Author: David Medsker (Page 16 of 96)

Seen Your Video: The Coral, “More Than a Lover”

Their new album Butterfly House is still one of the top ‘holy shit, we didn’t see that one coming’ moments of the year, and the love parade keeps rolling on with second single and Butterfly House opening track “More Than a Lover.” The video’s another ’60s-ish pastiche of quick cuts, backwards film, and silhouette shots of singer James Skelly against the mooon. And check out that chorus – does anyone else hear America when that comes up?

Me, Myself, and iPod 8/25/10: Chromeo doesn’t want to see you naked

esd ipod

Made the mistake of taking the week off after finishing the Lollapalooza recap. 200 press releases later (actually, there are still over 100 to go), here we are. The lesson appears to be ‘never go on vacation.’ Yeah, that’s just not happening.

Chromeo – Don’t Turn the Lights On (Christian Martin Remix)
We are positively dying to hear Business Casual, the new album by funk poppers Chromeo, but until then this (killer) single will have to do. This remix of the track doesn’t quite kill it like the album version, but hey, it’s free. And speaking of having the lights on…

Lights On – Red Lights Flashing
…and that’s all these bands have in common. This is more driving alt-rock a la the Killers and Airborne Toxic Event.

Kyle Andrews – You Always Make Me Smile
A.K.A. The Holiday Inn song, remixed!

Ursula – Hey You! (Shake Edit)
We’d post an mp3 of Fred Schneider reading soup recipes if we had ’em, but this guest vocal, mashed up with “Shake” by ’60s band the Shadows of Knight, will have to do.

The Gay Blades – Try to Understand
Gay as in merry, and happy. Truth be told, we don’t know if anyone in the Gay Blades is actually gay, nor do we care. As long as they churn out catchy pop rock like this, it’s all good.

Tamaryn – Love Fade
The name alone suggested some diva R&B singer, but this is anything but. More like Mazzy Star, with a pulse.

The Black Ryder – Let It Go
And while we’re in the swirly-rock groove (not sure what else to call that. Shoegazer doesn’t seem quite fitting, nor does psych rock), here’s another slow, slightly noisy tune from a band that just got a slot opening for the Cult. Huh. Can’t say I would have seen that coming based on this tune.

Brad Laner – Eyes Close
We always try to support those dedicated, sorry bastards who still believe in power pop. By all rights, this tune, with vocals that Elliott Smith would have killed for (too soon?), should find an audience. Here you go, audience. Find this, please.

Midnight Juggernauts: The Crystal Axis


RIYL: Future Sound of London, Flaming Lips, Air

After an all-too-brief stay at Astralwerks, where they dropped one of 2008’s finest with their dizzying alt-dance debut Dystopia, Australia’s Midnight Juggernauts return from the desert – or whatever planet houses their recording studio – with The Crystal Axis, currently available in the States as an iTunes exclusive but should see the light of day on CD in September. The band’s philosophy has not changed between albums, though the approach this time around is a bit different. Kicking the four-on-the-floor Daft Punk beats to the curb, The Crystal Axis downplays the Gothic vibe of Dystopia in favor of some technicolor psychedelia. “This New Technology” reimagines Love & Rockets as an electronic act, down to singer Vincent Vendetta’s Daniel Ash-like breathy vocal. Then, just to be perverse, they finish the track with a Moog-kissed breakdown that Air would have killed for circa Moon Safari. “The Great Beyond” has a great honest-to-goodness jam in the outro (always nice to see synth-driven bands put musicianship first), but the album’s clear highlight is “Lara Versus the Savage Pack,” a driving pop track with an explosive finale that will send the club kids climbing up the walls.

The production isn’t as clean as it was on Dystopia (they paid for this one themselves, which might explain why they stopped trying to sound like Daft Punk), and the songs overall are a bit more challenging than instantly accessible Dystopia tracks like “Road to Recovery” and “Into the Galaxy.” But that’s part of growing up, isn’t it? Eventually you’re on your own, and you can’t afford to do the same stuff you could when you still lived with your parents. Think of The Crystal Axis as the Midnight Juggernauts’ first apartment out of school; even the most talented people live in pretty dingy places when they first strike out on their own. It will not be long before the band’s budget catches back up with their talent. (Siberia Records 2010)

Midnight Juggernauts MySpace page

« Older posts Newer posts »