Author: David Medsker (Page 19 of 96)

Me, Myself, and iPod 7/28/10: Bayside High stole my record collection

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Have a ton of stuff to do before heading off to Lolla next week, so this will be a short one.

Pete Yorn – Precious Stone
New track from Pete’s upcoming, Frank Black-produced album Self Titled. Sounds like Pete, but rawer, which is just what I was expecting.

Ex Norwegian – Jet Lag
Having reached out to me on MySpace a while back, these guys are quickly becoming a favorite around these parts. At the risk of tagging them as a throwback band – to the ’90s, no less – their sound is definitely not of this time. Big, ringing choruses, slightly dirty bass lines, horn-kissed verses…this would have been a #1 modern rock hit in 1995.

White Car – No Better
Holy Wax Trax, Batman. This Chicago industrial outfit has just made a track that will have fans of “Everyday Is Halloween” running for their Doc Martens.

Team Bayside High – No Sleeves Attached DJ Mix
In truth, this is not the most mind-blowing DJ mix you’ve ever heard. In fact, it’s pretty raw and basic, and when the drums kick in at the end of “Song 2,” I couldn’t help but wince a little. But I like their choice of songs, since they spend most of the time mixing rock songs, and I like the melding of rock and dance. Putting “Smells Like Teen Spirit” in here was a stretch (they had to speed it up to the point where it sounds unnatural), but we’ll still check out their DJ set at Lolla, schedule permitting.

Ex Norwegian: Sketch


RIYL: Matthew Sweet, Sloan, The Pursuit of Happiness

Proof positive in the existence of parallel universes. Sketch, the sophomore effort from Miami trio Ex Norwegian, is an otherworldly slab of catchy pop rock song after catchy pop rock song, conceived in some fantastic place where the ’90s power pop bubble never burst. (Lucky bastards never had to suffer through nu metal and emo. We want to go there, now.) Some of the songs bear the markings of a grunge influence – opening track “Jet Lag” opens with a D-tuned bass and chord sequence that would not have been out of place on Alice in Chains’ Dirt – and then when the chorus hits, it morphs into the best song Sloan never wrote, all sunny harmonies and ringing guitars. “Sky Diving” is a gorgeous slice of melancholic pop (likewise “Upper Hand”), and “Acting on an Island” deftly shifts time signatures around an unforgettable climbing melody. As comfortable with upbeat sing-a-longs as they are with darker, more introspective material – with the added bonus of having three musicians who can sing lead – Sketch is the sound of a band with limitless potential. Here’s hoping that bubble in which they’re living remains intact. (Ex Norwegian 2010)

Ex Norwegian MySpace page
Click to buy Sketch

Me, Myself, and iPod 7/21/10: Elefants with guitars, robots with out holes

esd ipod

Hesta Prynn – Can We Go Wrong
Formerly of “female Beastie Boys” Northern State – and the author of this great couplet: “If you got a sweat suit and you’re dripping in diamonds / Tell me, are you a rapper, or a mom from Long Island?” – the girl her mom calls Julie Potash goes the indie pop route on her debut EP of the same name as this song.

Yacht – Nausea
Their 2009 song “Afterlife” beat every other synth-pinking wannabe act all to hell, and as they prepare to make their next record, they’ve recorded an X song, just in case we didn’t already know that they get the ’80s in ways that most other bands only dare to dream.

Diego Garcia – You Were Never There
Forsaking the full-blown glam of his previous day job Elefant for something closer to his heritage, Garcia delivers a gorgeous acoustic gem that sounds like a modern-day “Walk Away Renee.” Man, we hope the rest of his first full-length album, due next year, is on par with this.

PVT – Window
We will confess to being new to the band formerly known as Pivot, but if their new material has the drive and flair of this song, we’re in.

Radio FreQ – Where You Been
New York ’80s synth pop with a bit more…fabulousness, if you catch our drift. And look, more silly capitalization. We get it, Eq, blah blah blah, but still, enough already. Just spell the damn name in a manner that doesn’t give people splitting headaches. And while we’re on the subject of band names…

Shit Robot – I Found Love (TBD Remix)
Naming your band is a lot harder than people think. It’s your invisible handshake, the first impression that makes people decide whether or not they wish to get to know you better. The name needs to be something catchy but not annoying, and no matter what kind of music you play, the name should still maintain a sense of accessibility.

Which is why we laughed out loud when we learned that someone concluded that the best possible name for his band was Shit Robot. Well played, sir.

The Coral: Butterfly House


RIYL: The Zutons, Super Furry Animals, The Moody Blues

One can’t help but feel a little bad for the Coral. Once tabbed as England’s best new band, their profile of late on the other side of the pond has been so far below the radar that even the Anglophiles on the staff had not thought of them in a good six or seven years. Look for that to change with Butterfly House, the band’s sixth album and first in three years. Singer James Skelly has traded in the Burdon-esque bluesy growl from the band’s debut for a smooth, harmony-drenched crispness that could serve as the backing track to your neighbor’s home movies of a fall weekend in the late ’60s. Lead single “1000 Years” offers a little bit of everything you can expect from Butterfly House as a whole – effects-heavy vocals (a watery flange in this case), a catchy mid-tempo groove, and a sudden burst of guitar, all tastefully played and expertly recorded by UK music legend John Leckie. There is an admitted sameness to the material, but the mood of the album strikes such a strong emotional chord that it’s difficult to complain. One of the biggest, and best, surprises of the year. (Indie Europe 2010)

The Coral MySpace page
Click to buy Disconnect from Desire from Amazon

School of Seven Bells: Disconnect from Desire


RIYL: My Bloody Valentine, Ride, Chapterhouse

Neil Hannon recently quipped in his song “At the Indie Disco” about how “we’re dancing to the beat, and staring at each other’s feet.” One wonders if the indie disco in question was playing School of Seven Bells, because their sophomore album, Disconnect from Desire, is one of the finer shoegazer records from this or any other era (which is to say the only other era, the early ’90s). The drum tracks recall the 808/909 period while maintaining a modern feel, and the harmonies of twin singers Alejandra and Claudia Deheza create the ultimate siren’s call, an ethereal bliss that makes the most crushing one-liner feel like a soft kiss goodnight. “I L U” is the album’s crown jewel, reimagining My Bloody Valentine’s “Soon” as a tender breakup song (bonus points for its dead simple three-note chorus), while the jangly “Babelonia” sends a knowing wink to Jesus Jones’ “International Bright Young Thing” with Deheza’s wavering vocal.

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It’s curious that a shoegazer renaissance would take hold in today’s climate, especially when it was only marginally successful the first time around. Ah, but nostalgia is a powerful thing, and there are few periods as beloved by music hounds as the go-go modern rock scene of the early ’90s, when grunge and baggy still coexisted peacefully. Disconnect from Desire distills the ecstasy-fueled elements of those early shoegazer records with a healthy dose of pop songcraft. The end result, at the risk of sounding cliche, is dreamy. (Vagrant/Ghostly International 2010)

School of Seven Bells MySpace page
Click to buy Disconnect from Desire from Amazon

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