Page 130 of 583

Iggy and the Stooges to unload ‘Raw Power’ box set

Iggy and the Stooges

To the delight of many, Iggy and the Stooges were finally inducted into the Rock and Roll Hall of Fame last year. Of course, the album that garnered the band its adoration over time was Raw Power, originally released in 1973. It’s one of those albums that deserves to be done up with nice packaging and coveted rarities. Like Iggy and the Stooges’ Hall induction, a decent reissue for their best album is long overdue, but at least Sony is going all out to make sure the buyer gets their bang for their buck.

From Pitchfork.com:

On April 13, Columbia/Legacy will release Raw Power: Legacy Edition. Two weeks later, on April 27, they’ll follow it up with the even more deluxe Deluxe Edition.

The Legacy Edition will include a remastered version of the original album, featuring David Bowie’s original mix, on its first disc. The second disc, titled Georgia Peaches, includes a complete recording of a heavily bootlegged Atlanta live show from 1973– with two previously unreleased bonus tracks to boot: the studio outtake “Doojiman” and a studio rehearsal performance of “Head On”. It’ll also include a 24-page booklet with essays about the band and introductions from surviving members.

All that stuff will also show up in the Deluxe Edition. Both discs will share space with a third disc, Rarities, Outtakes, & Alternates From the Raw Power Era, which will include eight tracks from different sources (five of them previously unreleased). The fourth disc is a 30-minute documentary DVD called The Making of Raw Power.

And yeah, there’s more. You’ll also get a reproduction of a rare Japanese picture sleeve 7″ single of “Raw Power” and “Search and Destroy”, five 5×7 photo prints, and a 7″ softcover booklet with an essay by Henry Rollins and testimonials from prominent folks like Lou Reed, Joan Jett, Tom Morello, and others. Before the April 27 release date, the box will be available exclusively through the Stooges’ website. Stooges nerds, start saving your money.

I feel like I need to wait 30 years before buying an album — when it arrives with all the frills. It will take just take patience and incredible thriftiness.

Juliana Hatfield: Peace and Love


RIYL: Aimee Mann, Tracy Bonham, Carina Round

Juliana Hatfield has had a long and creatively varied musical career. She evolved from her ‘80s jangle rock roots with the Blake Babies, into the tough, confessional rock of her alternative ’90s, before becoming the mature singer songwriter of the current decade. Along the way she was involved in several side and supporting projects, making hers a quite prolific career. A career in which not only did her sound transform, but also her thematic and emotional content. The Blake Babies were intelligent college rock, while her early solo work was both emotionally raw and confident. As she failed to break it really big, her music became tinged with a sense of bitterness, especially on her 2000 Beautiful Creatures and 2004’s In Exile Deo. Excellent albums that explore broken relationships and addiction, anger and no small amount of self-loathing.

Juliana_Hatfield_01

But times change and her music continues to change along with it. Progressing through two more solo works and a published biography, she has reached 2010 at a different place in her life, and Peace and Love is clear evidence of this. Stripped down to a quiet and mostly acoustic sound, Hatfield is still unafraid of the intensity of her emotions, but is more accepting and willing to be heartfelt in their expression. Peace and Love is a minimalist collection of 12 songs that performs a very difficult task. These songs sing of love and heartbreak and loss without any sense of resentment or cynicism, instead showing a mature positivity and acceptance without falling into schmaltzy platitudes. She asks, “Why Can’t We Love Each Other” as an honest question, lacking any resignation. Even when she sings, “I’m Disappearing” with a fragile vulnerability, she is refusing to give in to any inevitable dissolution.

Peace and Love is just Juliana and her guitar or piano with minimal effects, pouring herself into a surprisingly inspirational record that is never pat or preaching. What might seem at first to be a darkly solitary album turns out to be subtly strong and affirming. Excellent work from a master songstress that should open new doors in an already amazing career. (Ye Olde Records 2010)

Juliana Hatfield MySpace page

Danny Ross: One Way


RIYL: Sufjan Stevens, Wilco, Ben Folds

It’s one thing to say you sound different than everyone else. It’s another thing entirely to do it without trying. New York City-based singer/songwriter/pianist Danny Ross falls into the latter category, at least it seems that way on his latest, One Way. Sure, you can try to lump Ross in with the likes of Ben Folds or Sufjan Stevens, but he set out to add elements of the Who’s Tommy or Wilco’s Yankee Hotel Foxtrot, while also channeling his background studying jazz piano. The result is an exuberant batch of songs that may not grab you right away, but slowly do so after repeated listens, when you hear things you didn’t hear the first time around. Ross’ falsetto and unique melodies may also remind you of the late Jeff Buckley, but that’s just a point of reference because dude is clearly doing his own thing. If you like your music to have perfect structure and ear candy hooks, you won’t find much to like on here – but if you veer off the beaten path and like your music to do the same, you’re going to love Danny Ross’s music. The best tracks on this fine set are the literal opener, “Sleepy Dream;” “Stay Here with Me” and “And The Trumpets Sing” which both have melodic elements of ‘60s pop; and the driving, triumphant title track. Just do yourself a favor, and give this one a few spins with time to fully digest it. (Danny Ross 2009)

Danny Ross MySpace Page

Ryan States: Strange Town


RIYL: The Silver Seas, Ben Folds, The Grays

We’ll say this for Ryan States: his story is a unique one. It’s not every day that a press release includes the words “The Eagles,” “Queen,” “gay music” and “recorded on a circus train” (he’s a touring musician for Ringling Brothers), but that sums up States and his debut, Strange Town, as well as anything. He tells tales of being pressured to “fit in” (ahem, stop being gay) and married men hitting on him, but juxtaposes this modern-day lyrical freedom with a sound from days gone by. (Think Jackson Browne crossed with the Grays.) Guitars jangle and chime (and occasionally shred), the piano hops like a New Orleans beer hall, and he even gives a song a good old fashioned sax solo, while States sings in a baritone not unlike Rufus Wainwright or the Silver Seas’ Daniel Tashian. He doesn’t knock every song out of the park, but the arrangements are solid, and on “I’ll Give You (What You Want),” he resurrects a chord sequence just before the chorus that will stir the soul of any radio listener from the late ’80s, gay or straight. Had States been around back when this kind of music was popular…well, the album probably never would have found a distributor (only dance acts were allowed to be gay back then), but if it had, Strange Town would easily have saved the lives of a couple thousand boys coming to terms with their feelings. We’re guessing States would take that over a gold record any day of the week. (Drooling Class Records 2010)

Ryan States MySpace page
Click to buy Strange Town from Amazon

« Older posts Newer posts »