is pretty shameless: shoot the band in silhouette, while the train scene from “Stand by Me” plays in the background.

But damned if it doesn’t work.

And for the kind of music the New Heathers play – this song recalls Roger Joseph Manning Jr., if he laid off the pomp and brought the rock – it’s a clever ploy. Anyone who’s into their kind of music surely loves “Stand by Me” as well. And timing the guitar solo with Gordie and Vern’s mad dash to safety was sublime. I’m watching the action, and associating the emotional response with the music. Well done, lads.

Artists, Rock, Seen Your Video, Videos

Agatha Agatha video Stand by Me The New Heathers The New Heathers video train scene

Editors: In This Light and On This Evening

January 14, 2010 / David Medsker

RIYL: Joy Division, Peter Murphy, Shriekback

Editors have stood out from their UK peers by doing the most unlikely thing: staying the same. In an age ruled by extreme makeovers, Editors followed their 2006 breakthrough The Back Room with an album almost exactly like it (2007’s An End Has a Start), and were rewarded with their first #1 album in the UK and their highest-ranking single.

Then a funny thing happened: they grew positively bored with what they were doing.

Cut to present day and In This Light and On This Evening, Editors’ third album, where the band chucks the guitars for a wall of synthesizers and in the process makes an album that is absolutely unlike anything they have done before and yet right in line with everything they have done before. The songs carry the same epic feel of their best work – lead single “Papillon,” for one, has a mile-wide chorus – but the new tools they use to build those songs have opened the playbook considerably. The melodic high keyboard line in “Bricks and Mortar” serves as a secondary vocal, while the delicate “The Boxer” touches upon ideas that would have been completely foreign to the band last time around. “Eat Raw Meat = Blood Drool,” meanwhile, could be this generation’s “Being Boiled,” a relentless piece of minimalist electro that stacks on some real drums for dramatic effect.

As remakes go, In This Light and On This Evening is the type that will impress both the casual Editors listener and the diehard. Even better, the band has put themselves in a position to take their next album in any direction, and it would appear to be a logical progression from here. Quoth the prophet Sheryl Crow, a change will indeed do you good. (Fader 2010)

Editors MySpace page
Click to buy In This Light and On This Evening from Amazon

Alternative, Artists, CD QuickTakes, CD Reviews, Dance, Electronica, Gothic, Melodramatic, Pop, Rock, Widescreen

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OK Go: Of the Blue Colour of the Sky

January 7, 2010 / David Medsker

RIYL: Prince, MGMT, Death Cab for Cutie

They are only releasing their third album, but OK Go has rather shrewdly defined themselves as a multimedia phenomenon rather than a rock band. It’s a genius move, really, because suddenly the standard benchmarks for judging a band’s success are thrown out the window. Did the last album go gold? Who cares? The video they made of themselves dancing on treadmills has racked up over 49 million plays on YouTube. They are, in short, the kind of band that record labels used to kill to have on their roster; their devoted fan base would guarantee that all of the band’s albums would sell reasonably well, and as an added bonus, they allowed their bean-counting overlords to tell people that they believe in the creative process above all else. (Pssst. They don’t.)

You get the sense that the band is more than aware of their rather fortunate place in the pop universe, because they just used that freedom to create their most adventurous, and consistent, album to date. Of the Blue Colour of the Sky bears little resemblance to the over-caffeinated power pop that once served as the band’s calling card, trading the muscular grooves of their 2005 album Oh No for something, well, groovier. Prince’s influence is all over the place, from the Parade-ish “WTF?” (complete with a 5/4 time signature and rip-roaring solo) to the slammin’ “White Knuckles,” which is one of the best “1999” covers ever. (Likewise “End Love,” which is this album’s “I Would Die 4 U.”) Singer Damian Kulash gives the falsetto an extensive workout here, which is fitting with the lyrical content; he’s clearly had his heart broken – “Needing/Getting” is the Jilted Lover song of the year – so the falsetto gives good voice to his pain.

If they’re smart, OK Go will consider adding producer Dave Fridmann as an unofficial fifth member, because his influence here cannot be underestimated. The drum tracks sound like the stuff of Steve Lillywhite’s wet dreams circa 1983, and the guitars are crystal-clear. He clearly encouraged the band to think big, because these songs bob and weave in ways the band had never dared to try before; “Needing/Getting” and “Skyscraper” both feature lengthy outros, and the overall sound is positively massive compared to the stripped down Oh No. If there’s a catch, it’s the album’s final third; there is nothing particularly wrong with the songs, but emotional fatigue begins to creep in. And then, in the final moments of closing track “In the Glass,” they clean the slate with one hellacious tribute to “I Want You/She’s So Heavy,” a slow-building, climbing/falling chord sequence that will give Chris and Ben from Death Cab fits. If only Fridmann hadn’t recorded the drums so hot at the end; the music is so pretty, but when turned above a whisper, the drums sound like an avalanche. Pity, since Fridmann had done such a good job avoiding that pitfall up until then.

Of the Blue Colour of the Sky may not bring many new fans to the OK Go camp – outside of a few Prince devotees – but we’re guessing that doesn’t really concern the band much, and that is exactly how it should be; the second a band starts worrying about what other people think of them, they’re done. At this rate, it wouldn’t surprise us to see OK Go turn into the pop equivalent of Wilco. God knows, the world could use more of those. (Capitol 2010)

OK Go MySpace page
Click to buy Of the Blue Colour of the Sky from Amazon

Alternative, Artists, CD QuickTakes, CD Reviews, Funk, Pop, Rock

Beatles Damian Kulash Death Cab Eat Sleep Drink Music Headlines Of the Blue Colour of the Sky Of the Blue Colour of the Sky CD review OK Go OK Go CD review Prince