Category: Alternative (Page 128 of 155)

Road Warriors 11

It’s been four years since Linkin Park’s last album, and on May 15 the band will be releasing the follow-up, Minutes To Midnight. The band will also be headlining the Projekt Revolution Tour this summer, which is expected to begin in late July and run through around Labor Day. More details about dates and bands on the bill will be announced soon.

British songstress Lily Allen has blown up as fast as anyone in recent memory, and she has continued to write music while on tour in the U.S. In fact, she’s itching to head back into the studio before the ideas dry up, causing her to shuffle some of her tour dates here. The adjusted dates are as follows:

4/29 – Indio, CA @ Coachella Valley Music and Arts Festival
5/13 – Seattle, WA @ Everett Events Center (KBKS’s “106.1 Girls Night Out”)
5/15 – Los Angeles, CA @ The Wiltern
6/01 – Charleston, SC @ Center Stage at The Plex (95SX Listener Appreciation Show)
6/12 – New York, NY @ Roseland Ballroom
6/15 – Manchester, TN @ Bonnaroo Music & Arts Festival

Country mega-stars Tim McGraw, Rascal Flatts and Carrie Underwood are all slated to perform at this year’s Academy of Country Music Awards in Las Vegas on May 15. Each of them is nominated for awards in various categories. If there is an award for showing the most leg, Underwood will win it, hands down.

Another former American Idol finalist, Elliott Yamin, is hitting the road in support of his self-titled debut album, a 25-city tour that kicks off May 15 in Atlanta and runs through June 19 in Tucson. The CD, which was released on March 20, debuted at #1 on the Billboard Independent charts and has remained there since. Tour dates Continue reading »

American Idol: Now We Can Get On With Our Lives

Christmas came early last night, as Sanjaya finally got booted off of “American Idol.” I have to admit, I didn’t see it coming and that made it even sweeter. Dude obviously sucked even more than usual on Tuesday night, and he couldn’t overcome the fact that everyone else in this competition is light years better than he is, stupid hair and stupid mustache or not.

But just like last week, we were tortured with a one-hour results show. The group song was first, “I’m Alright,” and for some reason it was more bearable than usual. Then the first guest artist (is this becoming a trend with multiple guests?) was Fergie, who, if you can get past all the weird performance techniques, is really quite a good singer.

Then Ryan Seacrest launched into more about next week’s “Idol Gives Back” episode, promising more stars than originally announced. Here is what scares me: the show will probably be a 3-hour marathon.

Finally, the contestants were broken up into three groups: Sanjaya, Lakisha and Blake; Phil, Jordin and Chris; and Melinda. Ryan told Melinda she was safe, and then promptly asked her to join the group she thought rounded out the top 4. Melinda did the politically correct thing (did you expect anything else?) and just sat in the middle of the stage. Ryan then told her to move toward the Phil/Jordin/Chris group and we had our bottom 3 of Sanjaya, Lakisha and Blake. I knew Lakisha would be there but I was surprised with the other two–I expected Sanjaya would keep his charade going longer, and while I thought Blake underachieved Tuesday night, the judges disagreed with me. But there he was.

After a shameless promotion for “Shrek 3,” Martina McBride performed and was as awesome as she always is. There is no flash, no performance technique, no fluff with Martina….she just sings her ass off every time. Then her daughter jumped up on stage and had some banter with Seacrest and the contestants, and let’s just say the girl has a future in comedy.

The first to be sent back to safety was Blake, and it was down to Sanjaya and Lakisha. I really thought Lakisha was going home, but when Ryan said the words, “Sanjaya, you are going home tonight,” I had that same feeling I got when the ball rolled through Bill Buckner’s legs, or when Scott Norwood’s field goal attempt went wide right. Yeah, I’m still a New York homer, but I digress…..Sanjaya is finally off this show, and now we have a real competition.

But folks, I’m here to tell you that this will be a two person race of Melinda and Jordin…..the next four eliminations can go any way they will, because it will still come down to those two. Or, maybe someone will totally surprise us the next few weeks. That’s why they play the games, and that’s why having Sanjaya off this show is like fog lifting from the airport.

Rock on, America, and see you next week…..

Great Big Sea are a great big blast to see live

It’s common knowledge that you can’t always trust everything that comes out of the mouth (or the pen, or the computer) of a publicist. It’s not their fault; they’ve got a job to do, and that job is to put the best possible spin on the product they’re pimpin’ this week, making it sound fan-fucking-tastic whether it actually is or not. In the case of Great Big Sea, however, I say this to Monica Hopman of Think Press: you weren’t lying.

