Category: News (Page 74 of 136)

Trollin’ for sex in the parks George Michael style


“I’m never gonna dance again!”

Oh, that George Michael. His poor long term partner Kenny Goss must have felt completely at a loss when Michael was caught grooving with a jobless 58 year old van driver.

Said the man,

“OK, I admit I was there for sex. But I’m astonished a man as famous as George should even think about doing it. It’s potentially so dangerous.”

And then George replied,

“Are you gay? No? Then fuck off! This is my culture!”

Then he claimed: “I’m not doing anything illegal. The police don’t even come up here any more.

“I’m a free man, I can do whatever I want. I’m not harming anyone.”

Indeed, George, you just got this poor van driver some much needed attention.

For the longest time

The Streets are set to unveil a 20-minute video for an upcoming tune. Apparently this will set a new record. But if I’m not mistaken, I’m pretty sure David Bowie’s full-length clip for “Blue Jean” is even longer than that. Unless, of course, it’s not considered a “video,” but rather a “short film.” I’ll have to go watch the thing again and see, or just take the lazy man’s way out and look it up online…

Yep, I was right…according to the song’s Wikipedia entry,

Following the huge commercial success of Bowie’s previous album, Let’s Dance, its singles and the Serious Moonlight Tour, “Blue Jean” was launched with massive promotion. Julien Temple was engaged to direct a 21-minute short film to promote the song, Jazzin’ for Blue Jean. The song performance segment from this was also used as a more conventional music video.

21 minutes, people! The Streets will not be setting the new record. All bow to King Bowie.

NOW that’s what I call a poor excuse for a number one!

Relating to the Spotlight Kid’s fine posting below, one should also be aware of a highly disturbing article which appeared on the always-fair-and-balanced Fox News website last week about the album. What’s worse is that there’s nothing in it that really surprises me…

Record Biz Crisis: Top 20 Misses 750K
By Roger Friedman

The top 20 pop albums sold fewer than a total of 750,000 CDs last week.

You read that correctly. The actual total was 738,211. The number includes 220,000 copies of a greatest hits singles collection from all the labels, “Now That’s What I Call Music! Vol. 22.” Without “Now 22,” regular releases came in around 500,000 copies.

This is a crisis that no one acknowledges in the record business. But consider that recently dismissed Sony execs Donnie Ienner and Michelle Anthony were making $2 million a year, and that their income is typical of upper echelon management in any record company. If the half million CD sold at full price — $15 — then they didn’t even pay for a small part of one salary.

Consider also the execs at radio conglomerates, who have tightened playlists so that few new records are played unless — as identified by New York State Attorney General Eliot Spitzer’s findings — stations receive free trips, gadgets and other gifts as inducements. You might wonder how any of the companies on either side can afford to stay in business.

Consider that last Tuesday, “Now 22” was not the only new release. Sony/Epic issued a new CD by writer-producer Butch Walker, a performer whom this column has extolled over and over. Not only did no one from the company bother to send it here, this reporter only learned about it by accident — yesterday. Walker, who should have a following from his extensive touring — he produces and opens for Avril Lavigne. But he’s been ignored by his label and radio. What’s he supposed to do? The CD sold fewer than 15,535 copies — the minimum it would have taken to hit the top 50. And here’s an amazing statistic: four songs from the new album have been played a total of 200,000 times on Walker’s MySpace page. I doubt this is the work of one person who clicked the links that many times. Some group of people is interested in Butch Walker. They’re just not a group that his label or radio stations are interested in, apparently. If they were, there would be more of an investment in Walker’s career — and other countless talented artists like him — by the record companies. Instead, the record stores are empty, and customers are drifting toward other entertainment.

There isn’t a lot to look forward to right away in terms of new releases: Rapper DMX has a new album on Aug. 1, but his last one was three years ago. Rocker Tom Petty’s waited four years to put his new CD, and the last one wasn’t exactly a bestseller with fewer than 350,000 copies sold.

Yesterday’s crop of new releases has only one promising title, by Los Lonely Boys, whose previous album sold 2 million copies. All eyes will be on them to see if they can beat their last first week sales record: 4,000 copies. That shouldn’t be too hard. Or Music, a satellite label from Epic, sticks with their artists the way most labels do not.

NOW that’s what I call a number one!

Man, I wish K-Tel were still cranking out hit collections. I’ve just never been able to get into the NOW That’s What I Call Music! sets. But hey, enough people love ’em enough – so much so that the newest entry, number 22, debuted at number one. And this isn’t a first, friends. No, this is the eighth time this has happened.

This doesn’t cause me to give pause to the state of popular music and what people buy these days, but it does make me ponder upon the future of the album as concept. It seems the days of folks picking and choosing their songs instead of sitting and grooving to whole albums are near. Mp3 files taking over CDs and all that good stuff. But hey, it’s really nothing to fret about, lest we forget that time pre-mid-’60s when The Beatles, et al made album listening a Thing, and everyone was mostly grooving to singles. So consider it a step back as well as a step forward. Instead of vinyl, you’ve got plastic discs, or strings of 1s and 0s happily blasting forth the tunes.

Call me crazy, but I do foresee a time maybe not so far off when the CD becomes a dinosaur and digital files are the new 45. It’s an iPod nation, people. And I’m a 60 gigger myself.

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