Category: External Music (Page 4 of 50)

Quintessential Songs of the ’00s: #4 “Are You Gonna Be My Girl?”

With arguably the most memorable opening bass line of the decade, Jet burst onto the scene in 2003 (with a little boost from Apple, who used it in its first iPod commercial) by asking, “Are You Gonna Be My Girl?”

Of course, they were accused of ripping off another song (Iggy Pop’s “Lust for Life”) though lead singer Chris Chester recounts a meeting he had with Iggy Pop:

“It’s funny because I asked him point blank about that. He said I was crazy. He said that when he and David Bowie were writing “Lust for Life”, they were ripping off Motown’s beat. It’s funny that he said that to me because we also thought we were ripping off Motown more than “Lust for Life”. To be honest with you that kind of annoyed me a lot, because I always thought it was really lazy. People just go well Lust for Life is more well-known so that’s what they go for, but if you listen to a song like “You Can’t Hurry Love” (The Supremes) I think you’ll find its closer to “Are You Gonna Be My Girl” than “Lust for Life” ever was. And that’s what Iggy said as well.”

Criticism aside, no one can argue that this track isn’t wickedly catchy.

More Quintessential Songs of the ’00s.

Quintessential Songs of the ’00s: #3 “Float On”

It wasn’t until Modest Mouse’s fourth album (Good News for People Who Love Bad News) that lead singer Isaac Brock figured out how to fully combine his pensive lyrics, warbled vocals and catchy hooks into one beautiful mess of positivity. “Float On” is the album’s signature song and it was a big departure from the band’s previous work. From the song’s wiki page, Brock had this to say:

“It was a completely conscious thing. I was just kind of fed up with how bad shit had been going, and how dark everything was, with bad news coming from everywhere. Our president is just a fucking daily dose of bad news! Then you’ve got the well-intentioned scientists telling us that everything is fucked. I just want to feel good for a day.”

And we’re lucky he did.

More Quintessential Songs of the ’00s.

Quintessential Songs of the ’00s: #2 “Take Me Out”

Franz Ferdinand burst on the scene in 2004 with the second single from their self-titled debut.

The meaning of the song has long been debated. Some believe it to be about a sniper that’s about to kill his target while others believe it’s about romantic love.

Whatever it’s about — it’s a great, rocking tune. I love the guitar throughout and the shifts in tempo. The latter is tough to pull off, but the band does it well.

More Quintessential Songs of the ’00s.

Slash at Betty Ford tribute


Photo from fOTOGLIF

Here’s a great photo of Slash as he performs at the sixth annual MusiCares MAP Fund benefit concert to celebrate Women In Recovery, held in honor of former first lady Betty Ford and the Betty Ford Center at Club Nokia in Los Angeles last week.

Rockers and politicians are no strangers to each other of late, with top artists like Bruce Springsteen, Pearl Jam, R.E.M., Will.I.Am and more campaigning during the last two presidential elections. But punk and heavy metal icons like Slash, X’s Exene Cervenka, Motorhead’s Lemmy, Kiss’ Ace Frehley, Nashville Pussy’s Corey Parks, Billy Corgan and the Runaways’ Cherie Curie appearing at a tribute to former First Lady Betty Ford is a different kind of event altogether.

The incredible lineup honored the wife of late President Gerald Ford at the Grammy Foundation’s annual MAP/MusiCares concert, held at L.A.’s Club Nokia. Even Ford’s daughter, Susan Ford Bales, the current Chairman of the famed Betty Ford Center, a home for drug and alcohol treatment, was in disbelief. “I’m really proud of that and the fact that she is being honored by this group even though she is 92 years of age,” Ford told Spinner before the event. “It’s a real honor for her that they acknowledge her and what she’s done for women.”

Quintessential Songs of the ’00s: #1 “Seven Nation Army”

Is it too early to be nostalgic about music from the ’00s?

I heard this song in the car today and I thought it might be the start of a new feature — the quintessential songs of the noughts. Maybe in ten years, some twelve-year-old kid will stumble across this blog and get exposed to some good tunes. Who knows, maybe it will be my boy (who just turned two).

Here are a few fun facts from the song’s wiki page:

The song is known for its underlying riff, which plays throughout most of the song. Although it sounds like a bass guitar (an instrument the group had famously never previously used), the sound is actually created by running Jack White’s semi-acoustic guitar (a 1950s style Kay Hollowbody) through a Digitech Whammy pedal set down an octave. The riff was composed at a sound check before a show at the Corner Hotel in Melbourne, Australia.

According to White, “Seven Nation Army” is what he used to call the Salvation Army as a child.

Italian football fans and ultras picked the song up when Roma played in and against Club Brugge for the UEFA Cup. [8] They often chant the song’s signature guitar riff ever since, most notably during Italy’s campaign in the 2006 FIFA World Cup. About 10 million Italians, all across the nation, were supposedly singing the song during celebrations following the final victory.

A few more tidbits from SongFacts:

This, along with the rest of [Elephant], was recorded on analogue equipment that was over 50 years old at Toe Rag Studios. Toe Rag Studios were set up in Hackney, east London in 1991 as a strictly analogue enterprise using only pre-1960 studio equipment. The success of Elephant established Toe Rag as a trendy antidote to digital music-making.

According to White neither the labels in America or in the UK wanted to put this out as the first single. They eventually relented and it became the White Stripes’ first Hot 100 hit in the US and Top 10 entry in Britain.

More Quintessential Songs of the ’00s.

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