Category: Dance (Page 24 of 26)

Bullz-Eye’s Favorite Albums of 2008: Staff Writer Jason Thompson’s picks

Another year in music has come and gone. As I compiled this annual list of my favorite albums, I felt the cynicism creeping over me. Man, the music industry has really gone down the crapper but good. I don’t feel as bad for artists waxing nostalgic about the “good old days” as I might have a few short years back. I’m turning into one of those dudes who “can’t relate” to all the music the kids are digging these days, though I suspect that has more to do with my not being a Jonas Brothers or Hannah Montana fan than anything else. In the meantime, Metallica released a new one whose regular CD mix apparently sounded shitty compared to the “Guitar Hero” edition of the same album, and Axl Rose finally got around to releasing Chinese Democracy, which may have been overshadowed more by Dr. Pepper making good on their promise to give everyone a free bottle of their product if the album was released this year. Yeah, things are a bit of a mess. But here are a nice batch of albums to keep you entertained in this day and age of music biz misery,

Top 10 albums of 2008

1. Kingen: Ride with Me
As soon as I had played this album straight through for the tenth time after shortly receiving it, I figured there wouldn’t be anything else to change my mind about what album would be topping my list this year, and there wasn’t. Sweden’s Kingen created a great brew of real R&B, soul, and rock and roll with a little Louisiana swagger thrown in. The best thing about this album is it isn’t a tribute or nostalgia trip for the artist, but the real deal. Where else are you gonna find that these days?

2. Starfucker: Starfucker
This odd and wondrous pop gem blends strange vocals, goofy synth hooks, and a whole lot of catchy melodies. Their randy name aside, Starfucker have already made some great headway on the indie circuit thanks to this fun and engaging release. Listen to “German Love” once and you’ll never get it out of your head. Sort of like a great Air track, only not so full of itself. The rest of the album goes off in all sorts of directions but never gets too weird for its own good. Pure sugary fun.

3. Earlimart: Hymn and Her
Now stripped down to its two original and essential members, Earlimart continue forth with this hypnotic collection of tunes that goes down the street of the Velvet Underground’s third album, mixing the blissful with the melancholic. Yet it’s all very much more uplifting than downbeat, furthering the proof that this group is still one of the best around. When you’re doing your own thing this well, you never have to look back.

4. Eivind Opsvik: Overseas III
What do you get when you make an album that mixes jazz with a bit of rock and it doesn’t suck? Why, you get this album, of course. Over the course of its extended tracks, Eivind Opsvik throws down the jazz-whathaveyou lead in New York City and lets everyone else follow. This is highly enjoyable stuff without getting too cerebral for those who don’t like too much math in their jazz, or without just sucking all over the place (Spyro Gyra, Kenny G., the rest of the gang). This is almost tranquil listening, with a good groove underneath to keep the heads bobbing.

5.XX Teens: Welcome to Goon Island
If you like your rock to sound like it’s coming straight out of that late ‘70s CBGB’s atmosphere without sounding like wannabes such as the Strokes, then you’ve come to the right place. XX Teens have all the attitude and the musical prowess to put them over with the caffeinated, pilled-up crowd. Razor-thin guitar riffs, crunchy rhythms, and semi-scary lyrics make this a fun trip for everyone who’s sick of the whole doldrums that modern rock has become.

6. Charlatans: You Cross My Path
I honestly hadn’t listened to a Charlatans album in a long time – at least, not a new one. But these guys were one of the very few Manchester groups of the early ‘90s to keep things going, and usually at a critically acclaimed pace. This album can only continue that trend as there’s hardly a miss to be heard in it. For those still spinning the grooves out of Some Friendly from all those years ago and promptly forgot about them, you’d find a lot to like out of this new Charlatans disc as it’s all of that plus a whole lot more, and a whole lot better, stuff.

7. Tal M. Klein: Plastic Starfish
I’ve been grooving to Tal M. Klein since he was calling himself “Trancenden” (a name that he finally shed as he was sick of people assuming that he was a trance music artist). On his latest nautically-themed release, Klein keeps up the good funk and danceable grooves mixing live instruments with sampled vinyl and whatever else he likes. Basically, it’s another slam dunk for Tal. I dunno how the guy finds the time, seeing as how he’s always grooving up some party and writing up restaurant reviews on Facebook, but he’s the man with the master plan and I am but his adoring fan.

8. Feed The Need: Feed The Need
This album was pitched to me by the group’s manager and turned out to be a very enjoyable listen. This group of teenage musicians has pretty much done the impossible. That is, they created an album of mostly original tunes whose lyrics didn’t sound whiny or tried to come off as “older.” These guys sing what they know about, and do it in a way that at times sounds like groups such as Steely Dan in its earlier years. Now what other teenage group is gonna give you that?

