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Pete Towshend preparing new musical and Who album

The Who

It’s been a while since we’ve heard any significant news about legendary rock band the Who. In 2006, the group released Endless Wire, their first studio album in 23 years, to generally mediocre reviews. Since then, Townshend and Daltrey received Kennedy Center Honors at the 31st annual awards ceremony in December of last year. As Paul Simon, Jackson Browne, Neil Young, and Bob Dylan continue to release albums as they get on in years, Pete Townshend has decided to throw his hat in yet again.

“I am writing a new musical,” Townshend blogged. “Floss is an ambitious new project for me, in the style of Tommy and Quadrophenia. In this case the songs are interspersed with surround-sound ‘soundscapes’ featuring complex sound effects and musical montages.”

Townshend said the album is designed as an outdoor “son et lumière piece”, to be debuted in 2011. He is in talks with producers in New York but hopes to release some of the musical’s more “conventional” songs on a new Who album next year.

I’ve seen the Who twice in my lifetime. Both concerts took place at the Hollywood Bowl and were around 2003 and 2007 — I can’t remember exactly. Regardless, they were solid both times and really seemed to be enjoying themselves. The first time I saw them, John Entwhistle was still alive and was still a master bassist. The second time, Entwhistle had just died, but the band decided to continue the tour in his honor. Nevertheless, Townshend and Daltrey were energetic and engaging in each performance. While I forgot about Endless Wire after a few listens, the Who remains one of the few bands from the 60s I wouldn’t mind putting out a new album. I’ll give whatever music Townshend records a chance.

New song from “Where the Wild Things Are” soundtrack

Wild

By now, everyone has heard of Spke Jonez’s upcoming film, Where the Wild Things Are. The movie, which comes out October 18th, was adapted from Maurice Sendak’s classic children’s book. Anyway, Karen O (of Yeah Yeah Yeah’s fame) has assembled a group of musicians, dubbed “The Kids” to help her compose the soundtrack. Taken from the soundtrack’s Myspace,

these include Tristan Bechet (Services), Tom Biller (co-producer with Karen O and member of Afternoons), Bradford Cox (Deerhunter), Brian Chase (Yeah Yeah Yeahs), Dean Fertita (Queens of the Stone Age, The Dead Weather, The Raconteurs), Aaron Hemphill (Liars), Greg Kurstin (The Bird and the Bee), Jack Lawrence (The Dead Weather, The Raconteurs, The Greenhornes), Oscar Michel (Gris Gris), Imaad Wasif (New Folk Implosion, Alaska), Nick Zinner, (Yeah Yeah Yeahs) and an untrained children’s choir.

I’m most interested in that children’s choir. I think it will add the perfect touch to the innocence and wonder showcased in the book. Be sure to check out that Myspace to hear the first single, “All Is Love.” The album will officially hit stores on September 29th.

Click below to see footage from some Karen O performances.

Kiss brings Alive/35 Tour to the U.S.

Kiss

Kiss is bringing their “Alive 35” world tour to the United States to wrap up the lengthy expedition. The tour began in March of last year, spanning Australia, New Zealand, Europe, South America, and parts of Canada. Now, Kiss will be returning to home, kicking off the American leg at the Cobo Arena, where they recorded their successful Alive! album some 35 years ago.

This incredible show will feature a new stage set, pyro effects that only the “hottest band in the world” could deliver, and all-new costumes. Fans will be treated to a two-and-a-half-hour set of some of rock’s greatest hits, including “Rock and Roll All Nite”, “I Was Made for Lovin’ You”, “Detroit Rock City”, “God Gave Rock & Roll to You” and “Shout It Out Loud”, as well as songs from the band’s new album “Sonic Boom”. BUCKCHERRY will be main support on all of the KISS Alive 35 North American dates.

Said Gene Simmons, “For 35 years, KISS raised the bar for what a rock concert should really be. This year is no different — all new, all killer… all KISS! The master’s class in rock is in session! KISS rules. Oh yeah!”

“Bigger IS better!” said Paul Stanley. “‘Sonic Boom’ is our future and KISS ‘Alive!’ is our proud past. On this tour you get KISS ‘Alive!’ plus a slew of other classics and soon to be classics. New stage, new battle gear and a pyro arsenal that will again show everyone that there is only one KISS!”

So far, the tour has played to over 2 million fans, making it the largest attended Kiss tour since the Reunion tour in 1996.

Check out the tour dates and some concert footage after the jump.

