Category: Gothic (Page 3 of 3)

The Band of Heathens: One Foot in the Ether


RIYL: The Band, Little Feat, Kings of Leon

After evoking obvious reverence for classic Americana on their self-titled studio debut, the Band of Heathens morph their roots rock regimen with hints of blues, soul and a swampy moan. The allusions to the Band are still there of course – the new album’s “L.A. County Blues,” “What’s This World” and “Look At Miss Ohio” instantly reaffirm those references – but this time around they expand their palate, journeying up the Mississippi with “Golden Calf,” emulating an old-time gospel choir on “Shine a Light” and taking a funky furlough via “You’re Gonna Miss Me” and “Somebody Tell Me The Truth.” Varying the pace from unassuming shuffles to tattered refrains, the group colors the arrangements with rustic embellishment – banjo, Wurlitzer piano, dobro, mandolin, lap steel and forlorn vocals – clearly enhancing the set’s distinct retro feel. An able demonstration of genuine down-home resolve, One Foot in the Ether provides the band taking a sure step forward.

The Band of Heathens MySpace page

Various Artists: New Tales to Tell: A Tribute to Love & Rockets

Say this for New Tales to Tell: A Tribute to Love & Rockets: at 18 tracks, it is one of the most thorough tribute albums we’ve seen come down the pipe in a while, possibly ever. While this makes for a longer listen than is probably necessary, it stands as a testament to Love & Rockets that so many bands – and so many different kinds of bands, at that – were eager to contribute. Black Francis does his Black Francis thing on “All in My Mind” – it should come as no surprise that the band’s 1986 breakthrough Express is the most covered album, with every song but two appearing here – and the Flaming Lips flip “Kundalini Express” inside out, downplaying the drum track and guitar while running the vocals though what sounds like an old ELO-era voice processor. Better Than Ezra, of all bands, does a straight but effective version of “So Alive,” and Chantal Claret teams up with No Doubt drummer Adrian Young to turn “Lazy” into a frisky striptease. Funny, then, that a tribute album featuring 18 songs would not include some of the band’s best-known tunes; “Haunted When the Minutes Drag,” “Yin and Yang the Flower Pot Men,” “Sweet Lover Hangover” and “Redbird” were all skipped over in favor of deep cuts, and while that’s a diehard fan’s wet dream, it’s a bit of a head-scratcher from a label standpoint. Still, it’s hard to argue with the results, which hit a lot more often than they miss. (Justice Records 2009)

New Tales to Tell MySpace page

Super 700: Lovebites

You’d be hard pressed to find another album released this year that embraces the idea of melodramatic pop quite like German septet Super 700’s Lovebites. Fronted by the siren-like Ibadet Ramadani, who has a Liz Fraser beautiful-but-unintelligible thing going with her vocals, Lovebites sounds like the unofficial soundtrack to a love story between a vampire and the Portuguese princess who loves him. It’s haunting and Gothic, but also grounded in rock dynamics, calling to mind the late, great Boston band Tribe unleashing their inner Siouxsie Sioux. “Second in Line” is the album’s showstopping moment, a hypnotic mini-epic that someone needs to send to Motels singer Martha Davis, stat. The strange thing about Lovebites, however, is that as captivating as the songs are while they’re playing, several of them are forgotten almost as soon as they’re over, as if they’re equipped with a memory charm. Undeniably beautiful stuff, but we just wish the moment would linger a little bit longer. (Motor Music 2009)

Super 700 MySpace page

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