Monica told me I needed to go check out Great Big Sea at their Norfolk appearance at the Attucks Theater, but I was on the fence; I checked out a few samples at her suggestion, and I said, “Okay, well, they sound like Carbon Leaf, and my wife likes Carbon Leaf, so maybe I might swing by, if I can find a babysitter.”

She wrote back immediately and said, “I will tell you they are better than Carbon Leaf, having seen Carbon Leaf open for Great Big Sea years ago. Their live shows are simply amazing! Bring your kid, because you’ll find families – grandparents, parents, kids – all there, dancing and singing along to every song. Lots of Canadian flags waiving and beer flowing… What is more family than that?!?!?”

Okay, fine, I was sold.

Circumstances beyond my control – including a sick kid, a wife stricken with a headache, and an unscheduled bridge lift – led me to miss the first 45 minutes of the show, however, and I was briefly considering blowing it off entirely…but, man, I’m sure glad I didn’t. Now, keep in mind that this isn’t a formal concert review, since I walked in having missed 2/3 of their opening set and knowing almost none of their songs…but, still, I was so taken by the proceedings that I’d be remiss if I didn’t write at least a little something about it.

Monica was right on the money. The crowd was as disparate as any I’ve seen in some time; in the front in front of me were two little girls under the age of 10, teenagers were plentiful, and for every person my age (mid- to late 30s), there were as many who were a decade or two, sometimes even three, to be found. Even more oddly to me, however, was the fact that I didn’t recognize a single person; this might not seem weird to you, but I go to a fair amount of concerts, and I can’t think of the last time where I didn’t see anyone I knew. This was a very unique crowd of folks…and they knew every freaking word! They were clapping during virtually every song, and they never missed a cue to leap to their feet and dance…and, let me tell you, any band who can inspire four teenage girls to take to the aisle and begin a spontaneous rendition of the Riverdance must be doing something right.

Not only did Great Big Sea sound phenomenal, performing acoustically and switching up instruments (a mandolin popped up on a few occasions), but they were funny, too. They had a pleasant stage presence throughout, telling stories about the origins of their songs as well as throwing in the occasional anecdote of personal experience, like the time they found themselves opening for Barney.

Yes, the purple dinosaur.

I’ll tell you: I’ll be back the next time they’re in town, and not only am I bringing my wife, I won’t be afraid to bring my parents, either. Again, once more for the record, Monica was right on the money: a Great Big Sea concert is a family experience, and I’ll be glad to share it with mine.

Check out their website here, and see if they’re coming to your town anytime soon. You’ll get caught up the frenzy just as readily as I did, guaranteed. If you’re still unsure, though, try this CD/DVD combo of one of their performances:

It won’t be the same as being there, but it’ll give you a surprisingly good idea of what it’s like.

American Idol: Twangfest Not Kind To All

Last night “American Idol” went country. And being that there are no Carrie Underwoods, Bucky Covingtons or Kellie Picklers among the remaining seven contestants, it was, for the most part, a big train wreck. Martina McBride was the coach this week, and she was a good choice because she may be the best female singer in her genre. So without further adieu, here is last night’s recap:

THE GOOD

Jordin Sparks sang “Broken Wing” and as she was singing, I turned to my wife and said, “Jordin could win this thing.” She just gets better every week, and it’s almost like she still hasn’t shown us what she’s really capable of. Randy said it was “the bomb,” Paula said it was fantastic, and Simon said it was the first time that he believed Jordin could win the whole thing.

Melinda Doolittle was awesome as usual, but she’s got to be looking in her rear view mirror at Jordin now. Melinda sang “Trouble Is A Woman” and as always it was completely believable. Randy said it was another solid performance, Paula said it was the right song choice, and Simon said it was a fantastic, Tina Turner-esque performance but that Melinda should lose the whole, “I’m surprised you like me so much” thing. Amen to that.

THE IN-BETWEEN

Phil Stacey sang Keith Urban’s “Where the Blacktop Ends” and it was pretty forgettable. The judges, however, disagreed with me. Randy said Phil could have a career in country music, Paula said it was good from the beginning, and Simon said he finally saw some personality in Phil’s performance.

Chris Richardson sang “Mayberry” and he was also pretty boring. Randy said Chris showed no emotion, Paula said the joy and love didn’t come through, and Simon said he heard a “non-descript, nasally, tinny vocal” that was “insignificant.” Wow. I didn’t think it was that bad, but the judges’ comments may push Chris out the door this week.

