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Tom Petty and The Heartbreakers: Classic Albums: “Damn the Torpedoes”

When Tom Petty and the Heartbreakers entered the studio to record their important third album, 1979’s Damn the Torpedoes, they hired Jimmy Iovine, the brash New Yorker who had been involved with several other important third records, like Bruce Springsteen’s Born to Run (as an engineer) and Patti Smith’s Easter, to co-produce the album. Iovine’s drive and perfectionism were ideal for bringing out the best in the band and capturing the Heartbreakers’ blend of British Invasion rhythms and Byrds-like jangle and help them rise beyond cult favorites to superstar status. The making of Damn the Torpedoes would become an enormous challenge for the band, not only in the studio, as egos clashed, but with their record company, who at one point threatened not to release the album. The story behind this important album, one that is credited with “saving rock ‘n roll” from disco, is laid out in this superb Classic Albums DVD from Eagle Vision, another in their long line of excellent documentaries about important records in rock history.

You know the songs: “Refugee,” “Don’t Do Me Like That,” “Here Comes My Girl,” and “Even the Losers.” To this day, these songs are played constantly on rock radio. What’s fascinating about this DVD is learning how those songs came together, to hear Petty, guitarist Mike Campbell, keyboardist Benmont Tench and Iovine discuss the methods they went about piecing the songs together from riffs, to getting the band to play them just right during the recording process. It’s also nice to hear from the engineer on the record, the legendary Shelly Yakus, on how he came up with some of the record’s signature sounds, including the distinct quality of Stan Lynch’s drums.

The feuds between Lynch and Iovine were constant, with the producer grinding the band’s drummer about the way he played. At one point, Lynch left, was fired or quit. As Tench makes clear, many talented drummers came in to audition, but none of them were right for the Heartbreakers – none of them were Stan Lynch. Unfortunately, Lynch is the only original member of the band who did not provide a current interview for this DVD. As we understand it, he has a “been there done that” attitude about discussing his days with the Heartbreakers (he wouldn’t even get involved with “Runnin’ Down a Dream,” the monumental Peter Bogdanovich-directed documentary from 2008). However, the producers dug up some old interviews with Lynch to insert at the right moments so that the accounts of making this historical album were not one-sided. It was also nice to hear Tench and bassist Ron Blair speak so fondly about Lynch, with Blair even holding out hope that someday he may jam with them again.

In addition to the details about the making of Damn the Torpedoes, getting to watch the band members listen to the original tapes for the first time in years and to have Tench explain how he and Yakus happened upon some of the beautiful textures Tench added to the mix, there is the history of the band’s struggles with their record company. When the band’s original contract with ABC records was sold to MCA, Petty refused to just join the new label (especially a huge corporation) without his consent. At one point he filed for bankruptcy as he battled MCA, who threatened to not let him release Damn the Torpedoes.  Fortunately, Danny Bramson’s fledgling label, Backstreet Records, stepped in to help foster a deal between Petty and MCA and things were smoothed out.

Of course, the album was released to great critical acclaim, it spawned numerous hits, and Tom Petty and the Heartbreakers broke through to the mainstream. The DVD captures all of the joy and excitement of the band’s success and is a must-see for any fan of the Heartbreakers and good music in general. (Eagle Vision 2010)

Click here to purchase Classic Albums: Damn the Torpedoes from Amazon

Various Artists: Going the Distance Soundtrack


RIYL: hip new indie rock, your kids

If Drew Barrymore and Justin Long make a movie together, you better believe that they are going to see to it that the soundtrack is stuffed with bands so hip it hurts, and that is exactly what Going the Distance is. Indeed, some people may view a band’s inclusion on this soundtrack as a sign that said band or artist is no longer cool, and it’s officially time to stop listening to them. If you’re friends with one of those people, do yourself a favor: stop being friends with them.

All kidding aside (Psssst! We weren’t kidding), the soundtrack plays out much like the one for “500 Days of Summer,” blending cutting-edge indie acts like the Boxer Rebellion (they’re here a whopping three times, but there’s a reason for that – they’re a key piece to the movie’s plot) with first-gen alt-rock bands like the Cure, the Pretenders and the Replacements. The end result is a more enjoyable experience than the movie itself, consistently engaging and high-brow. (Don’t get us started on the spray tanning scene.) It’s most likely to appeal to alt-rock suburbanites in their 30s and 40s, and that might sound like a death knell on paper, but here’s the thing: there are tons of people who fit that description, and while they may no longer be the hippest demographic in the world, they’re one of the most passionate groups of music fans left that actually still pay for music. And they love stuff that makes them feel cool again. Well played. (Water Tower Music 2010)

Click to buy Going the Distance from Amazon

The Best of Soul Train (3 DVD)


RIYL: ’70s soul, really bad fashion, Afro-Sheen

Prior to MTV (to say nothing of the network’s lack of acceptance for soul and rap music for half a decade or so) and BET, or for those of us who just didn’t have cable for a long time, “Soul Train” was the primary destination for soul music lovers looking to check out their favorite artists. Running for over three decades, just about everyone who was ever anyone in R&B or hip-hop stood on the hallowed “Soul Train” stage and performed as dozens of young, stylish dancers showed off their latest moves.

