Author: David Medsker (Page 53 of 96)

Steal This Song: Medeski, Martin & Wood, “Free Go Lily”

It’s embarrassing to admit this as the senior editor and supposed leader of Bullz-Eye’s music section, but this is the first song by Medeski, Martin and Wood that I have ever heard. You’d think that I would have accidentally heard one by now – and who knows, maybe I have – but once you take a position like this, and the publicist emails start coming in, it’s very easy to lose track of what you should be listening to, as opposed to what you are listening to. Heck, I still haven’t listened to Supergrass’ new album, and I love Supergrass. Right now, I have to focus on the new Jack’s Mannequin to get a review ready for next week, and man, am I disappointed with it so far. So sterile, and way too whiny. But that’s another story for another day.

So a rep asks if we’d post a new track from Medeski, Martin and Wood, and I say “Hell yes,” because it’s about time I heard something from them. They were lumped in with the HORDE tribe early in their career, and since I don’t listen to many (ahem, any) of those bands, I just tended to avoid them. This song, “Free Go Lily,” though, is pretty fun, like something Vince Guaraldi would come up with while jamming with some friends and a case of scotch. The band’s new album, Radiolarians I, hits shelves September 30. I, for one, am looking forward to hearing more.

Medeski, Martin & Wood – Free Go Lily

America: Live in Chicago

While we’re more than happy to see the resurrection of PBS’ Soundstage series, their DVD department could use a swift kick in the keister. America’s performance for Soundstage originally aired in August 2005, and the band’s most recent release, the dandy, Adam Schlesinger-assisted Here and Now, is now a year and a half old, meaning that this DVD missed its ideal release window by roughly 17 months. Tardy release date aside, this is one splendid show, recorded in Hi-Def and given the 5.1 Surround Sound treatment. The band that Gerry Beckley and Dewey Bunnell assembled is air-tight, and they contribute spotless vocals to create those trademark America multi-layered harmonies. The set list includes all of their Top 40 singles (except “Today’s the Day”), along with performances of “California Dreamin’” and the Jimmy Webb song “The Last Unicorn.” To raise the Mellow Gold quotient even higher, Christopher Cross appears on “Lonely People.” The set list is nearly identical to the bonus live disc that came with Here and Now, and while that set was good, this set is longer (“You Can Do Magic,” woo hoo!), and much, much better. Dig in.

Click to buy America: Live in Chicago

Sarah McLachlan: Fumbling Towards Ecstasy (Legacy Edition)

Let us address the star rating right up front: Sarah McLachlan’s Fumbling Towards Ecstasy is a modern-day classic, one of the finest pop albums of the ‘90s and absolutely worthy of the “deluxe edition” treatment. The problem with this deluxe edition, though, is that it brings nothing new to the table. Disc One is Ecstasy in its entirety (they wisely moved the piano version of “Possession” to its own track, rather than being the hidden track behind the title song), and Disc Two is The Freedom Sessions, the 1995 stopgap album of Ecstasy demos and alternate versions. The DVD is “Fumbling Towards Ecstasy: Live,” originally released on VHS in 1994 and issued on DVD in 2005. Odds are, fans of McLachlan have some or all of these individual pieces already, and will not need to upgrade. However, if you are one of the six people left who have thought about buying Fumbling Towards Ecstasy but haven’t yet done so, this set is a gold mine. (Arista/Legacy)

Sarah McLachlan MySpace page

Steal This Song: Carlon, “Cantaloupe”

Holy “Jesus Was a Crossmaker,” Batman.

New Jersey: It’s not just for bar bands anymore. This quartet does the best Hollies impression we’ve heard in ages, good enough to blow away anything by Band of Horses, to whom the band is favorably compared in their press release. Now, we like that Band of Horses album as much as the next guy, but there isn’t anything on Cease to Begin that comes close to matching the beauty of “Cantaloupe.” Is it just us, or does everyone else hear Christopher Walken’s voice when they see the word ‘cantaloupe’? Blame it on too many viewings of “True Romance.”

The band’s full-length debut, Johari Window, comes out September 30. We can’t wait to hear the rest of it.

Carlon – Cantaloupe

The Moody Blues: Live at the Isle of Wight Festival

This is going to make a small group of people very happy. Taken from the last of the original Isle of Wight Festivals before its resurrection 22 years later – the crowd that attended was estimated to be over 600,000 – the 1970 concert was videotaped for posterity, and now, nearly three decades later, comes an audio recording of the set from Moody Blues, who were as big as any band in England at the time. It’s a fascinating listen, both from a sonic perspective and a historical one. “Minstrel’s Song” explains the origins of half of the Stone Roses’ debut album, and it’s fun to hear a band known for its pristine studio recordings let rip on songs like “Tuesday Afternoon” (where singer Justin Hayward forgets the words) and “Question.” In retrospect, the Moodys weren’t much different from their harder-rocking peers when it came to playing live. As for the overall sound quality, well, it’s 1970 and it’s live, which means it’s really, really tinny. It’s a sweet dose of nostalgia, but for completists only. (Eagle)

Click to buy The Moody Blues: Live at the Isle of Wight Festival on Amazon

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