9. Heap: Oddball
Heap came back from a little break after their great debut On the Cheap with this second studio set (a live album occurred in there as well) that pretty much continues the fun grooves of the first album. They’re a rockin’ bar band with a love for the Replacements and they mix their strengths well. One can almost imagine them being the band the ‘Mats would have become if perhaps Bob Stinson had got his shit together and Paul Westerberg didn’t get so sentimental. If you love straight-up rock, this is the band for you.

10. Hills Rolling: Something Delicious
To put it simply, Hill Rolling does a great less-is-more thing, mixing Beatles pop sensibilities with Lou Reed-style guitar playing and arranging. Two of my favorite acts rolled out as one new one. I can’t argue with that, and neither should you.

Best Reissues of 2008

1. Nick Lowe: Jesus of Cool
One of the greatest albums ever finally gets the deluxe treatment and everyone can once again hear what the fuss was all about. This is exactly how a great pop rock album should be made. It’s important yet disposable, witty yet touching, sarcastic and trashy. Okay, Nick, it’s time to finally make the proper sequel to this. I know you have to have a few more tunes as great as “So it Goes” up your sleeve these days.

2. Billy Joel: The Stranger 30th Anniversary Edition
This was the album that made me a music lover back in 1977 when I was five years old and my older brother brought it home. This new edition features a superior remastered sound by original producer Phil Ramone, a live CD, and a DVD, not to mention the token booklet and other goodies. It’s till the music that matters, though, and anyone who can’t instantly get into the first few bars of “Movin’ Out” has no soul. And on “Vienna,” Billy created one of his greatest album tracks of all time.

3. The Jacksons: Triumph
A far more enjoyable album (to my ears) than Michael Jackson’s breakthrough Off the Wall, this was the last stop before Thriller and found the Jackson boys grooving all over the damn place. “Can You Feel It?” is still great disco, while “Lovely One” funks harder than anything any of thse guys did before or since. The newly remastered edition sounds fantastic, though its three bonus tracks are complete throwaways. Still, if you truly want to hear a moment in time when Michael and his siblings were unstoppable, then check this out.

Bullz-Eye’s Favorite Albums of 2008: Senior Editor David Medsker’s picks

Abraham Simpson once succinctly explained about how he used to be “with it,” but then they changed what “it” was. Suddenly what he was “with” wasn’t “it,” and what was “it” seemed weird and scary to him. He then pointed a bony finger at his son Homer and said, “It’ll happen to you.”

It happened to me this year.

The thing is, I’m okay with it. Pop is a young man’s game, and I just turned 40, so the vast majority of songs climbing the charts are not aimed at me. In fact, I feel sorry for anyone who feels compelled to remain hip and cool as they hit their late 30s. It’s hard work, and you will invariably find yourself on the other side of the fence from the hordes of people who think (insert indie band of the week here) are the saviors of rock and roll. Don’t fight it: embrace it. Circle of life, etc.

Having said that, I made a concerted effort this year to give a listen to the music that was being aimed at our impressionable youth and see if I could hear what they hear. After trolling through the muck that is Rocco’s ”Umma Do Me” and contemplating whether I wanted to live on the same planet with people who gave Rocco their hard-earned money, I found a few pop singers that I quite liked. The problem is that no one bought their records, which sums up my CD collection – and my favorite songs and albums from 2008 – better than anything: pop music that isn’t popular. Sigh.

Top 10 albums of 2008

1. Midnight Juggernauts: Dystopia
A little Goth rock, a little Daft Punk dance, a little Muse-ish paranoia, and a whole lot awesome.

2. Panic at the Disco: Pretty. Odd
The kids, apparently, were furious with Panic at the Disco’s decision to make a, ahem, more traditional pop album. To that I say: fuck the kids, Panic. I’ll take this over the needlessly wordy songs from your first album any day of the week and twice on Sunday.

3. Airborne Toxic Event: Airborne Toxic Event
I still haven’t read Pitchfork’s brutal 1.6-rated review of this album. Just knowing that they would do such a thing to an album so completely undeserving – their song “Sometime Around Midnight” is worthy of three or four points all by itself – is confirmation that I need not worry what their opinion is about anything, ever.

4. Attic Lights: Friday Night Lights
Odds are the debut album by this Scottish quintet will never see the light of day in the States. The reason? It’s filled with smart, sunny, harmony-laden pop songs that aren’t produced within an inch of their lives, which fell out of favor with Stateside radio programmers about ten years ago. Still, I’m willing to bet that more people are listening to this album ten years from now than anything Akon ever does.

