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Slayer: World Painted Blood

November 9, 2009 /


RIYL: Sepultura, Pantera, Suicidal Tendencies

Ready… set… SLAYER!! How these guys still crank ’em out after all these years (their debut album, Show No Mercy, turned 25 last year), we may never know. But the important thing about Slayer’s latest, World Painted Blood, is not just how this record drops the band even more firmly back into classic Slayer territory than 2006’s Christ Illusion, but where in that spectrum we find the band. Whether playing Reign in Blood in its entirety for a number of live concerts with original drummer Dave Lombardo (who is back again on World) had any effect on the proceedings, one has to wonder. For that’s the album World most closely resembles, with the title track’s multi-part construct mirroring the classic “Angel of Death.” It also shares space with shorter, punkier numbers like “Psychopathy Red,” which finds Tom Araya shredding his vocal cords more mercilessly than he ever has before.

slayer 2009 edit

Lombardo draws from his ’80s bag of drum tricks, while Kerry King and Jeff Hanneman occasionally reference even their ’90s work with their creepy-sinister guitar riffs, making the case for Slayer as death metal’s own AC/DC – solidly dependable from album to album, sticking to their tried-and-true dark subject matter, and occasionally straying from what made them great, but always sounding like nobody else. (American Recordings 2009)

Slayer MySpace page

CD QuickTakes, CD Reviews, Metal

More Than This: The Story of Roxy Music

November 9, 2009 /

Bar none the best Eagle Vision video we’ve seen to date, “More Than This: The Story of Roxy Music” is absolutely packed with interviewees, each with a unique perspective on the band’s musical vision, artistic direction and influence. The set is much more focused on the “Eno years” (that way they can include more interview footage of Eno himself), but this makes sense since many consider that period, with all due respect to Avalon, to be their creative peak. The list of rock star fans who sing the band’s praises here is as impressive as it is diverse; Duran Duran’s John Taylor, Bono, Steve Jones, Siouxsie Sioux, and Chic guitarist Nile Rodgers all talk about the impact Roxy had on them, and they even recruited producer Rhett Davies and mixer extraordinaire Bob Clearmountain to discuss how people would ask them to make their records sound like Avalon. Even the extended interview segment – usually a crashing bore – is lots of fun, poking fun at the band’s tendency to have a revolving door at the bass player position. They also included performances of three songs from a 2006 concert. A great tribute to a sorely underrated band. (Eagle Vision 2009)

Click to buy The Story of Roxy Music from Amazon

Music DVDs

Pavement might release best-of compilation

November 6, 2009 /

Pavement guitarist Spiral Stairs recently spoke with NME about the possibility of a best-of Pavement compilation. As previously reported, the band will tour for the time since their breakup in 1999, including stops at various festivals across the globe.

Most Pavement crazies already own all of the band’s available material, so it’s nice to know that this prospective compilation will contain previously unreleased radio sessions.

The guitarist, real name Scott Kannberg, told NME.COM that the album would be likely to feature outtakes as well as the band’s best-known songs, and be released around the same time of their reunion gigs next year.

“There’s talk of doing a best of, with some really cool outtakes on that,” he explained. “The very first radio show that Pavement ever did has never been released. I don’t think anyone’s heard it, so we’ll put that out there sometime.”

The Pavement deluxe reissues are incredible. Each package contains the standard album, b-sides, outtakes, and live performances. For a price hovering around 16 bucks, it’s a great deal. I didn’t think Pavement would be the type of band to release a best-of, but I’m game if we get to hear an ancient radio session. The compilation will coincide with the reunion tour, so I guess it’s good to a have a new release out there.

They should just make an album of original material and be done with it. I’m sure they’ll get the itch later in life, but fans won’t want to hear Stephen Malkmus waxing nostalgic. We want their strange brand of rock and we it now!

Artists, News

Taylor Swift: Fearless – Platinum Edition

November 6, 2009 /


RIYL: Julianne Hough, Miranda Lambert, buying stuff twice

Even by the record industry’s inflated, pre-Internet standards, Taylor Swift’s Fearless was a huge album, particularly for a teenage singer/songwriter on her sophomore release: in less than a year, it sold more than five million copies in the States, spun off a record-breaking 12 Top 40 hits, and provided some of 2009’s only tangible evidence that someone other than Michael Jackson can still sell records. All of which is presumably the only justification Swift’s label needed to join the obnoxious “deluxe reissue” trend by tacking on five brand new recordings, a “piano version” of album track “Forever & Always,” and a bonus DVD containing five music videos, four behind-the-scenes featurettes, a photo gallery, and the infamous CMT Awards clip that found Swift donning a sideways cap and rapping alongside T-Pain as T-Swizzle. It’s a ton of extra content, to be sure – and at Amazon’s loss-leader early price of $14.99, it’s a heckuva bargain, too. And it’s also worth mentioning that in today’s era of a la carte digital distribution, this kind of repackaging isn’t quite as crass as it was before iTunes and Amazon’s MP3 Store came along. Still, Fearless: Platinum Edition fails to resonate on two levels: first, although the new tracks aren’t bad at all, they don’t feel like missing pieces of the original album – which ties into the second problem, which is that at 19 tracks and almost 100 minutes of music, this is a bloated, unfocused version of a record that was pretty close to perfect as it was. Why not release an EP – or better yet, why not save these songs for the next full-length album? Simply to drop a piece of premium-priced product on store shelves in time for the holiday season, when Swift’s many teenaged fans can hit up their loved ones for a copy. Fearless still does a fine job of illustrating Swift’s gifts as a songwriter and performer, but this version just isn’t as much fun. (Big Machine 2009)

Taylor Swift MySpace page

CD QuickTakes, CD Reviews, Country, Pop

Pixies launch “Doolittle” tour

November 5, 2009 /

Pixies

Chalk this one up to a tour I wish I could’ve seen. In 1989, the Pixies released Doolittle, an indie-rock classic featuring disjointed guitars, awkward screaming, biblical lyrics, and juicy hooks. It’s my favorite Pixies record, so I wish I had the time to catch them touring in support of the album’s 20th anniversary.

The reunited Pixies began a nine-city U.S. Doolittle Tour this week in Los Angeles, marking the 20th anniversary of their alt-rock classic. Its intense mix of sonic dementia and soaring pop melody was brought to life in a 90-minute set filled out with memorable, if overlooked Pixies B sides from the same era, beginning with the heavy thump of “Dancing the Manta Ray,” the thrashing Spanish guitar of “Weird At My School” and the blistering, spooky surf sounds of “Bailey’s Walk.”

Like the Doolittle album, the performance Wednesday was an unsteady balance of darkness and light, from howls of unease to the warmth of “Here Comes Your Man,” as the band’s faces were spread out on the big screen behind them, goofing in black and white like the Beatles in A Hard Day’s Night. After some sci-fi gibberish from Francis on “Dead,” Deal announced happily, “We’re still on the first side” of the album.

The Pixies are another cherished band that I discovered later in life. They’re one of the the few bands I would go out of my way to see. From what I’ve read, they put on a great show.

Now the surviving members of the Replacements just have to get back together.

Concerts, News, Videos

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