Category: CD QuickTakes (Page 74 of 149)

George Harrison: Let it Roll: Songs By George Harrison

When talking about the Beatles, most people think about the two main singer/songwriters in Paul McCartney and John Lennon. But guitarist/songwriter George Harrison was no slouch, and he certainly went on to have many years of success after the big breakup. In fact, Harrison had four Number One singles on the Billboard pop charts, and any fan of his music with or without the Beatles is going to have to own this encompassing collection of the man’s big hits, Let it Roll: Songs by George Harrison. There are tracks like “My Sweet Lord,” “Give Me Love (Give Me Peace on Earth) and “Got My Mind Set On You,” as well as live versions of Beatles classics that he wrote such as “Something,” “Here Comes the Sun” and “While My Guitar Gently Weeps.” There are also some of the more obscure beauties, like “All Things Must Pass” and the pure ear candy of “This is Love.” There is also “Marwa Blues,” a stunning instrumental that showcases Harrison’s unique guitar tone and the way that he could, well, make that thing just weep. If you’ve been a fan from the beginning, you probably already own this album, but if you’re less in tune with the man’s work and you love timeless pop, it’s a classic that you just need to have. (LABEL: Capitol)

Amazon link

This Is a Shakedown!: Love Kills

This Is a Shakedown! market themselves as a little bit of everything; they’re electro meets rock, industrial meets pop, dance meets punk, etc. In reality they’re really just mediocrity meets bland, rehashing the same shtick that Innerpartysystem tried last year; adding synthesizers to tired second-rate emo tunes. They can pile on sequenced electronic patterns, hammer down the synths and distort their guitars with as many effects as their pedals allow, but none of that is going to fix the boring and banal sound of tracks like “Radio,” “Circles” or any of the other 11 interchangeable and utterly forgettable songs on Love Kills. Much of the blame can be placed on the whiny vocals of lead singer Brandon Zano (auto-tune can’t remove his howler monkey yelps) and the generic lyrics he spits out. We get it, Brandon, you’re bummed about a girl. Get over it and sing about something else. Actually, that’s a bit harsh, because there’s nothing spectacularly bad on Love Kills (aside from a very ill-advised cover of My Bloody Valentine), but there’s nothing particularly good on the album, either. This is as forgettable and disposable as rock gets; innocuous, repetitive and bland beyond all belief. (Reversed Image Unlimited, 2009)

This Is a Shakedown! MySpace Page

Shirock: Everything Burns

Nashville rock band Shirock (the last name of front man Chuck Shirock) is a bit different than most of the bands coming from anywhere in the country, let alone Nashville. Their unique brand of anthem-driven rock is way too cool for the Warped Tour crowd, though that’s where they may find most of their fans. In fact, Shirock is more like U2 than any other band – both melodically, musically, and lyrically – as they try to convey positive messages of hope and the desire to make a difference with their music. On the band’s sophomore effort, Everything Burns, each song soars with giant hooks and the vocals of Chuck Shirock as well as female singer Pap, and the instrumentation and arrangements accent each track instead of getting in the way. Really, the best part about Shirock is that they don’t seem like they’re trying too hard to get in everyone’s collective face, and they don’t have to. Standout tracks are the anthemic “Time Goes By” and the Pap-driven “I’ll Take Rain,” as well as the powerful title track, which is about the fact that we should all put time and effort into the things that matter, like relationships and making a difference, and that everything else just burns. Well said, Shirock. (LABEL: self-release)

Shirock MySpace Page

Holly Williams: Here with Me

Holly Williams is the epitome of country royalty. Her grandfather Hank established the family name with classic songs like “Hey Good Lookin,’” and her father Hank Jr. left his mark on country music forever with the help of a devilish, bad boy image, and undeniable outlaw spirit. With the recent release of her sophomore album, Here with Me, singer/songwriter Holly Williams proves she’s worthy of her family’s notoriety. Not only is Here with Me packed full of potential singles, but it’s authentic, believable, and flawless. The music on Here showcases the full scope of Holly’s talent—both as a singer and a songwriter—as she belts out songs about “Mama” to honky tonkin’ boot stompers like the infectious, “A Love I Think Will Last.” Most impressively, there’s a commanding authority in her storytelling, and life in her lyrics that stretches far beyond her 28 years.

There isn’t a song on Here with Me that doesn’t deserve a moment in the spotlight, but the record shines brightest when Williams sings of heartbreak and hardships. Bittersweet undertones come through on tracks like, “He’s Makin’ a Fool Out of You,” “Three Days in Bed,” and “Alone.” The rawness that resonates in her vocals conveys an honesty that’s been sadly absent from the sugary country-pop of late, and the appropriate simplicity in her lyrics make the whole thing seem effortless. Other standouts on Here include, “Keep the Change,” and “Without Jesus (Here With Me),” from which the record’s title was spawned.

Here is the perfect combination of raw emotion, illustrative lyrics, and beautifully composed melodies, creating one of the best female vocal performances country music has heard in years. Where other artists prove to be predictable, Williams keeps listeners entertained, cranking out song after song of quality country with a contemporary edge and loads of credibility.

Here with Me would be best served on a warm summer night, under the light of a full moon, with a side of red wine. It’s a record you can laugh with, cry to, and even learn a few life lessons from along the way. Here with Me should fit nicely into a library filled with soulful singer/songwriters or country sweethearts like Jennifer Nettles, Emily West, or Katie Armiger. Whether or not you’re a country fan, however, Holly Williams and her latest release are definitely worth investigating. You may just fall in love.

Michael Johns: Hold Back My Heart

Nobody ever said you had to win American Idol to have a successful music career. In fact, each year more former contestants are finding a niche for themselves in some corner of the music business. Enter the latest of those, Season 7 alum Michael Johns, who used Idol as a springboard not just for popularity, but as a means to finally make the kind of music he wants—blue-eyed soul. Johns had been down the rock road before, his Australian roots bringing comparison to the late Michael Hutchence, among others. But it was when a phone call from his mom prompted Johns to follow his true passion, which was to sing the music he grew up on, and his path had suddenly been set out before him. Several years later, Johns has delivered a solid Downtown Music debut, Hold Back My Heart, with many of the songs being Johns’ co-writes with Dave Cobb. Falling somewhere between the music of his idols Otis Redding and Sam Cook and the sappy soul of guys like James Morrison, Johns has discovered a middle ground that could absolutely launch his career to lofty heights—though nothing is guaranteed in today’s music business. Coincidentally, the opening (and best) track was a song Morrison had a hand in, “Heart on My Sleeve.” Other standouts are the aching ballads “Fools Gold” and Heart is Weak” (the latter written by Diane Warren) as well as the bluesy boogie of “Little Bear.” As impressive as it is, though, Hold Back My Heart falls short of being a home run, but leaves plenty of room for growth. (LABEL: Downtown)

Michael Johns MySpace Page

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