“All Men Are Liars” from Party of One. Those damned dancing flowers were finally put to good use.
“All Men Are Liars” from Party of One. Those damned dancing flowers were finally put to good use.
It’s common knowledge that you can’t always trust everything that comes out of the mouth (or the pen, or the computer) of a publicist. It’s not their fault; they’ve got a job to do, and that job is to put the best possible spin on the product they’re pimpin’ this week, making it sound fan-fucking-tastic whether it actually is or not. In the case of Great Big Sea, however, I say this to Monica Hopman of Think Press: you weren’t lying.
Monica told me I needed to go check out Great Big Sea at their Norfolk appearance at the Attucks Theater, but I was on the fence; I checked out a few samples at her suggestion, and I said, “Okay, well, they sound like Carbon Leaf, and my wife likes Carbon Leaf, so maybe I might swing by, if I can find a babysitter.”
She wrote back immediately and said, “I will tell you they are better than Carbon Leaf, having seen Carbon Leaf open for Great Big Sea years ago. Their live shows are simply amazing! Bring your kid, because you’ll find families – grandparents, parents, kids – all there, dancing and singing along to every song. Lots of Canadian flags waiving and beer flowing… What is more family than that?!?!?”
Okay, fine, I was sold.
Circumstances beyond my control – including a sick kid, a wife stricken with a headache, and an unscheduled bridge lift – led me to miss the first 45 minutes of the show, however, and I was briefly considering blowing it off entirely…but, man, I’m sure glad I didn’t. Now, keep in mind that this isn’t a formal concert review, since I walked in having missed 2/3 of their opening set and knowing almost none of their songs…but, still, I was so taken by the proceedings that I’d be remiss if I didn’t write at least a little something about it.
Monica was right on the money. The crowd was as disparate as any I’ve seen in some time; in the front in front of me were two little girls under the age of 10, teenagers were plentiful, and for every person my age (mid- to late 30s), there were as many who were a decade or two, sometimes even three, to be found. Even more oddly to me, however, was the fact that I didn’t recognize a single person; this might not seem weird to you, but I go to a fair amount of concerts, and I can’t think of the last time where I didn’t see anyone I knew. This was a very unique crowd of folks…and they knew every freaking word! They were clapping during virtually every song, and they never missed a cue to leap to their feet and dance…and, let me tell you, any band who can inspire four teenage girls to take to the aisle and begin a spontaneous rendition of the Riverdance must be doing something right.
Not only did Great Big Sea sound phenomenal, performing acoustically and switching up instruments (a mandolin popped up on a few occasions), but they were funny, too. They had a pleasant stage presence throughout, telling stories about the origins of their songs as well as throwing in the occasional anecdote of personal experience, like the time they found themselves opening for Barney.
Yes, the purple dinosaur.
I’ll tell you: I’ll be back the next time they’re in town, and not only am I bringing my wife, I won’t be afraid to bring my parents, either. Again, once more for the record, Monica was right on the money: a Great Big Sea concert is a family experience, and I’ll be glad to share it with mine.
Check out their website here, and see if they’re coming to your town anytime soon. You’ll get caught up the frenzy just as readily as I did, guaranteed. If you’re still unsure, though, try this CD/DVD combo of one of their performances:

It won’t be the same as being there, but it’ll give you a surprisingly good idea of what it’s like.

Okay, music fans, correct us if we’re wrong, but unless you’re one of those wannabe hipsters that only buys this week’s buzz album, we’re guessing that somewhere in your collection, you’ve got an LP, a cassette, a CD, or even an 8-track that you picked up on a whim, fell in love with, and absolutely love to tell people about… and your introduction usually begins, “Look, I know you’ve probably never heard of this person/these guys, and I don’t know why it didn’t sell a million copies, but, seriously, you’ve got to hear it.”
Maybe they’re a local or regional band who never made the big time. Maybe they did make it to a major label, but the musical climate wasn’t right…or the label didn’t bother to promote the album…or, heck, maybe the band broke up five minutes after the record was released. Whatever the case, far too many great albums have ended up selling far too few copies, which is why we’ve taken it upon ourselves to try and rescue some of these all-too-unheralded releases from obscurity. We’ve also managed to get in touch with almost all of the artists whose albums we’re praising in this piece – the lone exception had the very good excuse of having died, but we did, at least, get in touch with one of the producers of his album – and asked them to answer a quick Q&A for us. So not only will you (probably) be introduced to several new albums, but you’ll also feel like you know a little bit about the person or persons responsible for recording them.
Here’s just one example:

The Argument: Your New Favorite Band (Self-released, 2000)
Recommended If You Like: Ben Folds Five, Barenaked Ladies, Toad the Wet Sprocket
The critics can go on and on about how quirky bands don’t last long unless they’re named Barenaked Ladies, and about how songs like “Inflatable Amy” are downright laughable…and, hey, the Argument’s lead singer, Scott Simons, can even say he’s “embarrassed” by his former band’s self-released debut. But when you burn an album into your iTunes and, even seven years later, you can’t stop listening to it, there’s a higher power at work – or, then again, maybe Simons and his band mates had something special that not enough industry types recognized. (Personally, I’m going with the latter.) This West Virginia quartet toured so much in a van pursuing “the dream of being rock stars” that, eventually, their van and their will both stalled with an empty tank. While the album is out of print, its endearing combination of pop, rock, jazz, soul and every other influence under the sun showcases a solid group of musicians who could string melodic hooks and harmonies together as well as anyone. – Mike Farley
Notable Tracks – “Grudge,” “Disappear,” “The Ballad of Ernestine Jackson”
Our interview with Scott Simons of The Argument can be found here.
Check out The Best Albums You’ve Never, Ever Heard (Well, Probably Not, Anyway) in its entirety by clicking here…then feel free to come back and offer up some of your own favorite unheralded albums!
Yeah, sadly though it isn’t an actual Menudo or the Menudo I remember from the early ’80s, but rather a new Menudo that will be part of a reality TV show, natch. The show will be on MTV and is called “The Road To Menudo.” Gotta love the smell of desperation. Chances of success? 1,000,000,000%.
Way back yonder in September of 2005, I wrote these statements of The Click Five’s debut album, Greetings From Imrie House:

“Mark my words: this will be remembered as one of the catchiest albums released in 2005. Sugary sweet though it may be – and we’re talking the potential to deliver a mouthful of cavities with every track – it nonetheless has some of the strongest hooks in recent memory. Throw your caution and indie cred to the wind; guilty pleasures don’t come any better than this.”
I stand by these statements…but I admit, when I recently saw these words appear on the band’s website, they gave me pause:
“CLICK THIS! AND GUESS THE NEW SINGER OF THE CLICK FIVE! That’s right, The Click Five has a new lead singer. Can you pick the new member out of a crowd? Choose correctly and be entered to win a trip for 2 to the filming of the new Click Five Video.”
Wow, really? A new lead singer after only one album…? What’s that about?
Well, this is the only official comment from the band, released back in March:
“Hey Everyone! We hope you are all doing great! We are excited to announce that we have brought on a new singer. After several years of playing together we have decided to part ways with Eric. We know he will be missed by many and we wish him the best success in his other endeavors. All that said, things are getting very exciting for The Click Five! Get ready because the first single off our sophomore record will be hitting the airwaves within the next month, and we’ll be revealing the new singer as soon as we get some hot topless shots of him for you! Changes come with the seasons and we are excited that this Spring is going to be the rebirth of everything we love about music. We’ll see you in your city soon!”
Hmmm. The fact that they decided to part ways with him makes me all the more suspicious about how pre-packaged these guys are.

As far as the difference between old singer and new…well, based on the group’s new single, “Jenny” – which, frankly, could well be the best 99 cents you spend on iTunes today if you’re a fan of glossy ’80s-styled keyboard-driven pop-rock – I think I might actually like the new dude better. I mean, nothing against Eric Dill, but this new guy…whoever he is…definitely has a more powerful voice. It might be a little more generic-sounding – Dill’s was higher and more instantly recognizable – but it’s definitely more of a mainstream pop voice that meshes with the material very nicely. I’m psyched to hear the whole thing, to be sure.
Oh, and if you’re curious as to his current whereabouts, Dill has his own MySpace page, where he’s premiered two solo songs that sound right in line with the last Click Five album, which ain’t a bad thing by any means.
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