5. Republic Tigers: Keep Color
Much like the Attic Lights, though the Tigers were lucky enough to get their fabulous debut album released on this side of the pond. Being American certainly had a lot to do with that, though it didn’t help them much with getting on the radio. I guess that spot on the “Gossip Girl” soundtrack will have to suffice.

6. Raphael Saadiq: The Way I See It
Again, showing my age here, but this is my idea of R&B. Saadiq’s slavish attention to detail results in the finest Smokey Robinson album in decades. Could have done without the drop-in by Jay-Z, though.

7. They Might Be Giants: Here Come the 123s
So maybe I am into music aimed at the kids, if the kids happen to be my two-year-old. They Might Be Giants’ follow-up to their wildly popular Here Come the ABCs is even better; “Seven” was produced by the Dust Brothers, for crying out loud, and the kids’ screams of “We want cake! Where’s our cake!” will stick in your head for days. The videos on the accompanying DVD are awesome as well. Anyone with a toddler should buy this, stat.

8. Joe Jackson: Rain
At long last, a proper follow-up to Ben Folds Five’s The Unauthorized Biography of Reinhold Messner.

9. Sunny Day Sets Fire: Summer Palace
Think New Pornographers, on a global scale.

10. Benji Hughes: A Love Extreme
Occasionally juvenile, yes, but hot damn, is Hughes hard to beat when he’s on his game. Look for Beck to cover half of the songs here before long.

Honorable Mentions
Coldplay: Viva La Vida
Keane: Perfect Symmetry
R.E.M.: Accelerate
Derek Webb & Sandra McCracken: Ampersand EP
James Hunter: The Hard Way
Flight of the Conchords: Flight of the Conchords
Army Navy: Army Navy
We Are Scientists: Brain Thrust Mastery
Foxboro Hot Tubs: Foxboro Hot Tubs

Songs I loved from albums I loved… less

Never Miss a Beat,” Kaiser Chiefs
Instant classic, this one. All bands should be challenged to write a catchier melody using five notes or less, like the verse here.

Shut Up and Let Me Go,” The Ting Tings
You just know that Debbie Harry loves this.

Chasing Pavements,” Adele
This song went Top 10 in eight countries. In the States, it peaked at #82. Jesus, people.

You Don’t Know Me,” Ben Folds w/ Regina Spektor
The one truly brilliant moment on his most recent album, though once you’ve been married four times, you should by law lose the right to complain about how it’s your ex’s fault.

“A-Punk,” Vampire Weekend
Ey! Ey! Ey! Ey!

Wow,” Kylie Minogue
Meow, meow, meow, meow!

I Will Possess Your Heart,” Death Cab for Cutie
Eight and a half minutes of delusional stalkerism disguised as bold determination. We’re used to the former from them, but not the latter. Bravo.

Money, It’s Pure Evil,” Bigelf
I haven’t done a side-by-side comparison yet, but I’m pretty sure a chunk of the guitar solo here is taken note-for-note from “Comfortably Numb.”

Cantaloupe,” Carlon
Hollies, Hollies, Hollies, get your vocals here.

“Join with Us,” The Feeling
For being a bunch of pop boys, they freaking bring it at the end. As of press date, their second album (this is the title track) has no US release date. D’oh.

This Is Only,” Charlotte Sometimes
‘She’s Half My Age,’ Crush #1. I am positively smitten with this girl. Cute as a button, sassy lyricist and with one of the most unique voices in pop, I can’t believe a major actually signed her. And that’s part of the hypocrisy with the music press: had this been an indie release, and not as slickly produced, people would be lining up with Liz Phair-style rapture for the girl. Ugh.

Fragile,” Kerli
‘She’s Half My Age,’ Crush #2. Here’s another one that would be better served positioning herself as a modern rock goddess than a Goth-tinged popster, and this song’s the proof. Oh, and don’t ever use the ‘G’ word in her presence, if you don’t want your eyes gouged out.

Slave to the Rhythm,” Shirley Bassey
Dame Shirley Bassey covering Grace Jones, with Primal Scream’s “Loaded” serving as the drum track. Does it get any cooler than that?

Girls,” Walter Meego
Daft Punk, crossed with David Cassidy.

They Live,” Evil Nine
Daft Punk, crossed with zombies.

Sensual Seduction“/”My Medicine,” Snoop Dogg
Pity Marvin Gaye isn’t still alive to cover the former. Pity Johnny Cash isn’t still alive to cover the latter.

