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Tom Waits B-sides collection gets expanded vinyl release

In 2006, Tom Waits released Orphans: Brawlers, Bawlers & Bastards, a marvelous 56-song collection of B-sides Waits recorded over his expansive career. It’s nearly impossible to absorb over a few listens but trust me, there are some gems.

In bittersweet news, an expanded edition of Orphans is coming to vinyl. I say bittersweet because, come December 8, I will desperately want to buy this but won’t have the money to do so.

On December 8, Anti- will release Orphans as a limited vinyl set. You’ll get all of the tracks contained on the CDs, plus six bonus tracks. That’s 62 songs spread over seven LPs, all of which will be pressed on 180 gram vinyl. You’ll probably want to limber up and do some stretches before you even attempt to lift this thing.

The bonus tracks include covers of Fats Waller’s “Crazy ‘Bout My Baby” and the Brecht/Weill song “Canon Song”, as well as “Diamond in Your Mind”, a track written by Waits and his wife Kathleen Brennan for Solomon Burke, and the originals “No One Can Forgive Me” and “Mathie Grove”.

I think I hate re-releases more than anything.

Robyn Hitchcock: I Often Dream of Trains In New York

4/5 Stars
RIYL: Syd Barrett, Bonzo Dog band, XTC

Always the eccentric, predictable only in his unpredictability, Robyn Hitchcock has never been an easy character to decipher, frequently defying easy accessibility and offering only rare opportunity to peer below his songs’ psychedelic sheen and to meditate on his melodies. Consequently, the concert film “I Often Dream of Trains In New York”, is a rare treasure in that it gives a more intimate view of the man and his muse via a thorough track-by-track replay of an early album many consider his signature achievement.

Hitchcock’s no stranger to cinema, of course. Last year’s documentary “Sex, Food, Death… and Insects” offered a surprisingly candid potrait of the artist in creative mode, a follow-up of sorts to the musical portrait captured in Jonathan Demme’s critically lauded “Storefront Hitchcock.” Hitchcock had a cinematic reunion with Demme more recently in fact, when he was given opportunity to perform a pair of songs in Demme’s current film, “Rachel Getting Married,” following up his acting debut as one of the protagonists in Demme’s remake of “The Manchurian Candidate.”

Regardless, it’s Hitchcock’s allure as an artist with a curious magnetism and slightly off-kilter wit and regimen that enthralls his followers, and if “I Often Dream of Trains in New York” seems to strip away that elusive veneer, it doesn’t detract from his charm or appeal. Performing in a stripped-down acoustic setting and backed by multi-instrumentalist Terry Edwards and guitarist Tim Keegan, he revels in the sentiment, sarcasm and wry irony parlayed by such numbers as “Up to Our Nex,” “I Often Dream of Trains,” “America” and “I Used to Say I Love You,” songs that take on an idyllic, folk-like serenity in this live setting. Even so, the a cappella “Uncorrected Personality Traits” brings to mind the bizarre, unabashed silliness of the Bonzo Dog Band, while a cassette recording of “Sometimes I Wish I Was a Pretty Girl” serves as ample reminder of Hitchcock’s penchant for bizarre lyrical twists. It’s fitting then that the tracks are interspersed with Hitchcock’s own commentary on the origins of these songs, relayed, appropriately, from a seat on a train. Likewise, a bonus feature, “Beyond Basingstoke” offers further illumination and enlightenment.

A must-see for all Hitchcock aficionados, “I Often Dream of Trains in New York” is also an ideal passage for the uninitiated. (Yep Roc 2009)

Robyn Hitchcock website

Them Crooked Vultures: Them Crooked Vultures


RIYL: Queens of the Stone Age, Led Zeppelin, Nirvana

Ever since Josh Homme and Nick Oliveri parted ways, Queens of the Stone Age have been missing a certain “oomph.” It hardly seemed right to continue with the name anyway, since the dynamic between Josh and Nick was a big part of what made that band so great in the first place.