Time-Life has recently opened the “Soul Train” vaults and unleashed a nine-DVD set containing hours of performances, interviews and legendary routines, and even more recently, some of the all-time classic performances have been compiled onto the “Best of Soul Train” DVD.

This 3-disc set contains performances from some of the all-time greats of soul music, and almost all of them come from the show’s first few years, 1971-1979. (Stevie Wonder provides the only content coming from a later date, with a 1991 medley of his hits.) Although many of “Soul Train’s” guests lip-synched, this set is heavy on the rare live performances. They include a sweaty run through “That Lady” by the Isley Brothers, riveting performances of “Use Me” and “Lean On Me” by Bill Withers, an impromptu duet of “Ooh Baby Baby” by Aretha Franklin and Smokey Robinson, and a performance by Barry White and a huge orchestra that must have required Don Cornelius’s production company to expand the Soul Train stage.

In addition to those performances, you get mimed but still incredible performances by the Jackson 5, the Commodores and Harold Melvin & the Blue Notes (featuring a frighteningly dressed Teddy Pendergrass). There’s also interview footage from those shows (worth the cost for the Marvin Gaye segment alone) as well as several dance routines that show how ahead of their time the Soul Train dancers were (in addition to how horrendous some of the fashions of the time were). You also get to see some of the groundbreaking commercials that ran during the Soul Train episodes, among the first ads to feature products geared exclusively towards a black audience. Bonus footage includes interviews with Soul Train creator/host Don Cornelius, the legendary Smokey Robinson, and Soul Train dancer-turned-Grammy winning singer Jody Watley.

As an admitted “Soul Train”-aholic, I’m hoping that eventually the highlights from every episode (up until the mid-Nineties, when I pretty much stopped watching) gets released. However, if you are a fan of soul music in any one of its incarnations, you need to have this DVD in your collection. So throw on your tightest bell-bottoms, pick your afro, and take a ride on the funkiest train in music history. As Don famously stated at the end of each episode, “you can bet your last money that it’s gonna be a stone gas, honey!”
(Time-Life 2010)

Seen Your Video: The Coral, “More Than a Lover”

Their new album Butterfly House is still one of the top ‘holy shit, we didn’t see that one coming’ moments of the year, and the love parade keeps rolling on with second single and Butterfly House opening track “More Than a Lover.” The video’s another ’60s-ish pastiche of quick cuts, backwards film, and silhouette shots of singer James Skelly against the mooon. And check out that chorus – does anyone else hear America when that comes up?

Me, Myself, and iPod 8/25/10: Chromeo doesn’t want to see you naked

esd ipod

Made the mistake of taking the week off after finishing the Lollapalooza recap. 200 press releases later (actually, there are still over 100 to go), here we are. The lesson appears to be ‘never go on vacation.’ Yeah, that’s just not happening.

Chromeo – Don’t Turn the Lights On (Christian Martin Remix)
We are positively dying to hear Business Casual, the new album by funk poppers Chromeo, but until then this (killer) single will have to do. This remix of the track doesn’t quite kill it like the album version, but hey, it’s free. And speaking of having the lights on…

Lights On – Red Lights Flashing
…and that’s all these bands have in common. This is more driving alt-rock a la the Killers and Airborne Toxic Event.

Kyle Andrews – You Always Make Me Smile
A.K.A. The Holiday Inn song, remixed!

Ursula – Hey You! (Shake Edit)
We’d post an mp3 of Fred Schneider reading soup recipes if we had ’em, but this guest vocal, mashed up with “Shake” by ’60s band the Shadows of Knight, will have to do.

The Gay Blades – Try to Understand
Gay as in merry, and happy. Truth be told, we don’t know if anyone in the Gay Blades is actually gay, nor do we care. As long as they churn out catchy pop rock like this, it’s all good.

Tamaryn – Love Fade
The name alone suggested some diva R&B singer, but this is anything but. More like Mazzy Star, with a pulse.

The Black Ryder – Let It Go
And while we’re in the swirly-rock groove (not sure what else to call that. Shoegazer doesn’t seem quite fitting, nor does psych rock), here’s another slow, slightly noisy tune from a band that just got a slot opening for the Cult. Huh. Can’t say I would have seen that coming based on this tune.

Brad Laner – Eyes Close
We always try to support those dedicated, sorry bastards who still believe in power pop. By all rights, this tune, with vocals that Elliott Smith would have killed for (too soon?), should find an audience. Here you go, audience. Find this, please.

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