Category: Videos (Page 30 of 96)

R.I.P. Les Paul

Les Paul, innovator of the solid-body guitar and multitrack recording, died this morning at age 94.

A tinkerer and musician since childhood, he experimented with guitar amplification for years before coming up in 1941 with what he called “The Log,” a four-by-four piece of wood strung with steel strings.

“I went into a nightclub and played it. Of course, everybody had me labeled as a nut.” He later put the wooden wings onto the body to give it a tradition guitar shape.

In 1952, Gibson Guitars began production on the Les Paul guitar.

Pete Townshend of the Who, Steve Howe of Yes, jazz great Al DiMeola and Led Zeppelin’s Jimmy Page all made the Gibson Les Paul their trademark six-string.

Look around your room, office, or wherever you may be at this moment. Chances are there is some piece of audio equipment you’re either listening to or is lying around in the vicinity. Believe it or not, that equipment would not exist without Les Paul. Back in the days of primitive sound, all that existed was monophonic recording. Everything had to be recorded at once in a live setting. Phonographs, radio, and television all used this format. Originally using acetate disks, Paul was the first to create a multitrack recording. This innovation in sound led many companies to create stereo equipment that could support this technique. These days, the bulk of recordings are made by “dubbing” tracks. Rarely are guitar, bass, piano, drums, and vocals done “live” for a recording. They are multitracked, and Les Paul was the first to record with this method.

Still, Les Paul will always be best known for his signature guitar, the “Gibson Les Paul.” Guitarists the world over are loyal to the instrument and original models are treasured collectors’ items. Along with Leo Fender and Adolph Rickenbacher, Les Paul designed some of the first solid-body guitars. He needed a way for the traditional acoustic guitar to sound louder. By adding a phonographic needle into the body of the guitar, the sound was amplified. These innovations, essentially, led to the first electric guitar. Nearly everyone who plays or loves music should be very appreciative of this man.

There’s enough biography on Les Paul all over the Internet, so there’s no need reiterating it here. The importance of this post is to honor one of the most important people involved in music’s intriguing history. I’m amazed at how many music fans are unfamiliar with him. Watch the videos above. Even at 90, the guy was one of the better players.

Hank Williams biopic in the works

Nobody sang about heartbreak quite like Hank Williams. Before Elvis Presley, Johnny Cash, and Ray Charles, Hank Williams was the symbol for the heroic American musician. Classics such as “Lovesick Blues,” “I’m So Lonesome I Could Cry,” and “Cold, Cold Heart” described a human suffering that was frighteningly sincere. Although a biopic starring George Hamilton was released in 1964, it does not come near the standards set by “Ray” and “Walk the Line.” Now it looks as if the Nashville-based 821 Entertainment Group and Strike Entertainment will give Williams’ story the preferential treatment. Strike’s partner, Marc Abraham, who produced “Children of Men,” will be writing the script.

I’m really looking forward to this. Williams was the first beloved American singer to succumb to drugs and alcohol. At age 29, he was found dead in his car as a result of a vitamin B12 and morphine overdose. A legend in country music, Williams laid the groundwork for guys like Gram Parsons and Bob Dylan.

Lollapalooza Pre-Day One: Chicago, The City That Doesn’t Give Receipts…and kills its favorite sons

I lived here for ten years, so it should not surprise me in the slightest that things will not go according to plan when I pop into Midway. Even a transaction as simple as a receipt for some Combos would be easy…right? Wrong. The credit card-paying woman in front of me got a receipt with no trouble, while I watched the same woman that helped her hit an infinite series of buttons over and over, only to get the “beep beep” sound again and again…and again. I eventually let it go, thinking it was just a buck and change. I collected my suitcase from baggage claim and headed for the Orange Line.

There are multiple options for riders when you are looking for train passes at the CTA. I was looking for a five-day pass, but all I saw were three-day passes, seven-day passes, and the ‘give us all your money and it will never be enough’ passes. I reluctantly bought a seven-day pass, since I knew I had a hell of a lot of train traffic in my future, and to my benefit, I at least got a pass, which the person in front of me did not, because his transaction “timed out.” I asked the machine to print a receipt, and it said ‘Okay’…then did nothing. Damn, man. I paid for two extra days of travel, and you can’t print me a receipt?