Blake had the pimp spot and sang Tim McGraw’s “When the Stars Go Blue,” but he was pitchy and didn’t really do the song justice. I think I would have liked Phil to do this one instead. Anyway, Randy said Blake picked the right song, Paula said he is the whole package, and Simon said he wasn’t jumping out of his chair. I have to agree with Simon, it was just okay.

THE BAD

Lakisha Jones sang Carrie Underwood’s “Jesus Take The Wheel,” and I really thought she was going to take a big swing and hit the ball out of the park, showing up former Idol champ Underwood in the process. But all I felt was the wind from Lakisha whiffing at the pitch. The verse was fine but when she launched into the chorus it was painful to watch. Randy said there were pitch problems and that he expected more, Paula agreed with Randy, and Simon said it was disjointed, like “eating a hamburger for breakfast.” Personally I don’t have a problem with a hamburger for breakfast, but I see his point. Lakisha has been awesome but she may be leaving this week.

Sanjaya reverted back to his sucky self, singing Bonnie Raitt’s “Something To Talk About.” He wore a bandana on his head and was just ridiculous in every way. But lucky for him, and I do mean LUCKY, this kid has the support of Vote for the Worst, Howard Stern, and the rest of America who are trying to turn the show into a joke. Randy said it was like karaoke and added, “What are we doing here?” EXACTLY. Paula said Sanjaya loves adversity (what?) and Simon said it was utterly horrendous. When Ryan Seacrest rushed to Sanjaya’s defense, Simon rightly said, “Shut up, Ryan.” Cowell added that it was worse than anything we saw, even in the initial auditions.

So your bottom three this week…….Phil, Chris and Lakisha. America still loves Blake, and as you all know, strangely loves Sanjaya. Since he’s been in trouble before, I’m going with Chris this week, but wouldn’t be surprised if it was Lakisha either. This thing is shaping up to be a final four of Melinda, Jordin, Blake and Sanjaya. Are you scared yet, America?

See y’all tomorrow with the results…..after another excuciating hour long show.

The Best Albums You’ve Never Ever Heard (Well, PROBABLY Not, Anyway)

Okay, music fans, correct us if we’re wrong, but unless you’re one of those wannabe hipsters that only buys this week’s buzz album, we’re guessing that somewhere in your collection, you’ve got an LP, a cassette, a CD, or even an 8-track that you picked up on a whim, fell in love with, and absolutely love to tell people about… and your introduction usually begins, “Look, I know you’ve probably never heard of this person/these guys, and I don’t know why it didn’t sell a million copies, but, seriously, you’ve got to hear it.”

Maybe they’re a local or regional band who never made the big time. Maybe they did make it to a major label, but the musical climate wasn’t right…or the label didn’t bother to promote the album…or, heck, maybe the band broke up five minutes after the record was released. Whatever the case, far too many great albums have ended up selling far too few copies, which is why we’ve taken it upon ourselves to try and rescue some of these all-too-unheralded releases from obscurity. We’ve also managed to get in touch with almost all of the artists whose albums we’re praising in this piece – the lone exception had the very good excuse of having died, but we did, at least, get in touch with one of the producers of his album – and asked them to answer a quick Q&A for us. So not only will you (probably) be introduced to several new albums, but you’ll also feel like you know a little bit about the person or persons responsible for recording them.

Here’s just one example:

The Argument: Your New Favorite Band (Self-released, 2000)

Recommended If You Like: Ben Folds Five, Barenaked Ladies, Toad the Wet Sprocket

The critics can go on and on about how quirky bands don’t last long unless they’re named Barenaked Ladies, and about how songs like “Inflatable Amy” are downright laughable…and, hey, the Argument’s lead singer, Scott Simons, can even say he’s “embarrassed” by his former band’s self-released debut. But when you burn an album into your iTunes and, even seven years later, you can’t stop listening to it, there’s a higher power at work – or, then again, maybe Simons and his band mates had something special that not enough industry types recognized. (Personally, I’m going with the latter.) This West Virginia quartet toured so much in a van pursuing “the dream of being rock stars” that, eventually, their van and their will both stalled with an empty tank. While the album is out of print, its endearing combination of pop, rock, jazz, soul and every other influence under the sun showcases a solid group of musicians who could string melodic hooks and harmonies together as well as anyone. – Mike Farley

Notable Tracks – “Grudge,” “Disappear,” “The Ballad of Ernestine Jackson”

Our interview with Scott Simons of The Argument can be found here.

Check out The Best Albums You’ve Never, Ever Heard (Well, Probably Not, Anyway) in its entirety by clicking here…then feel free to come back and offer up some of your own favorite unheralded albums!

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