Author: David Medsker (Page 52 of 96)

Talk Talk: Live at Montreux 1986

Is it just us, or is Talk Talk one of the most underrated bands of all time? Seriously, is there another band on the planet that had the growth trajectory over its first five albums that Talk Talk exhibited? (Your results may vary over the course of Talk Talk’s last two albums, but you cannot deny that they refused to do the same thing twice, come hell or high water.) This video catches the band both at their commercial peak (their third album, 1986’s The Colour of Spring) and on their last tour, playing Switzerland’s Montreux Jazz Festival and bringing a small but packed house to its knees. Singer Mark Hollis was not one for small talk with the audience, or even doing much more than walking between the mic and the drum riser (or taking off his sunglasses, indoors), but when he starts singing, he shakes like a man possessed by the Holy Ghost, and with perfect pitch to boot. Even the band’s earlier, more synthesized fare is fleshed out by the eight-piece band, giving some unlikely songs a little welcome breathing room (“Call in the Night Boy” in particular). The set list is near-bulletproof – all the big hits, from “Talk Talk” to “Living in Another World” and “Life’s What You Make It” are here, along with their It’s My Life album in its entirety, save one song – though we wished that they had made room for “Happiness Is Easy” in the 14-song set. Then again, the band did what every great band does: they left us wanting more. This is a must-have for any fan of a criminally unappreciated band. (Eagle Vision)

Click to buy Talk Talk: Live at Montreux 1986

Army Navy: Army Navy

I am going to say something Army Navy will love, followed by something that will make them want to kill me. Army Navy’s self-titled album is a dandy collection of jangly pop rock that will have fans of Robyn Hitchcock and Teenage Fanclub jumping for joy. Singer Justin Kennedy has a delicate but steady voice, and his melodies are instantly hummable. Now for the part that will make their blood boil: they’re a power pop band, which is usually the kiss of death for a band’s commercial prospects. Still, who knows: Jack’s Mannequin’s first album was a power pop record, and they’re doing just fine, thank you. That said, Jack’s Mannequin never wrote anything as dreamy and harmony-laden as “Dark as Days” or “Slight of Hand,” the latter of which just scored a spot on the soundtrack for “Nick & Norah’s Infinite Playlist.” Will Kennedy’s connection to Ben Gibbard (they were both in the band Pinwheel) carry Army Navy over the power pop barrier? God, we hope so. We understand the bias against power pop – most of the bands that play it admittedly suck – but Army Navy deserves better than that. Here’s hoping they get it. (The Fever Zone 2008)

Army Navy MySpace page

UB40: Greatest Hits

Another singles compilation from a band that has already assembled 18 such collections? Yes, and here’s why: singer Ali Campbell, after 30 years with the band, has left the group (his brother Duncan is replacing him), so if you’ve just gotta have that comprehensive – if not exactly definitive – Ali Campbell-led UB40 compilation, this is it. The most shocking thing is how tolerable some of those questionable covers feel today; indeed, the version of Al Green’s “Here I Am (Come and Take Me)” sounds pretty damn good here, though perhaps that’s because it comes after their (ahem, million-selling) cover of “(I Can’t Help) Falling in Love with You” and before they suck the soul out of “The Way You Do the Things You Do.” The originals obviously are the prize moments here, and the band’s best singles are all present (“If It Happens Again,” “Don’t Break My Heart”). UB40’s music didn’t change the world, but they did make it a happier, more peaceful place. Buy this and Labour of Love (the first album, not the second or third), and your collection is complete. (Virgin 2008)

UB40 MySpace page

Carlon: Johari Window

“Canteloupe,” from New Jersey quartet Carlon’s debut album Johari Window, is one of those lightning-in-a-bottle moments, a slice of Hollies-style genius that seems to stop time. Indeed, singers Michael McWilliams and Ryan McGlynn do such an uncanny impression of Hollies singer Allan Clarke that they should be forced to take a blood test. “Rosie” does not fall far behind with its delightful climbing falsetto vocal. When the band tries to rock out, the results are fine, but do not measure up to the album’s quieter moments. “Have a Window” falls somewhere in between, with the somber verse and fuzzed-out chorus. All young bands naturally want to rock, but Carlon’s talents clearly lie in the hushed moments. Either way, it will be very interesting to see what they do next. (Ropeadope Records 2008)

Download Carlon’s “Canteloupe” here

Carlon MySpace page

Seen Your Video: Morningwood, “Sugarbaby”

Leave it to New York’s Morningwood to make another video that stands out from the pack. “Nth Degree” was an instant classic with its references to album covers past, but their latest clip, “Sugarbaby,” goes in a different direction. Three words: sex with puppets.

All right, this version doesn’t actually show any puppet sex, but there is a quick cut that suggests the guy in the limo was about to receive a happy ending, if you know what I mean. And psssst: if you go to the YouTube page this video is on, you’ll see a link to the uncensored video. Haven’t watched it yet, myself. I just ate lunch.

Can’t get enough Morningwood? You’re in luck – they’re on Letterman tonight. And they don’t even have an album to promote yet. They’re still in the studio. Hurry the hell up, guys.

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