Never let me down…again: Artists I love making albums I thought were just all right

Aimee Mann: @#%&*! Smilers
She may have hated making albums for the majors, but they sure were better when she did.

B-52’s: Funplex
Better than Good Stuff, but that’s not exactly saying much.

Gary Louris: Vagabonds
I still think he has one of the finest voices in music, but this record could have used a couple shifts in tempo.

Jack’s Mannequin: The Glass Passenger
Want a little cheese with that whine?

2008: The year of the bad band name

Are all of the good band names truly gone? You’d certainly think so, judging from some of the releases we saw this year. Even good bands – including two bands in my Top 10 – gave themselves bad names. Here is a small list of the ones I found to be particularly bad.

Unicycle Loves You
Biography of Ferns
Does It Offend You, Yeah?
Airborne Toxic Event
Sunny Day Sets Fire
Uh Huh Her
The Sound of Animals Fighting
What Laura Says
The Number Twelve Looks Like You
Dancer vs. Politician
We Landed on the Moon

Phony of the Year

Katy Perry. “I Kissed a Girl” and “Ur So Gay” are such manufactured controversy that even Madonna blushed.

Fare thee well

Junior Senior has called it quits. Damn.

Morel: The Death of the Paperboy

Morel is an acclaimed remix artist who as worked with Pink, Depeche Mode, Cyndi Lauper and about a dozen or so other platinum artists. He’s also well known in house music circles for his club singles and his work with the dance music duo Deep Dish. But his career as a solo artist has been noticeably less successful, and The Death of the Paperboy probably isn’t going to change that. Too much of this album has Morel going away from his strengths, and experimenting with ballads and rock-driven pop songs. It occasionally works; “Anymore, Anymore” sounds like some fabulous combination of Erasure and Oasis, and the upbeat “Flawed” sounds like Hot Fuss-era Killers with a dozen or more synthesizers plugged in, but for the most part it all straddles the line into either generic dance music or down-tempo electronic pop. But let’s be honest, Morel makes music predominately for (gay) club play, and there are a few songs here that work great in that regard. But if that doesn’t interest you, then there is no reason to even glance at The Death of the Paperboy. (Outsider Music 2008)

Morel’s MySpace Page

Popdose’s Top 100 songs of the past 50 years: less vomit-inducing than Billboard’s list

It started as a simple “can you believe this?” post and soon morphed into a battle cry. Billboard announced their all-time songs of the Billboard era, and Chubby Checker’s “The Twist” topped the list (the song actually topped Billboard’s singles chart twice), followed by such timeless classics as “Smooth,” “How Do I Live,” “Macarena,” “We Belong Together” and “Un-Break My Heart.”

The Popdose staff, needless to say, was not amused.

And so, we (ESD writers David Medsker, Will Harris, Jeff Giles, Michael Fortes and Mojo Flucke, PhD are all Popdose contributors) set off to create our own list, one that would surely be just as flawed as Billboard’s list – women and non-whites are woefully underrepresented – but would have infinitely better taste. In the end, I think our list is a grand example of our extreme whiteness, but also a damned fine list. I’m still pissed that “The Air That I Breathe” didn’t make the cut, though.

To view Popdose’s Top 100 songs of the past 50 years, click here.

ohGr: Devil in My Details

When he’s not busy freaking people out with industrial explosions in Skinny Puppy, starring in rock operas with Paris Hilton (“Repo! The Genetic Opera”) or doing heroin, Nivek Orge (or Kevin Orgre when he’s feeling less dyslexic) is the frontman of ohGr. Unlike the ultra-abrasive sound of Skinny Puppy, ohGr has traditionally been slightly more accessible than that group of industrial pioneers. Welt, their first album, incorporated electro and even some synth-pop into the mix, while the ingeniously named follow-up Sunny PsyOp did the same. But on their third album, Devil in My Details, there’s nary a synth riff or electro beat to be found. This is nearly as industrial and frightening as a Skinny Puppy record, which is weird considering that this is the first release by ohGr since Skinny Puppy got back together, maybe Orge can’t turn the industrial side of him off now that’s it’s been turned back on. It’s also not nearly as good as either of those two records or anything Skinny Puppy’s done since their reunion, losing steam quickly after the first two strong tracks (“Shhh” and “Eyecandy”). There are a lot of ideas on Devil in My Details; Ogre goes off on rants about government conspiracies, the evils of eating meat and other assorted topics, but there isn’t a lot of music. For hardcore fans of Ogre and his assorted side-projects only. (Synthetic Symphony 2008)

ohGr MySpace Page

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