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Chalk up another entry for future “Proof that the Grammy Awards Are Out of Touch with Reality” lists

Give the Grammy Awards credit for getting a few things right this year: they gave Amy Winehouse the Curse of the Best New Artist (not that she hasn’t already put herself on the fast train to Hell), hooked her up with Best Female Pop Performance and Record of the Year and Song of the Year for “Rehab,” and gave Back to Black the award for Best Vocal Pop Album. Somewhere between all those Winehouse wins, they even let Vince Gill take home the Best Country Album for the sprawling masterwork that is These Days.

Gill also got in one of the two best zingers of the night after he was presented his award by Ringo Starr. “I just got an award presented to me by a Beatle,” he said, then pointed at a specific individual in the audience and asked, “Have you had that happen yet, Kanye?

(The other great line, by the way, was Prince throwing off the snarky comment about Alicia Keys’ virtual duet with Ol’ Blue Eyes, saying, “Frank Sinatra looked good for 150, didn’t he?”)

But, c’mon, people: whether it’s a good album or not, you’re just setting yourself up for ridicule by giving the Album of the Year award to Herbie Hancock’s River: The Joni Letters. It’s just Steely Dan’s Two Against Nature all over again…

From Across the Pond: The Hoosiers, “Goodbye Mr. A”

You’d be well within your rights to be skeptical about the quality of music put out by a band that releases their debut album in four different color schemes. (Collect ’em all, kids!) As it happens, however, The Hoosiers – a London-based trio that’s 2/3 British and 1/3 Swedish – are writing and releasing some awesome pop music. Someone suggested that their tunes approximate what The Feeling would sound like if they actually let loose once in awhile, and I can hear that. Dig their biggest UK hit to date: “Goodbye Mr. A.” Our good friend David Medsker will, within mere seconds after hitting “play,” understand exactly why I felt obligated to avoid the formalities and offer the song immediate inclusion in the WillPop 101 syllabus…yes, it’s just that damned poppy…and to go with a superhero-inspired video to boot? Well, that’s just an extra layer of sugar-sweet icing on the WillPop cake.

(FYI, the last time I embedded the video, it was deleted from YouTube, so if the same happens with this one, then this official non-embeddable version is right here.

Road Warriors 51

In the last season of New York Mets’ home Shea Stadium, Billy Joel will be the last musical performer to play there, on July 16. Other acts over the years that have played the stadium include The Beatles, Jimi Hendrix, Janis Joplin, The Police, Eric Clapton, Elton John and Bruce Springsteen.

Jack Johnson recently released his new album, Sleep Through the Static, and while there are no confirmed US tour dates aside from Bonnaroo, Johnson will be touring in Australia, New Zealand and Europe. For more information, please visit www.jackjohnsonmusic.com

Canadian songstress Feist will be touring North America again, with dates kicking off April 10 in Detroit and running through May 13 in Toronto. She will also be performing at the Grammys this Sunday.

Finger Eleven’s rescheduled dates co-headlining with Chevelle have been announced. The band’s song “Paralyzer” has been a Top 5 hit Continue reading »

DMed’s Video of the Week: Rocko, “Umma Do Me”

Say hello to Atlanta rapper Rocko, who has apparently spent years writing, producing and developing major label talent (though curiously, the press release does not name a single one of these artists). He makes his solo debut with a song called, no joke, “Umma Do Me.” The press release goes on to talk about how Rocko is at “the forefront of the new Southern movement in hip-hop where business acumen and consumer awareness reign supreme.”


Scene from the “Umma Do Me” video

Uh huh. So that’s why he spends the entire video throwing Monopoly money at the camera? Or up into the air at the club? Because of his business acumen? Which is it, Rocko, are you a savvy businessman and phony playa, or splashy pimp with no fiscal common sense whatsoever? You can’t have it both ways, dawg. Guys who make it rain in da club are clowns, and eventually, they’re broke clowns. As for consumer awareness, doesn’t that just mean that Rocko knows what sells, and is pandering to the lowest common denominator for a buck? In other words, he doesn’t stand for anything more than making money. That’s not an example of business savvy. It just means he’s willing to whore himself.

Now, let’s talk about the lyrics. I’m no hip-hop scholar, but I’ve heard enough to know that this is lazy, lazy shit.

“I’m from the old school, you’re from the new school / My old school costs more than your new school”
“You really like her, you might wife her / I don’t like her, so I one-night her”
“You in my rear view, yeah, you history / First to second, two seconds, I love a six speed.”

I want to call up Chuck D and read these to him, just to see how angry it makes him. Here it is, bam! Chuck would say, “God damn! This is a wack jam.”

Now for my favorite part: the following line repeats during every chorus:

“Wanna see how’s it done? Watch me do me.”

Is this song an ode to self-love? If he’s doing himself, is that slang for masturbation? Naw, dude, I don’t want to watch you do you.

Ah, but I would be remiss if I didn’t mention the comments on the video’s YouTube page (embedding, sadly, is disabled). Check out these gold-star props Rocko has received from his fans:

“nigga killed sayin u might wife her i one night her killin it. do what it do”

“This song is da shit! I just do me all day everyday!!Baby just rep yaself and where you from dont worry bout all des otha haters. they jus bitches”

I, on the other hand, will side with the following comment:

“haha do yaself bra! junior varsity shit nigga”

Enough of this phony gangster bullshit, already. No one’s impressed. Enjoy the moment while it lasts, Rocko, because your moment in the sun will be fleeting and unpleasant. For everyone.

To watch the video, click here.

WTF?! Flashback – Garth Brooks


The Life of Chris Gaines

By 1999, pop country superstar Garth Brooks had done it all in terms of CD sales, hit singles, sold out concerts, and achieving a massive fanbase who thought their icon could do no wrong. Indeed, even Brooks thought himself that he could do no wrong, and decided to “branch out” as it were, with little fears that his legions of faithful would support him in his new endeavor. That endeavor you ask? Certainly you haven’t forgotten already. Yes, I’m talking about the giant goose egg alter ego Brooks created in his monster lab known as “Chris Gaines.”

You see, Garth wanted to be a pop star just as much as a pop country star, but possibly felt like his fans would abandon him if he was actually ballsy enough to just say, “Hey, I wanna try to gain some new fans, so I’m going to release a pop album” and not do it under some goofy facade. Jazz artists do it all the time by going the pop route. Pop and rock artists go country occasionally as well. So what the hell was Brooks thinking? It may have actually just been a case of his ego finally taking over his creativity.

A “Behind The Music” special was created for fake artist Gaines, and he also appeared as the musical guest on “Saturday Night Live” the week Brooks hosted. The resulting album Garth Brooks in…the Life of Chris Gaines was intended as a precursor to a feature-length film entitled “The Lamb” that would star Brooks as Gaines and really get the wheels rolling on the project. Yeah…it doesn’t take much foresight to see how oddball this whole idea was, and the Chris Gaines album quickly became a resounding dud, even though it peaked at #2 on the Billboard album chart and actually scored Brooks with his only Top 40 pop hit “Lost in You.”

But the fans were wary and didn’t embrace the character in the long run. The movie studios also took note of this and “The Lamb” was forever shelved. After all this, Brooks’ career was never quite the same as pre-Gaines, though he still retained the rabid fans. He has gone into a semi-retirement, recently appearing again to do a limited series of shows. Like “From Justin to Kelly,” “Cool as Ice,” and the film version of “Magical Mystery Tour,” The Life of Chris Gaines will forever be the WTF blight on Garth Brooks’ career.

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