Category: Pop (Page 192 of 216)

NOW that’s what I call a poor excuse for a number one!

Relating to the Spotlight Kid’s fine posting below, one should also be aware of a highly disturbing article which appeared on the always-fair-and-balanced Fox News website last week about the album. What’s worse is that there’s nothing in it that really surprises me…

Record Biz Crisis: Top 20 Misses 750K
By Roger Friedman

The top 20 pop albums sold fewer than a total of 750,000 CDs last week.

You read that correctly. The actual total was 738,211. The number includes 220,000 copies of a greatest hits singles collection from all the labels, “Now That’s What I Call Music! Vol. 22.” Without “Now 22,” regular releases came in around 500,000 copies.

This is a crisis that no one acknowledges in the record business. But consider that recently dismissed Sony execs Donnie Ienner and Michelle Anthony were making $2 million a year, and that their income is typical of upper echelon management in any record company. If the half million CD sold at full price — $15 — then they didn’t even pay for a small part of one salary.

Consider also the execs at radio conglomerates, who have tightened playlists so that few new records are played unless — as identified by New York State Attorney General Eliot Spitzer’s findings — stations receive free trips, gadgets and other gifts as inducements. You might wonder how any of the companies on either side can afford to stay in business.

Consider that last Tuesday, “Now 22” was not the only new release. Sony/Epic issued a new CD by writer-producer Butch Walker, a performer whom this column has extolled over and over. Not only did no one from the company bother to send it here, this reporter only learned about it by accident — yesterday. Walker, who should have a following from his extensive touring — he produces and opens for Avril Lavigne. But he’s been ignored by his label and radio. What’s he supposed to do? The CD sold fewer than 15,535 copies — the minimum it would have taken to hit the top 50. And here’s an amazing statistic: four songs from the new album have been played a total of 200,000 times on Walker’s MySpace page. I doubt this is the work of one person who clicked the links that many times. Some group of people is interested in Butch Walker. They’re just not a group that his label or radio stations are interested in, apparently. If they were, there would be more of an investment in Walker’s career — and other countless talented artists like him — by the record companies. Instead, the record stores are empty, and customers are drifting toward other entertainment.

There isn’t a lot to look forward to right away in terms of new releases: Rapper DMX has a new album on Aug. 1, but his last one was three years ago. Rocker Tom Petty’s waited four years to put his new CD, and the last one wasn’t exactly a bestseller with fewer than 350,000 copies sold.

Yesterday’s crop of new releases has only one promising title, by Los Lonely Boys, whose previous album sold 2 million copies. All eyes will be on them to see if they can beat their last first week sales record: 4,000 copies. That shouldn’t be too hard. Or Music, a satellite label from Epic, sticks with their artists the way most labels do not.

Bullz-Eye.com reveals its guilty pleasures!

You get a call from one of your buddies. He tells you that the boys are going to a bar with two-dollar beers and mud wrestling. You tell him that you’ve been battling a wicked stomach virus all day, and that you’ll just have to sit this one out. But you don’t have a stomach virus. In fact, you’ve got a beer of your own in your hand. You just don’t want to go out because there’s ice skating on TV.

Guilty pleasures. We’ve all got ’em. If you don’t have ’em, then you’re either not human or, worse, boring. We at Bullz-Eye have bared our souls for the world to see, revealing the movies, TV shows and music that make us giddy. When no one is looking, of course.

