Author: David Medsker (Page 54 of 96)

Red State Update: How Freedom Sounds

Say this for Jonathan Shockley and Travis Harmon, the two men behind Red State Update: they are walking as slippery a slope as you will find. Pretending to be what is traditionally thought of as blue-collar Republican voters, without either pandering to blue-collar Republican voters or having fun at their expense, is not an easy feat, but Shockley and Harmon do the balancing act quite well. The problem with not taking sides, though, is that you deny yourself the opportunity to do something extraordinary, and that is what ultimately prevents How Freedom Sounds, Red State Update’s debut (and likely swansong) album, from being something special. The songs won’t reinvent the satire wheel, but some genuine smarts are lurking within the redneck accents; “If I Was You” recommends that the subject of the song should just start drinking heavily in order to forget how miserable their life is, while Dunlap (Shockley) daydreams about the elusive “Stripper without a Kid.” Best of the bunch is “Get the Hell Outta My Store Hippie,” where Jackie (Harmon) complains about the Bonnaroo crowd freeloading in his store. It’s cute, but it’s just that: cute. The best humor is incendiary, not cute, and Shockley and Harmon are clearly capable if doing something incendiary. (Dualtone)

Red State Update MySpace page

Steal This Song: Jem, “On Top of the World”

Ooooh, her music is so dreamy. And she’s not hard on the eyes, either.

The press release for Jem’s upcoming album Down to Earth threatens that it will be a disturbingly eclectic affair, using choirs, banjos, Latin beats and even Cut Chemist doing his thing. Her blog-approved song “On Top of the World,” however, is all about the blissed-out pop. Not that there is anything wrong with that. St. Etienne’s best-of receives near-daily play at Chez Medsker, so this sounds just fine to me. I will reserve judgment on the “funky banjo” track until I hear it, though.


Jem – On Top of the World

ism: Urgency

The band’s name is a reference to the many ‘isms’ that they feel are tearing at the fabric of society (racism, terrorism, etc.), but we see the band’s name as an acronym: It’s Sub-par Muse. Lead singer and songwriter Andre Mistier is clearly a big fan of Matthew Bellamy & co – a quick glance at the band’s top friends on their MySpace page confirms this – and the band’s sophomore effort, Urgency, feels like one long mash note to the UK power trio. There is no questioning the band’s talents as musicians, and lead single “Sacred Cows,” with its Morello-esque octave-jumping guitar riff, could pass for a leftover track from the Black Holes and Revelations sessions. The problem is the band’s slavish devotion to replicating Muse’s style. The title track alone is three Muse songs rolled into one, combining the music from “Time Is Running Out” with the lyrics from “Apocalypse Please” and “Butterflies and Hurricanes” (“If you’re wondering what you’re made of, now’s the time to see / Bring on Apocalypse”). Oh, and their bass player uses a lot of effects pedals, just like a certain Muse bassist. These guys could be dangerous once they find their identity, but for now, they’re just a group of highly skilled copycats. (STM Records)

ism MySpace page

Pas/Cal: I Was Raised on Matthew, Mark, Luke and Laura

Someone call the cops, because Dan Bejar’s been robbed. With I Was Raised on Matthew, Mark, Luke and Laura, Detroit’s Pas/Cal has assembled one gorgeous (but lengthy) love letter to the Destroyer and part-time New Pornographer, churning out song after song of ornate but odd guitar pop. “Glorious Ballad of the Ignored” seems to have five or six mini-suites all by itself. It’s immaculately done but also overdone, turning on themselves so many times that it’s easy to get lost mid-song. These guys clearly know their way around a melody, but one wonders what kind of masterpiece they could whip up if they forced themselves to keep it simple. (Le Grand Magistry 2008)

Pas/Cal MySpace page

The Black Kids: Partie Automatic

There is a strong case to be made here for the importance of sequencing. The track listing for Partie Automatic, the debut album from Florida synth-rockers the Black Kids, paints the band into a corner before they’ve had a chance to spread their wings. Opening songs “Hit the Heartbreaks” and the title track are serviceable enough, but it’s the third track that throws everything out of whack: The weedier-than-weedy “Listen to Your Body Tonight” has no business whatsoever in the three-hole; that slot is tailor-made for lead single “I’m Not Gonna Teach Your Boyfriend How to Dance with You,” which would have propped up everything on either side of it. Instead, “Boyfriend” is batting seventh, behind the girl group-ish “I’ve Underestimated My Charm (Again),” which feels like an answer record to the Pipettes. Granted, those two songs work really well together, but is anyone still listening by this point? Lead singer Reggie Youngblood has a few different speeds, but his strained Robert Smithisms dominate the front half, making the album a more laborious listen than it needs to be. Our suggestion: re-sequence the album, and replace “Listen to Your Body Tonight” with their cover of Sophie B. Hawkins’ “Damn, I Wish I Was Your Lover.” Everyone loves a cover version, right? (Columbia)

The Black Kids MySpace page

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