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Spain Colored Orange: Sneaky Like a Villain

They hail from Houston, but there’s nothing about Spain Colored Orange’s sound that will make you think of oilmen and longhorns; instead, their debut full-length effort, Sneaky Like a Villain, suggests a rainbow-colored collision between 10cc and late-period Tears for Fears, with perhaps a dash of Jellyfish thrown in. Pop fans, in other words, will find this album seriously addictive; from the moment you hear the bright, brassy overtones and sugary sweet melody of “Who Am I?” you’ll know you’re in for a treat. The set’s biggest flaw, really, is that the band isn’t content to stick with those sounds — Sneaky falters when it drifts into more ambitious territory, such as songs like “I Remember It Was Christmas Time,” whose compositional depth, though admirable, comes as something of an annoyance after the glorious melodic highs of songs like “Hide” and “Cheap Thrills.” Both sides of the band’s personality mesh perfectly, though, on “Uh Oh, Trouble,” a sprawling, vaguely “Tusk”-like epic that offers five minutes of twists and turns without forgetting the hooks. It’s clearly just an opening statement from the band, but it’s a strong one; by the time the record struts off your speakers with the kids’ chorus and trumpets that close out “The Birds and the Bees,” you’ll be ready to start it up all over again. (Shout It Out Loud 2009)

Spain Colored Orange MySpace page

Seen Your Video: White Rabbits, “Percussion Gun”

Ladies and gentlemen, the line for Single of the Year starts here.

I’m frankly shocked that these guys are from New York. American bands, particularly young ones, don’t write songs like this anymore, and they certainly don’t use arrangements like this. I had these guys pegged for a UK act all the way, with the Adam & the Ants-style percussion, hand claps and old-fashioned piano. Maybe the arrangement was producer Britt Daniel’s idea, who knows. His band Spoon isn’t exactly playing the American game, either. No matter who’s responsible for putting it together, it’s damn good, and had me racing for the band’s MySpace page. How about that, the other tunes are good, too. Time to hit up the publicist for a review copy. (The band’s album, It’s Frightening, comes out May 19.)

So the tune is definitely a keeper. Now about about the video? Tastefully simple, a rarity these days. The camera spins around – and sometimes above – a circular display of white lights that surrounds the band. That’s it. I bet they shot it in an afternoon, then hit the pub, while the director popped a couple Dramamines and went to bed. Nicely done, lads.

The artist formerly known as Cat Stevens might sue Coldplay

Yusuf Islam (a.k.a. Cat Stevens) says that Coldplay’s “Viva La Vida” sounds an awful lot like one of his songs, “Foreigner Suite.” So much so that he might actually sue the band.

“The song definitely sounds like it,” he said of his song. “It has such logical chords and the melody has to be what it is…”

Asked during a telephone interview from London whether he would pursue the issue legally, Islam, 60, said “it depends on how well Satriani does.”

U.S. guitarist Joe Satriani has sued Coldplay, accusing the British band of copyright infringement. He claims substantial original portions of his song “If I Could Fly” are recycled in “Viva La Vida” and is seeking damages.

I’m not familiar with the song that Islam is referring to. Does anyone think he has a point, or is he reaching at straws?

The Fray covers Kanye, hits a home run

The Fray

The other day I heard the Fray’s cover of Kanye West’s “Heartless” on the radio. It’s amazing. Not only is there a completely different rock element to the song, but Issac’s voice is brilliant. With the new, piano-driven arrangement, there’s much more depth, especially when listening to the lyrics.

The track was originally recorded as par of The Fray Live, which is available on iTunes, and was released to radio April 21. While the Fray may have committed a cardinal sin and covered a song that’s currently on the charts, they’ve managed to do so magnificently. There’s not another band I can think of who could have attempted the switch without faltering. It just goes to show that the Fray aren’t going anywhere anytime soon.

Make sure to check out the new single on iTunes, or you can listen to the song for free on YouTube.

Pink Mountaintops: Outside Love

Considering the disparity of his previous projects and a musical palate that’s run the gamut from punk to pensive, grunge to psychedelia, it ought to come as no surprise to find Stephen McBean again falling prey to wanderlust. Outside Love provides the latest chapter in his extended sojourn away from his day job with critical faves Black Mountain, while also offering a retreat to the slightly more refined environs of Pink Mountaintops. This, their third album, finds them keeping their connections to the home team via the occasional cosmic excursion, while boosting their accessibility regimen overall. Veering from the emphatic (“Axis: Thrones of Love,” ”Execution”) to the ethereal (the descriptively-titled “While We Were Dreaming” and “Closer to Heaven”), the music employs swelling choruses and atmospheric enhancements to stunning effect. McBean shows a fondness for languid Neil Young-like intonations – “Vampire” and “And I Thank You” are similarly somber in that regard – but Pink Mountaintops prove themselves a compelling bunch even in deliberation mode. Its telling too that their album cover attempts to replicate the jacket of a Danielle Steele novel, because Outside Love shows an aptitude for being both torrid and tenacious. (Jagjaguwar)

Pink Mountaintops MySpace page

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