A few examples:

Styx
It’s not horrifically uncool to like Pieces of Eight-era Styx…which is a good thing, because I nearly wet my pants with giddiness when Chris Daughtry sang “Renegade” on “American Idol.” What’s not so cool is to dig late-period Styx. Specifically, Kilroy Was Here-era Styx. Specifically, “Mr. Roboto.” When this song came out in 1983, I thought it was the coolest thing I had ever heard. Most people grew out of that. I never did. This poignant saga of the tragic figure that just needed somewhere to hide, to keep him alive, spoke to me at a very primal level, and raised a million questions. Is he a man? A machine? Both? His heart is human, his blood is boiling; his brain IBM. What will he do? Where will he go? Can he ever take that mask off? What if he gets a zit underneath it? Does he still have to pee? Can he have sex? Thank you very much, Mr. Roboto, for helping me escape whenever I need to…even now. – Deb Medsker, Contributor

William Shatner, “Common People”/”I Am Canadian” (2004/2000)
There’s just something about the idea of the Shatman crooning that begs it not to be taken very seriously, and how can you when the guy’s musical history includes that god-awful rendition of Elton John’s “Rocket Man”? On the contrary, not only is Shatner’s version of the Pulp track “Common People” better, but it’ll completely throw your friends for a loop when Captain James T. Kirk starts blaring from your car stereo speakers. And as a companion piece to “Common People,” the pop icon’s candid “Just for Laughs” performance of “I Am Canadian” (which features lyrics like: “I’m not a Starfleet Commander or T.J. Hooker / I don’t live on Starship NCC-1701 or own a phaser / I don’t know anyone named Bones, Sulu or Spock”) is absolutely priceless. – Jason Zingale, Associate Editor

Check out all our lists here.

No wardrobe malfunctions, please

Budding graphic designers, take note: Janet Jackson wants you to design the cover for her new album, “20 Years Old,” to be released September 26.

According to Yahoo:

The Design Me contest requires participants to download images of Janet, create proposed album covers, and to post the creations on the contest page. Contestants will vote for their favorite submissions, and Janet will select her top four favorites, which will be used for the first one million copies of the album.

Sounds great, huh? Well, okay, there’s also this tiny bit of fine print:

Each Grand Prize winner will receive an autographed copy of his/her design for his/her personal, private use only and not for resale and winning design will appear in selected publicly distributed copies of Janet Jackson “20 Years Old” CD, subject to the Sponsor’s absolute right not to use one or more winning designs on any copies for any reason in its sole discretion.

So, Janet might use your winning design, if she feels like it, unless she doesn’t want to.

But still: a pretty cool opportunity, if you’re good with PhotoShop…

News to make The Chauffeur giddy…

…not to mention the Mayor of Simpleton:

According to RememberTheEighties.com, the Human League’s “Louise” has reportedly been covered by Robbie Williams for a forthcoming Pet-Shop-Boys-produced album entitled 1974. The dance-inspired album is also said to contain a cover of Williams’ songwriting partner, Stephen Duffy’s biggest solo hit, “Kiss Me,” as well as homages to Madonna and David Bowie.

Jesus, if they could’ve worked in references to Scritti Politti, Prefab Sprout, and Tears For Fears (I’m counting Stephen Duffy as an indirect Duran Duran reference), The Chauffeur might well have passed dead away from sheer bliss.

Don’t call it a comeback. Oh, wait, actually, DO call it that.

The Onion’s A.V. Club has put together a list of their 15 True Comeback Albums, giving everyone something to complain about.

Some of the selections are on the money, like Lou Reed’s New York, Johnny Cash’s American Recordings, or Steely Dan’s Two Against Nature…but putting John Lennon and Yoko Ono’s Double Fantasy on the list seems iffy; it was a huge hit, but most critics complained that it was lackluster. Same with the B-52’s Cosmic Thing, despite being a gargantuan hit. Still, kudos for including Electric Light Orchestra’s 2001 album, Zoom, which was great, even if it was a commercial flop.

A few selections which deserved to be included but weren’t are Paul McCartney’s Flowers in the Dirt, Echo and the Bunnymen’s What Are You Going To Do With Your Life?, the Bee Gees’ This Is Where I Came In, Willie Nelson’s Across the Borderline, and, dammit, I stand by Rick Springfield’s Karma. I’ll even throw ABC’s Skyscraping into the fray, as well as Tears For Fears’ Everybody Loves A Happy Ending.

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