Category: Videos (Page 6 of 96)

2013 Rock and Roll Hall of Fame Inductees: From Doo-Wop to Disco and Everything in Between

December 9, 2012 / Melanie Montano

The 28th annual Rock and Roll Hall of Fame nominees were announced on October 4, 2012, offering a list of 15 groundbreaking artists who have circulated the music scene for a minimum of 25 years, as required for the ballot.

This unprecedented event was further marked by first-time fan voting, which allowed music lovers to vote on their preferred inductees. Though voting was concluded on December 5th, fans don’t have much longer to wait; the total nominations will be revealed sometime in mid-December, serving as a pre-holiday surprise for the musicians who made the selective cut. The Rock and Roll Hall of Fame induction ceremony will take place on April 18, 2013 at Los Angeles’s notable Nokia Theatre.

In anticipation of the event, check the list below to revel in the revolutionary talents of the past quarter century:

Albert King, Chic, Deep Purple, Kraftwerk, Donna Summer, Heart, Joan Jett and the Blackhearts, The Marvelettes, The Meters, N.W.A., Paul Butterfield Blues Band, Procol Harum, Public Enemy, Randy Newman and Rush.

From doo-wop to prog-rock to gangster rap, the 2013 Rock and Roll Hall of Fame nominees fulfill a wide-range of experimental genres that have surpassed the last two decades; culminating in triumph as musical legends, regardless of the ultimate victor.

Artists, Less Talk, More Music, News, Random Acts of Listening, WTF?! Rewind

Albert King Chic Deep Purple Donna Summer Heart Joan Jett and the Blackhearts Kraftwerk N.W.A.Nominees Paul Butterfield Blues Band Procol Harum Public Enemy Randy Newman Rush The Marvelettes The Meters

Chase & Status: The Creative Concept Behind “Flashing Lights”

November 25, 2012 / Melanie Montano

It’s hard to believe MTV started as a hosting platform for music videos. Flash-forward some thirty years and the channel is a mere shell of its piloting concept. Reality TV now dominates the slots that were once intended for ‘music television,’ but given our generation’s lackluster videos it may have worked out for the better. In recent years, creativity has taken a back-burner to the generic glorification of riches, bitches and “YOLO” fever. With all the ways to showcase talent, I don’t understand why I see the same stock models rotated around for different videos.

I’m a believer that creative video concepts can amplify a musician’s appeal. Visionary artists who detour from the ordinary will often generate intrigue due to their avant-garde approach. Just take the London-based duo, Chase & Status, as a prime example.

Chase & Status are music producers who have created a fortune by navigating away from the norm. The eclectic pair won ‘Best Video’ for their song, “End Credits,” at the 2010 Q Awards, in addition to several nominations for their original and collaborative mixes. Their 2011 “Flashing Lights” video is now regarded as a sinister success; coupling macabre undertones with a buildup of dubstep, break-beat rhythms.

I found “Flashing Lights” to be the perfect blend of drama and drums, but what’s your opinion? Is this video the new wave of creative expression, or the projection of your nightmares?

Artists, Dub, Electronica, From Across the Pond, Get to Know, Industrial, Seen Your Video, Video Vault, Videos

Across The Pond Chase & Status Creative Videos Drum and Bass Dubstep Electronica

Songstress Delilah: Peaking the Charts and Piquing your Interest

November 24, 2012 / Melanie Montano

For a country smaller than the state of Florida, England incessantly burgeons with musical talent. A modern “British Invasion” has emerged on this year’s music front, with radio charts offering an English mash-up of thumping bass and the thrum of banjos. From Alex Clare’s experimental drum-and-bass to Ellie Goulding’s indie pop melodies, the eclectic range of British influence has made an influential mark on the contemporary music scene.

Another innovative artist climbing the UK charts is twenty-two year old Delilah; a London-based songstress gaining notable praise with her debut album, “From the Roots Up.” The freshman LP skillfully combines ambient, electro-bass beats with sultry, R&B vocals; successfully achieving a bold range of genre-bending tracks.

Delilah’s first single “Go” samples lyrics from the 1983 Chaka Khan hit, “Ain’t Nobody,” while flawlessly incorporating her own edgy, carnal-driven undertones. The provocative track peaked at #21 on the UK Singles Chart, and amassed heavy radio rotation.

“From the Roots Up” is a candid showcase of Delilah’s lyrical versatility, offering realistic – at times haunting – accounts of love and lust. Physical expression is glorified throughout the album, highlighting her frank and unapologetic approach to sexuality.

Delilah is certainly an artist on the rise, presenting a fresh culmination of innovation and talent, but what’s your opinion? Take a peek at the creative video for her single, “Love You So,” and see if this English artist tickles your fancy….

Ambient, Artists, Electronica, From Across the Pond, Get to Know, Me Myself and iPod, Progressive, R&B, Vocal

Ambient British electronic Get to Know Me Myself and iPod new artists R&B

The brassy opening bars of ‘Goldfinger’

November 1, 2012 / Staff

Here’s a video clip of the opening credit from “Goldfinger,” the latest film being profiled by Bullz-Eye.com in its look back at all the James Bond films.

John Barry had proven himself far more than able in various musical capacities on the first two Bond films. So, even though he had never before written a pop hit, he was finally allowed to write the music for the opening song, and what a song it was.

The brassy opening bars of “Goldfinger” announce melodramatically that we are in for an adventure of vast proportion and the music is jazzy yet almost operatic in scale. The lyrics, from the theatrical songwriting team of Leslie Bricusse and Anthony Newley, were inspired by Bobby Darin’s unlikely hit version of Bertolt Brecht and Kurt Weil’s “Mack the Knife,” (the only megahit we know about a thief, murderer, and rapist). As Barry had no problem admitting, the astonishing, hell-bent-for-leather vocals of singer Shirley Bassey were crucial to selling the outrageous lyrics, a warning that gold-obsessed millionaires may not be good boyfriend material. The song was, of course, a tremendous hit. It remains easily the greatest Bond theme and, for all its near-camp excess, one of the greatest movie theme songs of all time. The rest of the film’s score isn’t so bad, either.

Good stuff.

Jazz, Videos

Bond films composer John Barry composers Goldfinger James Bond music from Bond films

35 years since ‘Bat out of Hell’

October 25, 2012 / Staff

Here’s a video of Meatloaf performing “Bat out of Hell” from his first tour. The iconic album of the same name came out 35 years ago and has sold over 43 million copies. It’s a stunning rock album.

Meatloaf is now touring to celebrate the anniversary, but unfortunately he’s not quite the same singer from years ago.

Cleveland put Meat Loaf on the map 35 years ago with the Cleveland International Records release of “Bat Out of Hell,” the seminal rock anthem album that to date has sold more than 43 million copies, third most in U.S. history.

Thus, it’s fitting to use a uniquely Cleveland reference to describe his anniversary concert at PlayhouseSquare’s State Theatre Wednesday night:

Meat Loaf should have had the beloved Mr. Jingeling in his backup band; at least then Mr. Loaf would’ve had a chance of finding a key.

For almost two-and-a-half hours, the beefy actor-singer whose real name is Marvin Lee Aday wandered all over the vocal landscape, massacring his phrasing and only occasionally hitting a note. It’s not that he was flat. It’s not that he was sharp. It’s that he, well, just WASN’T. It made you long for karaoke.

Ouch! I guess age does catch up to everyone . . .

Artists, Pop, Rock, Songs, Videos

Bat out of Hell Cleveland live videos Meatloaf