Author: Mike Farley (Page 15 of 63)

George Harrison: Let it Roll: Songs By George Harrison

When talking about the Beatles, most people think about the two main singer/songwriters in Paul McCartney and John Lennon. But guitarist/songwriter George Harrison was no slouch, and he certainly went on to have many years of success after the big breakup. In fact, Harrison had four Number One singles on the Billboard pop charts, and any fan of his music with or without the Beatles is going to have to own this encompassing collection of the man’s big hits, Let it Roll: Songs by George Harrison. There are tracks like “My Sweet Lord,” “Give Me Love (Give Me Peace on Earth) and “Got My Mind Set On You,” as well as live versions of Beatles classics that he wrote such as “Something,” “Here Comes the Sun” and “While My Guitar Gently Weeps.” There are also some of the more obscure beauties, like “All Things Must Pass” and the pure ear candy of “This is Love.” There is also “Marwa Blues,” a stunning instrumental that showcases Harrison’s unique guitar tone and the way that he could, well, make that thing just weep. If you’ve been a fan from the beginning, you probably already own this album, but if you’re less in tune with the man’s work and you love timeless pop, it’s a classic that you just need to have. (LABEL: Capitol)

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Shirock: Everything Burns

Nashville rock band Shirock (the last name of front man Chuck Shirock) is a bit different than most of the bands coming from anywhere in the country, let alone Nashville. Their unique brand of anthem-driven rock is way too cool for the Warped Tour crowd, though that’s where they may find most of their fans. In fact, Shirock is more like U2 than any other band – both melodically, musically, and lyrically – as they try to convey positive messages of hope and the desire to make a difference with their music. On the band’s sophomore effort, Everything Burns, each song soars with giant hooks and the vocals of Chuck Shirock as well as female singer Pap, and the instrumentation and arrangements accent each track instead of getting in the way. Really, the best part about Shirock is that they don’t seem like they’re trying too hard to get in everyone’s collective face, and they don’t have to. Standout tracks are the anthemic “Time Goes By” and the Pap-driven “I’ll Take Rain,” as well as the powerful title track, which is about the fact that we should all put time and effort into the things that matter, like relationships and making a difference, and that everything else just burns. Well said, Shirock. (LABEL: self-release)

Shirock MySpace Page

Michael Johns: Hold Back My Heart

Nobody ever said you had to win American Idol to have a successful music career. In fact, each year more former contestants are finding a niche for themselves in some corner of the music business. Enter the latest of those, Season 7 alum Michael Johns, who used Idol as a springboard not just for popularity, but as a means to finally make the kind of music he wants—blue-eyed soul. Johns had been down the rock road before, his Australian roots bringing comparison to the late Michael Hutchence, among others. But it was when a phone call from his mom prompted Johns to follow his true passion, which was to sing the music he grew up on, and his path had suddenly been set out before him. Several years later, Johns has delivered a solid Downtown Music debut, Hold Back My Heart, with many of the songs being Johns’ co-writes with Dave Cobb. Falling somewhere between the music of his idols Otis Redding and Sam Cook and the sappy soul of guys like James Morrison, Johns has discovered a middle ground that could absolutely launch his career to lofty heights—though nothing is guaranteed in today’s music business. Coincidentally, the opening (and best) track was a song Morrison had a hand in, “Heart on My Sleeve.” Other standouts are the aching ballads “Fools Gold” and Heart is Weak” (the latter written by Diane Warren) as well as the bluesy boogie of “Little Bear.” As impressive as it is, though, Hold Back My Heart falls short of being a home run, but leaves plenty of room for growth. (LABEL: Downtown)

Michael Johns MySpace Page

Elizabeth & the Catapult: Taller Children

What do you get when you cross a classically trained but independently minded pianist with two folk/rock instrumentalists? You get a Joni Mitchell/Aimee Mann/Jenny Lewis hybrid, which is probably accurate when describing the music of New York City based trio Elizabeth & the Catapult. This jazzy alt-pop trio, fronted by singer Elizabeth Ziman, released an EP on their own in 2006 and then created enough of a buzz through touring that they were courted by major labels. But they ultimately signed with indie Verve Forecast, and the guess here is so that the group could maintain creative control, which is a good thing for all of us. Their full length debut, Taller Children, has two of the group’s best tracks from the EP, the bouncy and snarky “Momma’s Boy” and the dreamy, Jill Cunniff-ish “Right Next to You.” But there’s much more, with the rest of the LP continuing to jump between bouncy and dreamy, but Ziman and her cohorts deliver it all with precision and pizazz. Other standouts are the uber catchy title track, melancholy “Rainiest Day of Summer” and quirky “Everybody Knows.” (Verve Forecast 2009)

Elizabeth & the Catapult MySpace Page

Butterfly Boucher: Scary Fragile

The story of Nashville-by-way of Australia’s Butterfly Boucher is an all too common one these days. Her debut on A&M Records, Flutterby, was well-received by fans and she later had a song placed on a critical scene of “Grey’s Anatomy.” But A&M couldn’t figure out how to maximize her potential, and didn’t really try hard to do so, so Boucher was granted her freedom, which she embraced with the vigor of someone who wanders the desert to find an oasis. Her new album, Scary Fragile, on her own imprint, Situation Operation (she is managed by alt-pop powerhouse label Nettwerk Music), reflects the last few years of trying to make music for the right reasons. This woman can write songs really well, and it’s just mind-boggling that labels can give up on talent like her’s so quickly. Boucher sings in an endearing Australian accent and her voice is unique and easy to pinpoint – and she’s hip without being hipster, melodic without being predictable. The album kicks off with “I Found Out,” which is clearly an anthem of liberation that flat-out rocks. And on a mostly solid sophomore effort, the other standouts are “Gun For a Tongue,” which may remind you of Luscious Jackson; the summer rock feel of “Keeper” and the haunting beauty of “Bitter Song,” which is the same track used by “Grey’s Anatomy.” (LABEL: Situation Operation)

Butterfly Boucher MySpace Page

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