Category: Pop (Page 59 of 216)

Leona Lewis: Echo


RIYL: Christina Aguilera, Whitney Houston, Kelly Clarkson

Leona Lewis has a beautiful voice – clear, strong, and remarkably non-susceptible to the sort of melismatic dicking around that far too many pop vocalists seem to think passes for singing. It’s the type of voice that begs to be dropped in front of a sympathetic band and some truly tremendous material, and using it to record synthetically produced, pleasantly anonymous pop songs is a little like bringing a cannon to a knife fight: a tremendous waste of perfectly good ammo. Of course, not every song can be a standard, but c’mon – Sony BMG is one of the biggest corporations on Earth, and they can definitely afford better material than the middle-of-the-road fluff Lewis is saddled with here. She’s definitely game – in fact, her voice rings so brightly that she almost manages to transcend the uniform ordinariness of the material – but the ultimate effect is never more than mindlessly entertaining. Which is probably precisely the point of an album that was clearly assembled with such an eye toward big-picture chart domination that the finer details – like finding great songs, for instance, or not lumping Lewis’ gourmet voice in with a duet partner as proudly, generically vanilla as OneRepublic’s Ryan Tedder – were somehow forgotten. Echo is fine, for what it is – but like Lewis’ similarly pedestrian debut, it could have been much, much more. (RCA/19 2009)

Leona Lewis MySpace page

Foreigner: Can’t Slow Down


RIYL: Boston, REO Speedwagon, Survivor

Mick Jones recorded without Lou Gramm once before on 1991’s Unusual Heat. Now with the seemingly permanent departure (although in the world of sports, music and professional wrestling, never say never), Foreigner has released Can’t Slow Down, exclusively through Wal-Mart. Kelly Hansen, formerly with Hurricane, fills the large shoes of Lou Gramm rather admirably with a sincere and effective effort on the new material. Interestingly enough, Hansen, although without the same depth and power as Gramm, has a very similar voice and pulls off the classic foreigner stuff very well. The three-disc collection includes the new album, a collection of remixed classics and a concert DVD of this line-up performing the hits. The new material like the title track and “In Pieces” will fit in well within the catalog. Formulaic as it may be, complete with the big production of veteran Rock Producer Marti Frederiksen, it is full of hooks and incredibly well executed. Jones is not appreciated enough for his ability to write crunchy but catchy rock tunes. Can’t Slow Down features a couple of ballads, as Foreigner records are required to by law, to do and they are decent. The remixes take the old material and tweak them to where the audiophile will only be able to tell (they are the originals and not re-recorded by this line-up). The concert DVD is a blast, and to see the 60+ year old Jones lead his band through the classics with energy and great guitar chops, is a pleasant surprise. Watching him sing lead on “Starrider” is a gas. (Foreigner 2009)

Foreigner MySpace page

Love and Theft: World Wide Open


RIYL: Poco, Jimmy Wayne, Restless Heart

Every once in a while, a country act comes along that opens eyes and ears. Sometimes they’re so good that they also open mouths. Frankly, that may not seem to be difficult when many acts in the genre not only do not write their own music, but also don’t sing it. That might sound harsh, but it’s a fact of life on Music Row these days. But alas, there is a new kid in town, or, should we say, kids. Love and Theft is a trio of young men who can write, sing and deliver three-part harmonies that not only rival the best country has to offer, but also may bring to mind classic country rock acts like Poco and Restless Heart. Their debut on Carolwood, World Wide Open, is one insanely catchy song after another, and a breath of fresh air that could just amount to a hurricane in Nashville. The title track is punchy and powerful, and features the kind of chorus today’s music industry execs drool over, but there are plenty of other gems – like the rocking “Runaway,” the harmony drenched “Don’t Wake Me” and the stunning, goose-bump inducing closer “Drowning,” which is easily the best track on here. If you’ve been meaning to give country music another chance, make this be the band that brings you back. Heck, you don’t even have to dig country, because it’s just as much a pop record. Either way, Love and Theft is a young act with unlimited potential. (Carolwood 2009)

Love and Theft MySpace page

Jets Overhead: No Nations


RIYL: Snow Patrol, Keane, Radiohead

Dreamy, brooding alternative rock may have begun with Radiohead, but one thing is for sure – it’s never gone away. There are bands that have kept the torch burning, from Coldplay to Snow Patrol to Doves to today’s entry, Canadian outfit Jets Overhead, who have just released their latest, No Nations. If you have been a fan of any of the above mentioned acts, you’ll find something to like from Jets Overhead – pulsing bass, swirling synth and guitars, and that whole faux British accent that seems to be the perfect vehicle for the genre. But there’s more to Jets Overhead; the album is eclectic enough to keep you from getting bored, and the songs are catchy, too. There are tracks that are made for AAA radio, such as “Weathervanes (In the Way)” and “Heading for Nowhere,” and there are haunting, sparsely produced gems like the title track or “Fully Shed,” the latter of which features some psychedelic sounding harmonies. Somehow, it all works, and it keeps that dreamy, brooding, alt-rock train chugging along. (Vapor 2009)

Jets Overhead MySpace Page

The Echo Falls: The Echo Falls

The Echo Falls is a lesson in simplicity – the debut album from this San Francisco based trio features three guys (including front man and songwriter Alex Mandel) who will remind you of both ‘70s pop (think Loggins & Messina or Seals & Crofts) and current lo-fi hipsters (think Death Cab for Cutie). Delivering songs using only an acoustic guitar, upright bass and sparse drums and percussion will do that, but the tracks themselves have an endearing vibe that is a refreshing counterpoint to what passes for adult album alternative these days. Mandel waffles between tenor and falsetto and does it with ease, and the songs range from the triumphant kickoff “Road to Parnassus” to the (you have to hear this to believe it) They Might Be Giants-meets-Suzanne Vega quirky vibe of “Watchtower.” There’s other elements at work here too; breezy college rock (“Every Second Thought” and “You Have it All”) and ‘70s folk (“Fall Asleep in the Sand”). But the best track of all is “Love Over Time,” which could be the best guitar song Ben Folds never wrote. There’s enough to please many folks on this debut – it’s not like you can vary things a whole lot with sparse production, but the Echo Falls do a pretty decent job of it. (The Echo Falls 2009)

The Echo Falls MySpace Page

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