I remember watching this when it premiered in 1995 and it was fantastic. Now the documentary has been remastered by filmmaker Peter Jackson’s production company, and it also will include an episode of more behind-the-scenes footage. Check it out this week!
Category: Documentaries (Page 1 of 2)
David Geffen is one of the most influential figures in the music and movie industries over the past 50+ years. In 2012, PBS released “Inventing David Geffen,” a documentary about his life and career, as part of the American Masters series. The documentary spans his entire career and features interviews with Geffen and a series of musicians and other influential people from the entertainment business.
Geffen is a very ambitious man. And he’s ruthless. Those qualities served him well as he built his fortune, first in the music business and then in Hollywood. He certainly rubbed many people the wrong way throughout his life and career, but he became a billionaire who could leverage his influence in business, philanthropy and politics.
Today is the 30th anniversary of the death of John Lennon. Here’s a video of Paul McCartney offering a tribute to John Lennon.
In my mind, 2010 will be remembered more for moments of strangeness, oddity, and lessened expectation, than it will be for transcendent music. The throwaway nature of pop has never been more transient or incidental; technology enables us to hear as much as we want and, by the sheer volume of those possibilities, to actively listen as little as we ever have. How else to explain Ke$ha and the Glee cast recordings, much less the continuing nonsense of Black Eyed Peas? Raise your hand if you think Bruno Mars or Rihanna are still going to be churning out hits ten years from now, or that Katy Perry (more about her below) will still be squeezing into latex after she and her pasty Brit hubby have two or three little Russells to contend with, and things start saggin’.
I will remember 2010 for several key moments:
Top 10 Music Moments of 2010
1. The Roots, Being the Roots. Are they the best band on the planet? It’s hard to argue when their versatility is put on display every weeknight, and when they reiterate their overall excellence by turning out two of the best records of the year (How I Got Over and Wake Up, with John Legend).
2. Dio, Chilton Die. We lost metal’s gentle sorcerer (Ronnie James Dio) and Big Star’s genius-in-residence (Alex Chilton) within a few months of one another. May they both rock in peace.
3. “The Bed Intruder Song.” Some television producer obviously thought putting Antoine Dodson’s rant on the evening news would make for amusing viewing. Add Autotune, YouTube, and stir, and you have the most unlikely viral hit of the year.
4. Michael Jackson single: Real or Fake? It’s him. Not even Sony would be so dumb as to taint their posthumous cash cow by trying to pawn off a soundalike as the man himself. It’s too easy to get caught. Until MJ rises from the dead (which I firmly believe will happen), this is how he’ll stay in the headlines.
5. ICP’s “Miracles” Video. There is no WTF moment from 2010 nearly as WTF as this WTF moment.
6. Katy Perry’s Breasts Make Videos. Perry’s videos display the two things she does best: making catchy singles and showing off her breastuses. Not since chocolate and peanut butter were mixed by H.B. Reese has a combination worked so well.
7. Rush Become Movie Stars. Who’da thunk the kimono-wearin’, prog-playin’, not-very-pretty Canucks who made Hemispheres and 2112 would ever be so compelling on film? They’re funny, charming, and have more inside jokes than you and your seventh-grade buddies did.
8. Tyler to Idol. It is my fervent hope that Steven Tyler’s defection to television does what 20 years of shitty Aerosmith records was unable to do—namely, stick a fork in a band that has rattled on long past its expiration date.
9. Bret Michael Survives. Dude’s got nine lives. Twenty-five years of groupies, lite metal, drugs, booze, and more groupies has to be good for you.
10. Quasi release “Bye Bye Blackbird.” It’s been in their set for a while, but to hear it on American Gong was something of a revelation. Play it loud enough, and you will be moved. Maybe out of your shoes.
One thing about Rush fans is that they crave more from the band, and the band is more than happy to fulfill that request. Case in point is the long awaited film, “Rush: Beyond the Lighted Stage” – the 106-minute movie that chronicles the band’s history from local Toronto high school and bar band, to the world’s biggest cult act.
The film, produced and directed by Scott McFadyen and Sam Dunn, is novel for the access they had to band, the archival footage of the band’s early years, and key people in Rush’s career. The strength of this documentary is how much the of the early years is covered in exhaustive detail. From their difficulty in getting a record deal (a common tale for many ‘o bands), to being catapulted into A-list shows after hiring Neil Peart as their new drummer, to the lyrical and musical overreach with their album Caress of Steel. It’s all here in glorious detail from the band’s perspective.
What most fans of the band know is that with 2112, the album that was middle finger salute to the record company demanding a more commercial sound, Rush finally connected with their audience in a way that made them untouchable to the meddling of the suits. In other words, with 2112 selling millions of copies, Rush finally became bankable and thus able to chart their own musical course with both long form and more compact albums – like the perennial favorite, Moving Pictures.
While the documentary is quite good at presenting the details of their early and middle years of their career, the film falls short in exploring the years that divides many Rush fans: the “synth” years in the ‘80s. The filmmakers (probably owning to time constraints) weren’t able to go into detail on albums like Grace Under Pressure, Power Windows, Hold Your Fire, or even Presto, nor did they focus on Vapor Trials or Snakes and Arrows all that much. What they did focus on was the fawning commentary from artists like Billy Corgan, Jack Black, Sebastian Bach, and even Les Claypool. After a half hour of hearing how great Rush is, I was muttering at the TV, “Okay, I get it! You love the band. Do I really need to hear it every 10 minutes?”
Still, these are just a few quibbles in an otherwise great DVD. And in keeping with giving fans more, the filmmakers include a bonus disc that has a number of live performances, expanded interviews, and even a dinner with the boys that shows what a bunch of goofs they are. As a gift for any serious music fan, this DVD is a must to put on your gift list. (Zoe Records 2010)
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