Category: Alternative (Page 4 of 155)

Our Lollapalooza 2011 Wish List

A few weeks ago, there was a leak that Muse, the Foo Fighters and Eminem would headline Lollapalooza this year. In previous years, when band names have been leaked well before the official announcement, they’ve been accurate, so let’s assume that those are your headliners. Pretty cool and eclectic group, if you ask us. We’ve seen some dyed-in-the-wool alt rockers scoff at the idea of Marshall Mathers playing Lolla, but why the hell not? Snoop Dogg did it two years ago, and no one complained about that.

The festival’s organizers are a good month away from unveiling their lineup, so while we’re in the lull between the leak and the formal announcement, we decided to have a little fun. Here are some bands that we’d love to see take the stage in Grant Park this summer.

Motorhead

Don’t laugh – this makes more sense than the decision to invite Metallica in 1996. They rock harder and faster than anyone alive today, and courtesy of their appearance on “The Young Ones,” they were instantly grandfathered as alt rock forefathers (Ministry’s Psalm 69, anyone?). Still think it’s a long shot? Consider this: Head Foo Fighter Dave Grohl loves Lemmy and has recorded with him, plus the band just released a new record (The World Is Yours), which means a tour is sure to follow. Come on, Perry. You know this would be awesome. Lemmy shows up, drinks all the other bands under the table, and wipes the floor with them onstage. That’s the way we like it, baby.

Franz Ferdinand

Of the big UK bands of the last five years, only Franz Ferdinand and Coldplay have yet to play Lolla, and we’re not sure why. It looked as though the stars were aligned for them to play when the band released Tonight, Franz Ferdinand in 2009, but for whatever reason, it never happened. Considering the heavy nature of the three headliners, both musically and lyrically, the festival could use a party band. The only catch is that the band is not working on a new record, and therefore will not likely be on tour this year. Pity.

Midnight Juggernauts

Odds are these guys aren’t even on Perry’s radar, but they would be a welcome addition to the DJ stage (playing live, of course). This Melbourne trio brings the rock, the beats and the trippy, and wraps it all in tasty pop hooks. And from the shaky camera phone clips we’ve seen, they can bring it live, too.

Biffy Clyro

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NME just crowned them the best live band, and their 2010 album Only Revolutions is finally making waves in the US nearly a year after its release (and after the band sent a whopping six songs from the album into the UK Top 40). They’ve already toured with rumored headliner Muse once this year, and would make for one hell of a setup band for them. Plus, the band plans on returning to the States after they conclude their spring tour. This makes sense on so many levels.

Duran Duran

They were a gateway band to the world of modern rock for millions of kids. Scores of current modern rock bands cite them as an influence. And they’ve just released their best album since Rio (All You Need Is Now), an expanded version of which comes out in a couple weeks with songs written especially for the band by none other than Owen Pallett, lead singer of Lolla 2010 headliners Arcade Fire. They’re playing Coachella, Ultra Music Festival, and South by Southwest. The only problem is that they’re also playing V Fest, in the UK, August 20, so they may already be finished playing the States by the time Lolla comes around. Then again, Enimem is playing the V Festival too, and he’s playing Lolla. We’ll keep our fingers crossed.

N.E.R.D.

If only to dance along with 30,000 other people to “She Likes to Move” and “Hot-n-Fun.”

Scissor Sisters

They’re currently opening for Lady Gaga, another Lolla 2010 headliner. The press loves them. Their songs are ridiculously catchy, fun, and smart. There’s just one teensy weensy problem: they’re gay. Well, the guys in the band are, anyway.

This isn’t a problem for us, mind you. Good music is good music, and we couldn’t care less what the musicians do in their personal lives. But with the explosion of grunge in the early ’90s, all of the dancier artists – you know, the ones that helped get the alternative movement off the ground and served as a musical haven for the strange and confused – were kicked to the curb in favor of the new macho world order, and sadly, the recent Lolla lineups have reflected this. That is not to say that they haven’t had gay artists perform; it just means they haven’t had a lot of openly gay artists who put on *fabulous* live shows perform. Adding the Scissor Sisters would go a long way toward rectifying this, because they’re not afraid of large crowds (they’re huge everywhere in the world except here), and they put on a hell of a show. Given the liquidity of Perry’s sexuality in the past, you’d think he’d be more sensitive to this.

Aimee Mann and Matthew Sweet

There is a certain circle of artists who have indie cred galore, yet never get invited to the big parties. We’re not sure why that is. If you go to the nearest coffee shop that has an open mic, ten bucks says every other girl with a guitar has at least two Aimee Mann albums on her iPod, while Sweet made one of the biggest alt-rock albums of all time in Girlfriend. Neko Case played to roughly 20,000 people at Lolla two years ago, so there is clearly an audience for this kind of music. Mann is known to be a bit of a prickly pear in person, but she’s a dynamite live performer and has one of the most casual relationships with her fans that you’re likely to see. And just imagine if Sweet decided to play Girlfriend in its entirety for a festival crowd. You’d have other Lolla bands lining up to take the stage with him.

So those are our picks for bands we’d like to see play Lolla this year. What are yours? Please leave your polite and well considered suggestions in the comment section below.

Steal This Song: Five O’Clock Heroes, “City of Lights”

We’d just like to clear up something, if you don’t mind. Despite the fact that this column is called “Steal This Song,” rest assured that everything we post comes with the band’s permission. The title of the column is a reference to an Abbie Hoffman book from 1971, something that we’re guessing was lost on the nasty commenter who thought we were stealing from some poor little indie band. No one is actually stealing anything, all right? Now let’s move on.