Sep. 25 – Detroit, MI – Cobo Arena
Sep. 26 – Detroit, MI – Cobo Arena
Sep. 28 – Cleveland, OH – Quicken Loans Arena
Sep. 29 – London, ONT – John Labatt Centre
Oct. 01 – Montreal, QC – Bell Centre
Oct. 02 – Toronto, ON – Air Canada Centre
Oct. 03 – Uncasville, CT – Mohegan Sun Arena
Oct. 05 – Boston, MA – TD Garden
Oct. 09 – Uniondale, NY – Nassau Coliseum
Oct. 10 – New York, NY – Madison Square Garden
Oct. 12 – Philadelphia, PA – Wachovia Center
Oct. 13 – Washington, DC – Verizon Center
Oct. 16 – Hampton, VA – Hampton Coliseum
Oct. 17 – Greenville, SC – Bi-Lo Center
Oct. 19 – Pensacola, FL – Civic Center
Oct. 21 – Tampa, FL – St Pete Times Forum
Oct. 22 – Sunrise, FL – Bankatlantic Center
Oct. 24 – Birmingham, AL – BJCC
Oct. 26 – Atlanta, GA – Phillips Arena
Oct. 28 – Nashville, TN – Sommet Center
Oct. 29 – Little Rock, AR – Verizon Arena
Nov. 06 – Chicago, IL – United Center
Nov. 07 – Minneapolis, MN – Target Center
Nov. 09 – Winnipeg, MB – MTS Centre
Nov. 10 – Saskatoon, SK – Credit Union Centre
Nov. 12 – Calgary, AB – Pengrowth Saddledome
Nov. 14 – Vancouver, BC – GM Place
Nov. 15 – Seattle, WA – Keyarena
Nov. 17 – Portland, OR – Rose Garden
Nov. 20 – Sacramento, CA – Arco Arena
Nov. 21 – Oakland, CA – Oakland Arena
Nov. 24 – Anaheim, CA – Honda Center
Nov. 25 – Los Angeles, CA – Staples Center
Nov. 27 – San Diego, CA – Sports Arena
Nov. 28 – Las Vegas, NV – [To Be Determined]
Dec. 01 – Glendale, AZ – Jobing.Com Arena
Dec. 02 – El Paso, TX – Utep
Dec. 04 – Austin, TX – Frank Erwin Center
Dec. 05 – Houston, TX – Toyota Center
Dec. 06 – Dallas, TX – American Airlines Center

Then…

Now…

Miles Davis recorded a lot of records

Apparently, the “Prince of Darkness” recorded 52 albums, and that was just for Columbia Records! Dude also made other albums for Prestige, Blue Note, and Warner Bros. Records. Nevertheless, the Columbia years were his creative peak. During that time, Davis released Kind of Blues and Bitches Brew, which not only classics of the jazz genre, but American music as a whole. On November 10th, Columbia and Legacy will release a ridiculous 71-disc box set entitled The Complete Columbia Album Collection. This Sisyphian task is guaranteed to consume at least a year of your life. To buy this, you must really love jazz — that goes without saying. Unfortunately, if you buy this set, with the innocent intention of listening to the entire thing, you must admit to yourself that you find Miles Davis more enticing than, say, earning a living.

The box will include (seriously) 70 CDs and one DVD, and somehow it’s that one DVD that makes the whole thing look like overkill.

The DVD is Live in Europe ’67, which will be on DVD for the first time ever with this set. The set will also include a previously unreleased live recording of Davis’s performance at the 1970 Isle of Wight Festival.

According to Legacy, the CDs will all come in “Japanese-styled mini LP jackets”, which sounds cool. The CDs will include bonus tracks that have been tacked on to Davis reissues over the years. There will also be a 250-page book.

Have at it if you must.

Vertical Horizon: Burning the Days

“I’m done with the middle ground,” moans lead singer Matt Scannell on the third track of Vertical Horizon’s latest album, but nothing could be further from the truth. Burning the Days is, in fact, the most relentlessly, punishingly middle of the road record you’ll have the displeasure of hearing all year, a solid block of dull beige mid-tempo ballads that will leave all but the most rock-allergic listeners resorting to desperate measures – such as punching one’s self in the throat, for example – to break up the monotony. Whoever engineered or mastered it deserves a Grammy simply for staying awake; conversely, Rush’s Neil Peart – who plays drums on three tracks and wrote lyrics for the album closer, “Even Now” – is old and successful enough to know better, and should be severely punished for encouraging this kind of senseless, yawning musical horror. Scannell has always had a weakness for adult contemporary mush, but Burning the Days represents a new, nougaty soft frontier for his music; it’s an experiment in blandness that makes MOR dozers such as Chicago’s XXX sound like Sgt. Pepper’s-level works of genius. The bitterest shame of the whole thing is that Vertical Horizon is on its own label again, free from corporate interference, and could have chosen this moment to make a strong artistic statement. For what few hardcore fans the band has left, this might be worth your time and money, but for anyone else, it’s positively deadly. (Outfall 2009)

Vertical Horizon MySpace page

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