Category: Videos (Page 24 of 96)

New Modest Mouse and Death Cab for Cutie videos

We’ve got new videos today from two of “indie” rock’s biggest acts. Obviously, I mean indie in the sense of their style of music, as both bands are on a major. While Modest Mouse hasn’t gotten much bigger than they were in 2003, Death Cab for Cutie’s stable seems to grow by the day.

This video from Modest Mouse is for “The Whale Song,” off their newest EP No One’s First and You’re Next.

UPDATE: Vimeo won’t let me embed the video at this moment, though I was able to earlier. You can still check it out here.

“Meet Me on the Equinox” is, of course, Death Cab for Cutie’s contribution to the “New Moon” soundtrack. Death Cab takes a back seat in this one as footage from the vampire flick is shown throughout.

Even though I’m unable to post it on our site, I urge you to check out the one from Modest Mouse. The song is solid and the visuals are stunning.

Pavement to dominate All Tomorrow’s Parties festival in England

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As previously reported, Pavement will reunite and tour next year. Their dates at New York City’s Central Park were announced last month, but now there’s news that Pavement will both headline AND curate the All Tomorrow’s Parties festival in Minehead, England May 14-16.

The festival expanded to the U.S. in 2002 and earlier this year debuted in Australia. So far, the only other announced ATP festival will take place May 7-9 and have another curator.

I went to an All Tomorrow’s Parties festival in 2002 at UCLA. My buddy asked me to go on a whim and I agreed. I wish I had known more about the bands at the time as I just went to get out of the house. Sonic Youth and Stereolab played that night. Yep. Now I listen to those two bands all the time.

Next year belongs to Pavement.

Watch Madonna and Lady Gaga’s “fight” on SNL

Lady Gaga was the musical guest on last week’s edition of “Saturday Night Live,” performing “Paparazzi,” “LoveGame,” “Poker Face,” and a portion of a new song called “Bad Romance.” However, her most memorable appearance occurred in a sketch with surprise guest Madonna. As the two attempt to perform together, tensions quickly arise.

After watching the video, who else believes Madonna is 51 years-old? Divorce has done wonders for the Queen of Pop.

Bruce Springsteen’s “Wrecking Ball” eulogizes Giants Stadium’s forthcoming destruction

While high-profile tours collapse under the weight of a headliner’s recent mistakes, at least the Boss continues to trudge throught the great American landscape. Only a week after Bruce Springsteen turned 60, he and his E Street Band kicked off their five-night stint at Giants Stadium with a new song paying homage to the institution. Seen above, “Wrecking Ball” poetically recounts the history of the New Jersey landmark but also adds an extra touch of whimsy. For Springsteen, a New Jersey native, the track also parallels a trip down memory lane, expressed in vivid images detailing his own storied career.

Per EW.com

That’s not the only treat Springsteen gave me and tens of thousands of other fans last night (pictured), though. He opened the show with a brand-new song, “Wrecking Ball,” penned in tribute to Giants Stadium. “I was raised out of steel here in the swamps of Jersey, some misty years ago,” he began, eliciting loud cheers while strumming an electric guitar alone. As he reached the chorus, Springsteen seemed to be taunting the eroding force of time itself: “Bring on your wrecking ball/Come on, take your best shot/Let me see what you got/Bring on your wrecking ball.” (And was he really just talking about the stadium, or did I detect a more personal note of 60-year-old rock’n’roll defiance in there too?) When the full band kicked in a few moments later, Giants Stadium went wild for one of the last times ever. It was an inspiring start to another of the marathon three-hour shows Springsteen still manages to put on night after night.

These concerts will be last performances ever at the Meadowlands, which will be demolished in 2010 after the NFL calendar has concluded. I hope they play the song on repeat during the demolition.

The Dirty Projectors: should I believe the hype?

A couple months back, I watched the Dirty Projectors perform on the “Late Show with David Letterman.” They played “Cannibal Resource,” a song off their newest album, Bitte Orca. I’m very critical of new music. Often, I’ll immediately disregard a band if they look too young, have multiple keyboard players, have stupid haircuts, or use unnecessary, flashy instruments. Yeah, yeah, it’s unfair and mean-spirited but in this day and age where billions of bands are thrust at the public, I think I’m in the right. There’s too much of everything.

On “Letterman,” I really wanted to like the Dirty Projectors. They didn’t seem obnoxious and I appreciated their simple set-up. However, I just felt the odd rhythms didn’t mesh with the fluid singing. Well, I think they hit the ball out of the park on “Fallon.” They opted to play a non-album track called “When the World Comes to End.” Listen as the female gibberish bounces throughout the studio in wonderful harmony. When the lead singer and guitarist ventures into that meaty solo, it just works. This song reminds me of something Stereolab might write. Now there’s a great band.

As you know, the Roots are the house band over at “Fallon.” Band leader and drummer, ?uestlove, invited the Dirty Projectors into his dressing room to see if they were they real deal. That meeting is below.

I don’t know. What do you guys think about this band?

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