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Josh Rouse: The Best of the Rykodisc Years

His sales have never quite caught up with the critical accolades his albums have piled up over the last decade, but for lovers of gently introspective singer/songwriter folk-pop, Josh Rouse has been one of the last decade’s most trustworthy artists. He’s been one of the most prolific, too, racking up an impressive eight “official” releases over the last 10 years, plus an array of EPs, digital collections, and other assorted goodies – which is why, even though you may have never heard of Rouse, this two-CD best-of both fills a need and serves a purpose. The first disc collects 18 tracks from Rouse’s five Ryko full-lengths and adds a song from his collaboration with Lambchop’s Kurt Wagner for good measure. The track listing leans slightly heavier on Rouse’s more recent stuff, which is a good thing, as it means more room is devoted to the sunny 1972 and stellar Nashville; meanwhile, on the second disc, fans are treated to the entirety of 2001’s rarities compilation, Bedroom Classics, Vol. 1, as well as a smattering of demos and outtakes. There probably isn’t much here that Rouse fanatics haven’t already found one way or another, but it’s still nice to get it all in one place – and as a primer for one of the most sweetly melodic artists of the genre, it’s just about flawless. (Rykodisc 2008)

Josh Rouse MySpace page

Elvin Bishop: The Blues Rolls On

The blues are about nothing if they aren’t about overcoming adversity, and Elvin Bishop has surmounted more obstacles than most – he is, after all, an Okie cracker whose biggest hit came packaged with a lead vocal from future Starship captain and professional sucktard Mickey Thomas. That hasn’t stopped Bishop from acquiring something like god status in the blues pantheon, however – or from enjoying a critical and commercial renaissance over the last 20 years, churning out a series of solid sides for Alligator and Blind Pig. The Blues Rolls On finds Bishop on a new label, Delta Groove, but he’s surrounded himself with some old friends, including B.B. King, Tommy Castro, James Cotton, George Thorogood, Kim Wilson of the Fabulous Thunderbirds, and Warren Haynes and Derek Trucks of the Allman Brothers Band. Yep, it’s one of those albums – a kinda-sorta tribute to a living legend, heavy on the special guests – and as you might expect, The Blues Rolls On is a decidedly uneven affair. Bishop is in strong form throughout, and all of his guests acquit themselves admirably (particularly the Homemade Jamz Band and their nine-year-old drummer), but the record is drawn from a wide array of sessions, with some guests laying down parts in completely different studios, and as a result, it’s lacking the live feel and cohesion it really needs. Still, it’s a fun listen, and some of these tracks (like “Struttin’ My Stuff,” recorded with Haynes and Trucks, or the solo “Oklahoma”) are among the best of Bishop’s late-period work. (Delta Groove Music 2008)

Elvin Bishop MySpace page

Steve Cropper & Felix Cavaliere: Nudge It Up a Notch

Add all the right elements and you’ve got an effective formula…right? Especially when the combination includes guitarist Steve Cropper, singer/keyboard player Felix Cavaliere and a set list that mines the old Stax sound. Certainly you won’t find more impressive résumés – Cropper helped helm Booker T and the MGs, backed up Otis Redding and the Blues Brothers and wrote such soul standards as “Dock of the Bay” and “In the Midnight Hour.” Cavaliere, as the voice of the Rascals – Young and otherwise – literally defined the concept of blue-eyed R&B. Yet for all its promise, Nudge It Up a Notch doesn’t quite live up to its title. Boasting all originals, including a handful of instrumentals, it offers an air of authenticity, but without the credence that implies conviction. Cropper remains a singular guitarist and Cavaliere clearly possesses one of the most emotive voices of all time, but these new songs pack neither the fire nor the magic of the material they’re emulating. Back in the day, “One of Those Days” and “If It Wasn’t For Loving You” might have fit the formula, but now they represent a recycled sound that long ago was played to perfection.

Ultimately it’s not surprising that Nudge It Up a Notch doesn’t fare better. After all, these songs recall templates that have been indelibly etched, making any attempt to raise that bar a daunting challenge at best. But where Solomon Burke, Mavis Staples and Al Green recently rekindled old glories with albums that moved them forward, Cropper and Cavaliere seem content to glance backwards and retrace well-trod terrain. Although an admirable attempt, it lacks a necessary quotient when it comes to daring and distinction.

Steve Cropper MySpace page

Winter Dance Party: Holiday Greetings to You

What’s worse than bad Christmas music? How about bad Christmas music as played by people pretending to be dead rock stars? Awesome! Just in time for the Christmas shopping holidays that begin immediately sometime right before or after Halloween, it’s Winter Dance Party, comprised of Buddy Holly, Richie Valens, and Big Bopper impersonators. If you’re guessing that somewhere in this disc you’ll hear Christmas chestnuts played in the style of “Peggy Sue,” “La Bamba,” and ahhh…..hmm…whatever else it was Big Bopper did that wasn’t “Chantilly Lace,” then you’ll be absolutely wowed by this collection. So yeah, it’s another quick Christmas cash-in with the likes of “Let It Snow,” “Feliz Navidad,” “We Three Kings,” “Silent Night,” and the rest done up dead guy-style. But hey, at least you know these impersonators are the only group officially sanctioned by the surviving families of the deceased to rock such a crazy thing. Completely unnecessary in every way imaginable. (Day Old Records)

Winter Dance Party official site

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