A surefire way to get us to delete a press release is to use the word ‘gypsy.’ (Double negative score if the word ‘psych’ is used in conjunction with ‘gypsy.’) On the other hand, a surefire way to get us to beg for more is to compare your band to Elvis Costello, the Jam and the Police, and it’s a triple word score if you compare one band to all three.

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It’s clear from the onset that the Five O’Clock Heroes are fans of the Jam, as their name comes from one of their song titles, but is the Jam an apt comparison? To be honest, not really. This is not to say that the band’s album Different Times isn’t good – just that it doesn’t really sound like the Jam. There is a strong Anglo-pop vibe to it, to be sure, and it’s reminiscent of the time in which the Jam were active (and most popular), but a better comparison might be a UK power pop artist like Bram Tchaikovsky or the Members. Now, that is a trend we wouldn’t mind seeing catch on.

Click here to download Five O’Clock Heroes – City of Lights

Click to buy Different Times from Amazon

Candi and the Strangers: 10th of Always


RIYL: Blondie, Cocteau Twins, Lush

Forming a dream pop band is one of the ultimate acts of devotion one can commit. No band in the genre ever rose above cult status in terms of sales, but the ones that have done it well will live forever. You have to think that Austin quiintet Candi and the Strangers knows that their commercial potential has a visible ceiling, but God love them for reaching for it anyway. The band’s sophomore effort, 10th of Always, is like listening to the thoughts of a cool girl in love. She feels the same things that everyone else feels but refuses to let it show, so even when the songs swoon – and boy, do they swoon – it’s done so with impeccable taste and composure, and perhaps a bit of detachment. Cool girls don’t lose their shit, you know.

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Fans of Blondie are going to lap up this album, and not just because “Femme Sonique” is a toned-down re-write of “Atomic.” “Nico Regrets” captures both the smooth and edgy aspects of Blondie’s sound, and the epic closer “The Weather Is Here, Wish You Were Beautiful” is like the Jesus and Mary Chain getting their hands on some lost girl group song and turning it inside out. “Glide,” meanwhile, is positively blissed. There are times, though, when singer Samantha Constant’s vocals are a bit too far down in the mix, and despite the album’s consistently strong songwriting, it takes several listens before some of the songs leave a visible footprint. But such is love, even with a cool girl – you take the good with the bad, and with 10th of Always, it’s all so pretty that complaining about imperfections seems petty. (Candi and the Strangers 2011)

Click here to download Candi and the Strangers – Nico Regrets

Candi and the Strangers MySpace page
Click to buy 10th of Always from Amazon

White Lies: Ritual


RIYL: Bands that sound like Joy Division, Joy Division

Ritual, the sophomore album from freakishly pale London post-punkers White Lies, opens with “Is Love.” It is a love song about love that goes into great detail about how damn awesome falling in love feels. Is it a sign that the group of anemic goth London boys are looking up? Maybe they finally got some sun?

No. Don’t worry. While “Is Love” does extol the virtues of falling in love, nearly every other track on Rituals is a counterargument to that upbeat track, explaining in great detail why love is a hideous monster filled with dread and despair, and something that should be avoided at all costs.

On “Bigger Than Us,” lead singer Harry McVeigh worries that his significant other may be leaving him because she’s taking a different way home from work, “You’ve never taken that way with me before / Did you feel the need for change?” The somber tone of “Peace & Quiet” is a little more abstract, but its a safe bet that when he bemoans a “great pressure coming down on me,” he’s talking about love. He’s definitely talking about love on “Streetlights,” which opens with the oh-so-cheerful lyric “Hold tight for heartbreak, buckle up for loneliness.”

White Lies are mopey bastards, brought up in the school of Joy Division, combining sparse yet soaring riffs with dissonant melodies, all while McVeigh does his best to sound just like Ian Curtis. So yeah, they’re derivative without an ounce of originality in them. But they’re still fun in their own “I can’t believe they’re serious way.” Besides, there are far worse Joy Division rip off groups that you could listen to. On a scale of Interpol to She Wants Revenge, they’re definitely a high Editors. (Fiction 2011)

White Lies MySpace Page

Cake: Showroom of Compassion


RIYL: The Presidents of The United States of America, Ween, Cracker

John McCrea’s deadpan vocals in combination with catchy bass lines and economical but effective horn work make Cake a very unique-sounding band. When you hear a Cake song, you know it’s Cake – there is no hesitation on determining the artist. They flirt with making dance music because the songs are, well, very danceable in a fraternity kegger party way. Showroom of Compassion is the band’s latest and the first Number One (on the Billboard Album charts) of their career. It’s textured and they play with the Cake sound formula and shade it differently, but in the end they build a very solid Cake-like effort.

“Teenage Pregnancy” starts off with some earnest piano recital work before giving way to a deep bass line. Some interesting keyboard work gives off a calliope vibe to create an instrumental that’s equal alternative gem as it is circus music. That track is followed by their latest hit, “Sick of You,” which like “The Distance,” “Never There” or “Short Skirt/Long Jacket,” gets stuck in your head and absolutely won’t work its way out. It has that thump and a repetitive but fun chorus that traps you. “Easy to Crash” pushes Cake as far as they are going to go in the rocking direction, which is then followed by the country folk of “Bound Away.” Essentially, that is the beauty of the band; they weave in and out of different combinations of styles but never ever sound like anyone other than themselves. They sound familiar but never boring. “The Winter” features a supporting vocal track that is reminiscent of 10cc, while some excellent Spanish influenced brass is thrown in for good measure. The record tracks in at about 40 minutes and gives you enough. It’s satiating, but leaves you wondering what interesting tweaks and catchy song they will come up with for their next effort. (Upbeat Records 2011)

Cake MySpace page

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