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Random Acts of Listening: The Lotus Eaters, “Sara”

In celebration of the new look for Eat Sleep Drink Music – otherwise known as ESDMusic, of course – let’s roll out a new column, shall we? As you can see, it’s called “Random Acts of Listening,” and the idea is to hit “shuffle” on one’s iPod, listen to the first song that turns up, and write about it. The resulting piece might be personal, critical, or just straight up informational, but the ultimate goal is that it prove interesting, and I’d like to think that anyone who writes for the site can manage to pull off such a task.

First up: “Sara,” by The Lotus Eaters, from their 2001 album, silentspace.

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Seen Your Video: Natalia, “Perfect Day”

I’m going to be honest, and the publicist will hate me for this, but I have to do it: “Perfect Day,” the debut singer by UK pop/R&B starlet Natalia, does nothing for me. It’s a nice sentiment, but a bit moon-eyed in its optimism for my tastes (which of course makes it ideal for its intended teen audience, but that’s another discussion). The video is even sillier. Having said that, and at the risk of being labeled the perviest perv in all of Pervville, look at her. She’s flat-out gorgeous, and rocks that mock turtleneck like no other. Most of today’s popsters come with the powerful voice and the over-produced music, but are completely lacking a unique look or personality. Natalia may not have the tunes yet – one of the songs on her MySpace page uses a huge chunk of Adam and the Ants’ “Prince Charming,” which sounds cooler on paper than in execution – but hot damn, does she have the voice, and she’s got the look. What in the world can make a brown-eyed girl turn blue, etc.

Natalia was gracious enough to shoot a personalized intro for Bullz-Eye’s readers, and lets rip with a little singing to show that she’s not some auto-tune charity case. Good news indeed, but we’re curious to see what she would do if she had Mark Ronson in her corner. Just a thought when it comes time to make album number two, my dear.

Talk Talk: Live at Montreux 1986

Is it just us, or is Talk Talk one of the most underrated bands of all time? Seriously, is there another band on the planet that had the growth trajectory over its first five albums that Talk Talk exhibited? (Your results may vary over the course of Talk Talk’s last two albums, but you cannot deny that they refused to do the same thing twice, come hell or high water.) This video catches the band both at their commercial peak (their third album, 1986’s The Colour of Spring) and on their last tour, playing Switzerland’s Montreux Jazz Festival and bringing a small but packed house to its knees. Singer Mark Hollis was not one for small talk with the audience, or even doing much more than walking between the mic and the drum riser (or taking off his sunglasses, indoors), but when he starts singing, he shakes like a man possessed by the Holy Ghost, and with perfect pitch to boot. Even the band’s earlier, more synthesized fare is fleshed out by the eight-piece band, giving some unlikely songs a little welcome breathing room (“Call in the Night Boy” in particular). The set list is near-bulletproof – all the big hits, from “Talk Talk” to “Living in Another World” and “Life’s What You Make It” are here, along with their It’s My Life album in its entirety, save one song – though we wished that they had made room for “Happiness Is Easy” in the 14-song set. Then again, the band did what every great band does: they left us wanting more. This is a must-have for any fan of a criminally unappreciated band. (Eagle Vision)

Click to buy Talk Talk: Live at Montreux 1986

Army Navy: Army Navy

I am going to say something Army Navy will love, followed by something that will make them want to kill me. Army Navy’s self-titled album is a dandy collection of jangly pop rock that will have fans of Robyn Hitchcock and Teenage Fanclub jumping for joy. Singer Justin Kennedy has a delicate but steady voice, and his melodies are instantly hummable. Now for the part that will make their blood boil: they’re a power pop band, which is usually the kiss of death for a band’s commercial prospects. Still, who knows: Jack’s Mannequin’s first album was a power pop record, and they’re doing just fine, thank you. That said, Jack’s Mannequin never wrote anything as dreamy and harmony-laden as “Dark as Days” or “Slight of Hand,” the latter of which just scored a spot on the soundtrack for “Nick & Norah’s Infinite Playlist.” Will Kennedy’s connection to Ben Gibbard (they were both in the band Pinwheel) carry Army Navy over the power pop barrier? God, we hope so. We understand the bias against power pop – most of the bands that play it admittedly suck – but Army Navy deserves better than that. Here’s hoping they get it. (The Fever Zone 2008)

Army Navy MySpace page

Andy Bopp: This Guitar Kills Singer Songwriters

To paraphrase an old expression, this Bopp apparently never drops. Taking leave of his day job at the helm of the Myracle Brah, and his sometime side project Love Nut, Andy Bopp ups the ante on multi-tasking via a solo sojourn ironically dubbed This Guitar Kills Singer Songwriters. The result is a 12-song set that sounds more like a batch of demos, all sung solo but with earnest and engaging intent. Fleshed out, the tunes would find a fit with his usual power pop motif, but stripped to their essence, they draw distinct similarities to early Todd Rundgren, Jason Falkner and the Posies’ Jon Auer, both in amplitude and attitude. Like them, Bopp tends to dwell on heartfelt platitudes and downcast emotions, especially as evidenced by the despairing “Broken,” a wistful “If You Go Away” and the lo-fi pair “Good Day to the Night” and “Hearts of Fire.” Indeed, the high standard Bopp sets as a singer/songwriter should dissuade this guitar from engaging in any malicious mayhem. (Rainbow Quartz 2008)

Andy Bopp MySpace page

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