Author: Christopher Glotfelty (Page 12 of 22)

Bob Dylan continues to do whatever he wants

Dylan

Bob Dylan is one of rock’s most prolific artists, flaunting a massive and brilliant discography. At age 68, he’s been recording for years and probably has more than a few tracks he’s never bothered to release. For whatever reason, he’s chosen to lend one of these songs to America’s most popular show, “NCIS.”

Up until now, mustaches were just about the only thing Bob Dylan has had in common with TV cop shows. But on the November 3 episode of the CBS procedural drama “NCIS”, we’ll hear our very first taste of a long-unreleased Dylan song called “California”.

The song comes from the same sessions that produced Dylan’s 1965 acoustic/electric transitional classic Bringing It All Back Home, but it’s been unheard since then, sitting in the vault for the better part of a half-century. Maybe if they’d had “NCIS” back in 1965, we would’ve heard it a long time ago.

I’ve never seen the show, but I’ll be tuning in along with every other diehard Dylan fan.

Ticket Master-Live Nation merger hits another snag

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Earlier this year, Ticketmaster and Live Nation attempted to merge companies. Since Ticketmaster is the largest ticketing distributer in the country, one could understand why the Justice Department would balk at a union with Live Nation, a huge concert promoter. Smaller production companies feel they would lose out on events if this deal goes through. They’re right, of course. The merger would create a ticketing powerhouse, one that has the ability to simultaneously sell and promote their own events. Negotiations may be starting back up in Washington, but they’re also receiving harsh criticism in the UK.

The U.K.’s Competition Commission issued a provisional ruling on Thursday that the union of the L.A.-based firms “could severely inhibit the entry of a major new competitor, CTS Eventim, into the U.K. ticketing market.”

The commission’s ruling echoes objections of witnesses who assailed the merger as anticompetitive at U.S. congressional hearings early this year.

Prior to the merger announcement in February, Bremen, Germany-based CTS agreed to provide ticketing for Live Nation’s British events, and it has enabled the U.S. promoter to operate a ticketing platform, which competes with Ticketmaster, in the U.S. since January.

A Live Nation-Ticketmaster alliance could erode CTS’ position in the U.K. market by cutting the number of tickets made available to the smaller firm, the commission said. “This could lead to higher net prices … and/or lower service quality or less innovation in the market,” the ruling stated.

Ticketmaster is one of the most hated companies in the world. They’re the schmucks that invented the 40 percent surcharge to see your favorite band. This deal wouldn’t benefit anybody but the companies. The bands, fans, and independent operators would all get screwed.

I never understood why venues didn’t just sell tickets exclusively in-house. I know you can buy tickets at the box office, but why can’t you also order them online? The venue would only have to hire a couple more employees to process the orders and send out the tickets. They’d tack on a surcharge to pay the staff, but it wouldn’t be as monstrous as they one utilized by Ticketmaster.

There has to be better way!

Watch They Might Be Giants on “Late Night with Jimmy Fallon”

In support of their new children’s album, Here Comes Science, They Might Be Giants recently stopped by “Late Night with Jimmy Fallon.” They performed the song “Meet the Elements,” which is both bouncy and informative.

Man, I need to see this band live again.

New Modest Mouse and Death Cab for Cutie videos

We’ve got new videos today from two of “indie” rock’s biggest acts. Obviously, I mean indie in the sense of their style of music, as both bands are on a major. While Modest Mouse hasn’t gotten much bigger than they were in 2003, Death Cab for Cutie’s stable seems to grow by the day.

This video from Modest Mouse is for “The Whale Song,” off their newest EP No One’s First and You’re Next.

UPDATE: Vimeo won’t let me embed the video at this moment, though I was able to earlier. You can still check it out here.

“Meet Me on the Equinox” is, of course, Death Cab for Cutie’s contribution to the “New Moon” soundtrack. Death Cab takes a back seat in this one as footage from the vampire flick is shown throughout.

Even though I’m unable to post it on our site, I urge you to check out the one from Modest Mouse. The song is solid and the visuals are stunning.

Pavement to dominate All Tomorrow’s Parties festival in England

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As previously reported, Pavement will reunite and tour next year. Their dates at New York City’s Central Park were announced last month, but now there’s news that Pavement will both headline AND curate the All Tomorrow’s Parties festival in Minehead, England May 14-16.

The festival expanded to the U.S. in 2002 and earlier this year debuted in Australia. So far, the only other announced ATP festival will take place May 7-9 and have another curator.

I went to an All Tomorrow’s Parties festival in 2002 at UCLA. My buddy asked me to go on a whim and I agreed. I wish I had known more about the bands at the time as I just went to get out of the house. Sonic Youth and Stereolab played that night. Yep. Now I listen to those two bands all the time.

Next year belongs to Pavement.

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