For now, anyway, Josh is putting the Queens name aside, even though Them Crooked Vultures could have easily been called a Queens record simply by virtue of the fact that Songs for the Deaf drummer Dave Grohl is providing TCV’s undulating rhythms. And although Josh is the dominant voice and guitarist of Them Crooked Vultures, to say that he is outweighed by the mere presence of his bandmates – bassist John Paul Jones and drummer Dave Grohl – is an understatement. But make no mistake, Them Crooked Vultures is very much a Josh Homme record. All the raunch and sleaze he brings to Queens of the Stone Age is here (sample double entendre: “Don’t hold it against me, unless it gets hard,” from “No One Loves Me and Neither Do I”), as is that magical de-wussified angst he does so well (see “Bandoliers,” an awesomely rockin’ breakup song if there ever was one).

But what distinguishes TCV from Queens is ultimately that rock-solid, locked-in rhythm section created by Jones and Grohl. Yes, at times it does kind of recall the groove of the groovingest Led Zeppelin, and Josh will occasionally match that with some Zep-like riffage. And though most of the songs are worthy of the musicians playing them, the record starts to drag towards the end… just like the last two Queens records. But this is a small complaint in light of the fact that John Paul Jones is playing in a kick-ass rock band once again, Dave Grohl is back behind the drum kit where he belongs, and Josh Homme is showing no signs of slowing down. Rarely does a “supergroup” get much better than this. (Interscope 2009)

Them Crooked Vultures MySpace page

DJ AM’s mother adds wrongful death claim to lawsuit

DJ AM

In September 2008, DJ AM (real name Adam Goldstein) and Travis Barker were involved in a terrible plane crash. Although four people died, Goldstein and Barker managed to escape with severe burns. Goldstein, a former drug addict, starting using again after the crash. By August 2009, he was dead at the result of an accidental overdose. Now Goldstein’s mother is adding a wrongful death claim to the one Adam filed against the plane manufacturers and the estates of the pilots responsible for the crash.

“The crash ultimately caused Adam Goldstein’s death at a later date,” the papers state. 



 Friends and associates of the musician have widely blamed his trauma from the September 2008 plane crash as leading to his fatal relapse in August.



 A trial is set for March 2. A number of opposing lawsuits have been filed in the case.



 Learjet has previously denied all responsibility for the crash.

Well, friends and family believe Goldstein’s fragile state after the crash led to his relapse. That may be so, but the plane manufacturers and the pilots didn’t force Goldstein to take drugs years before he boarded one of their planes. I understand that a plane crash must be incredibly traumatic. Nevertheless, Goldstein chose to turn to drugs. The defendants didn’t suggest that Goldstein take drugs following the accident.

The defendants should be held responsible for any injuries, lost earnings, etc. However, they are not responsible for Goldstein’s drug overdose.

Foreigner: Can’t Slow Down


RIYL: Boston, REO Speedwagon, Survivor

Mick Jones recorded without Lou Gramm once before on 1991’s Unusual Heat. Now with the seemingly permanent departure (although in the world of sports, music and professional wrestling, never say never), Foreigner has released Can’t Slow Down, exclusively through Wal-Mart. Kelly Hansen, formerly with Hurricane, fills the large shoes of Lou Gramm rather admirably with a sincere and effective effort on the new material. Interestingly enough, Hansen, although without the same depth and power as Gramm, has a very similar voice and pulls off the classic foreigner stuff very well. The three-disc collection includes the new album, a collection of remixed classics and a concert DVD of this line-up performing the hits. The new material like the title track and “In Pieces” will fit in well within the catalog. Formulaic as it may be, complete with the big production of veteran Rock Producer Marti Frederiksen, it is full of hooks and incredibly well executed. Jones is not appreciated enough for his ability to write crunchy but catchy rock tunes. Can’t Slow Down features a couple of ballads, as Foreigner records are required to by law, to do and they are decent. The remixes take the old material and tweak them to where the audiophile will only be able to tell (they are the originals and not re-recorded by this line-up). The concert DVD is a blast, and to see the 60+ year old Jones lead his band through the classics with energy and great guitar chops, is a pleasant surprise. Watching him sing lead on “Starrider” is a gas. (Foreigner 2009)

Foreigner MySpace page

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