Category: Songs (Page 13 of 96)

How Squeeze’s “Play” saved my life

RIYL: Watching people bare their souls for all the world to see, risking abject humiliation in the process

I have not done many interviews in my time as senior editor for Bullz-Eye.com – certainly not in comparison to my good friend and colleague Will Harris, who does roughly six million interviews a year – and yet, there aren’t that many people left that I am dying to talk to. I interviewed boyhood idol John Taylor in 2005 (big story behind that one, which you can find here), and have picked off members of Blur, the Kaiser Chiefs, Hard-Fi and Depeche Mode along the way. The only three big ones left on my list were Glenn Tilbrook of Squeeze, Neil Tennant of the Pet Shop Boys, and Bryan Ferry.

I scratched one of them off the list yesterday. Glenn Tilbrook was doing press to promote Squeeze’s new album Spot the Difference – which the band readily admits was made for licensing purposes so they can rake in a little extra cash from soundtrack supervisors and advertisers – which meant I had the opportunity to tell him something I’ve wanted to tell him for a long time: that Squeeze’s 1991 album Play saved my life.

Here’s the back story: I was involved in a tempestuous relationship with a girl who was under tremendous pressure from her parents to stop seeing me. And, wanting to please her parents and therefore make life easier, she started to listen to them, even after I had moved cross-country to be with her. Finally, I gave up, and made plans to move to Boston with my brother. I was working at a record store before I left, and they had a promo copy of Play. Since the people who frequented the suburban mall that housed the record store had no interest in Squeeze, the manager let me take it home. Home at the time was a flea-infested apartment I shared with some older guy. It was not where the heart is, which is why this album proved to be a massive source of comfort.

There seemed to be a song on the album for each emotion I was feeling at any given moment, with a lyric to match. “Each day’s a hope, each day’s a prayer, that I’ll rebuild and I’ll repair,” from “There Is a Voice,” or the opening lines to “Crying in My Sleep,” which I would sing to myself while busing tables, one of my three jobs after landing in Boston: “Breaking up is breaking my heart and showing me the door / But if I get it open, I’ll discover that there’s much more to life than this.” Even for the songs that weren’t an exact match to my situation, there was a vibe to it that resonated with me. I needed to feel better about myself. Play helped me do that.

Flash-forward 19 years, and I’m having a Skype chat with Tilbrook, who’s vacationing in the south of England after finishing what he calls the best tour of the States he’s ever done. And I lay it all on the line.

BE: On a personal note, you should know that Play basically saved my life.

GT: (Stunned) Wow.

BE: I was going through a hellacious breakup, and that album was extremely comforting to me. I know it didn’t sell a lot of records, but I’m so glad you guys made it.

GT: You know, a man who’s subsequently become my best friend said exactly the same thing to me! He was going through a divorce at that same time, and said, “Play, it just got me through.” Wow, that is really weird. What a weird coincidence. ‘Cause not that many people heard the record anyway, and that’s one of our best records, I think.

Here’s the thing I wanted to mention, but obviously don’t have the data to back up: I find it highly unlikely that Glenn’s friend and I are the only ones who were saved by this album. Is there anyone else out there who found solace, and ultimately rebirth, in these songs? It can’t be only me and this other guy…can it?

Back me up here, people. Does anyone else have the emotional connection to Play that I have? Let’s hear your stories in the comment section.

Lastly, thank you Glenn (and Chris) for writing such moving songs, and for being a great interview. Can’t wait to hear the new material you’re working on. Oh, and as a post-script, I ended up getting back together with the girl in question and dating her for another few years, and in following her to Chicago, I met the woman who would become my wife. It took a little longer than I hoped, but I got that door open after all.

Squeeze MySpace page
Click to buy Play from Amazon
Click to buy Spot the Difference from Amazon

Quintessential Songs of the ’00s: #10 “Here It Goes Again”

When looking for the 10th song to round out my first collection of Quintessential Songs of the ’00s — by the way, I’m dubbing this playlist “The Rock Set” — I had a few different contenders, but settled on OK Go’s “Here It Goes Again” which typified the decade in that it became a hit after the band posted its unique video (a.k.a. “The Treadmill Video”) on YouTube.

The video became an internet sensation (even spawning this rendition from a group of industrious students at a high school talent show) and it doesn’t hurt that the song is catchy as hell, either.

According to the song’s wiki page, it took 17 takes to finally nail the video.

So that wraps up the first Quintessential Songs of the ’00s set. Here’s an overview:

1. The White Stripes: “Seven Nation Army”
2. Franz Ferdinand: “Take Me Out”
3. Modest Mouse: “Float On”
4. Jet: “Are You Gonna Be My Girl?”
5. Kings of Leon: “Use Somebody”
6. The Killers: “Mr. Brightside”
7. The Strokes: “Last Night”
8. Spoon: “The Way We Get By”
9. The Hives: “Hate to Say I Told You So”
10. OK Go: “Here I Go Again”

See all 10 posts here.

Quintessential Songs of the ’00s: #9 “Hate to Say I Told You So”

It was early 2002 and the “The” bands (The White Stripes, The Strokes, etc.) were taking the U.S. by storm. This track from The Hives was actually first released in late 2000 and re-released about a year and a half later.

From the song’s wiki page:

In March 2005, Q magazine placed it at number 54 in its list of the 100 Greatest Guitar Tracks. The chord structure bears a strong similarity to The Kinks “All Day and All of the Night”. It also lists at 244 on Pitchfork Media’s Top 500 songs of the 2000s.

The song peaked at #86 on the Hot 100 and #6 on Billboard’s Modern Rock chart, and is known for its opening riff.

More Quintessential Songs of the ’00s.

Quintessential Songs of the ’00s: #8 “The Way We Get By”

This is the first track on my Quintessential Songs playlist that doesn’t have its own wiki page or a songfacts page. Sigh.

Luckily, I interviewed Britt Daniel a while back and he had this to say about the track:

That one came really fast and it was another one of those that was sort of like, “I’ll just throw down and idea. It probably isn’t going to work.” But once I sang that chorus the first time and got it on tape, I kind of knew it was going to be a good one.

According to Last.fm, this is easily the most played song in the Spoon catalog and it’s certainly one of the catchiest. In that interview, Daniel said it was one of the most “immediate” of the band’s songs. This Kill the Moonlight track put the band on my radar, and was prelude to the brilliance on display on their next album, Gimme Fiction.

More Quintessential Songs of the ’00s.

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