Welcome to Chicago, kids. “The city that works.” So I took my seven-day pass and went to get on the Midway stop on the Orange line. Out of curiosity, I asked the woman at the handicapped entrance, “Did they get rid of the five-day pass?” “They sell those at currency exchanges and Jewel/Osco’s,” she told me, about 30 seconds too late. How convenient, I think. That would have required me to buy a pass to get on the train, get off the train, find a currency exchange or Jewel/Osco, buy a five-day pass, then reboard. Again, welcome to Chicago, the city that works…but doesn’t print receipts.

So I jump on the Orange Line train for my hotel, and the second the doors close and the train heads on its way towards downtown…there is an inescapable whistling sound on the train. It has nothing to do with the train’s velocity – it’s just…there. So even as I try to forget everything that has happened up to this point, the damn subway train is taunting me. “You didn’t get a receipt, sucker! Ha ha hahahahahahahaha!” To make matters worse, my wife texts me later in the day and says, “Sit down,” then tells me that John Hughes is dead. This, after I saw some guy tear around the Sears Tower (technically the Willis Tower, but sorry, it’s way too soon for that) in a convertible, which instantly made me think of the garage attendants from “Ferris Bueller’s Day Off” taking a joy ride with a similar car. Creepy.

Friday’s forecast: Chance of thunderstorms, high ’80s. Sorry, but the day after John Hughes dies, it should rain in Chicago. The entire world lost a brother, a son, a father, an uncle, and their best friend. I know that I’m supposed to be excited about covering a music fesitval, and I am…but damn, man, I just lost John Hughes. In fact, I just talked with English Beat singer Dave Wakeling, and happened to ask him about John Hughes, Man, this makes me sad.

BE: When John Hughes contacted you in 1987 and asked you to write the title track for his latest movie, did you think that you had just been touched by the hand of God?

DW: Well, that god had touched my hand a few months before. He came backstage in Anaheim after we played a concert. And as he shook my hand, he said, “Anybody who’s got the balls to put a bassoon in a pop record, and get it in the charts, is my man.” He was referring to the bassoon part in “Tenderness” [mimics bassoon line]. We became good friends and I went to his house a few times, and he’s got a wall of records, 50 feet long, 12 feet high. You could point to anywhere on it, and he knew exactly which record it was. Far more serious about music than I ever was, that’s for sure. It was before I had become computerized – and probably before a lot of people had – so we’d talk about this idea of “She’s Having a Baby.” We both had young children and we discussed the ways it makes things better and some ways it makes things worse, and the changes it brings to couples once they start having kids. And then we started writing each other, so I wrote the first draft of “She’s Having a Baby,” and I would send it to him, and he wrote back with suggestions, or angles, where he thought the movie was going. We wrote back and forth three or four times, which I thought was one of the most exciting co-writes I’ve ever done, really. Brilliant man. I don’t even know what he does now. Did he just retire, or what?

BE: He pops out a script about once every seven years. It’s weird. He pulled a Terrence Malick; he just disappeared.

DW: I wonder what he does. I’d like to see him. Is he a happy chap, or is he a reclusive type?

BE: I honestly have no idea. I know that I miss him.

Damn. If I only knew.

Diddy’s “Making the Band” circles back, eats itself

Here’s the good news: Inveterate sampler, fashion mogul, and restaurateur Diddy (a.k.a. Puff Daddy, a.k.a. P. Diddy) has announced that his next album will be his last.

Now here’s the bad news: He’s also announced that the recording of said album will be preceded by yet another season of “Making the Band” — one which will find Der Didster sifting through the contestants to find the musicians and singers that will perform (at least allegedly) on the recordings. No, seriously — here’s a portion of the press release to prove it:

You’ve seen Diddy create a hip-hop group, a female pop group, and a male R & B group. Now the grande impresario is creating a group for himself, to perform on what he is calling his last album. Diddy and his team will leave no stone unturned as they scour the country for musicians and back-up singers to bring his music to life. Those who make it through the early auditions will spend several weeks proving their worth and ultimately Diddy will choose the best of the best to be in his band.

Diddy’s publicist is charmingly optimistic, and it certainly can’t hurt to try, but…bring his music to life? That’s an order too tall for most seasoned studio musicians to fill, let alone a gaggle of hapless reality show contestants. Watch a clip of the show below for a glimpse of the carnage that awaits us all, starting July 27.

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