Category: Folk (Page 19 of 23)

Ten out of Tenn: Christmas

Even in the low-key, relatively low-ego world of singer/songwriters, artistic alliances tend to implode as quickly as they come together – just ask fans of the Thorns and Little Village – which is just one of the refreshing elements of Ten out of Tenn, the loose collective started by Trent and Kristen Dabbs in 2004. Over the last four years – plenty of time for egos to flare and fragile artistic pride to bruise – the Ten have toured steadily, released a pair of compilations, and now introduce Christmas, a disc that is exactly what it sounds like: 10 seasonal tracks from Ten out of Tenn members. Six of the 10 are originals, and they’re all surprisingly strong; the best of the bunch might be Andy Davis’ “Christmas Time,” but really, there isn’t a bum note on the disc, and even the traditional numbers are handled with aplomb – you may have already heard “O Holy Night” and “Silent Night” more times than you care to count, but they’re delivered here with just the right combination of reverence and flair, by Griffin House and Katie Herzig, respectively. If your tastes run to the sensitive acoustic end of the spectrum, and you’re looking to beef up your holiday playlist, purchase Ten out of Tenn Christmas without delay – it’ll be a disc worth pulling out the day after every Thanksgiving and enjoying until the final strains of “Auld Lang Syne” fade in Times Square. Listening to it during the other 11 months of the year is another story, but that’s par for the course with these albums, isn’t it? (Ten out of Tenn 2008)

Ten out of Tenn MySpace page

RJ Cowdery: One More Door

Decent folk pop artist straddling the gaps between Americana, country, and straight up folk. Cowdery has a pleasant voice that doesn’t try to do anything it can’t. Her songs like “These Ties That Bind” and “Saving for Love” have a unifying theme of peace, humility, and hope. She’s best when doing softer tunes like “One More Door” than when she treads into too-familiar territory on a song like “I Believe.” “Down to the Water” is gentle and pretty, but “Shine on Me Again” drags a little, conveying RJ’s tales of personal strife in the same tones and melodies. Yet this is a pretty solid affair overall, and will certainly please those who like their music on the softer side with lyrics that can mean something from time to time. One More Door is certainly safe sounding, but then again it’s hard to imagine this artist getting too boisterous in her songwriting. (self-released)

RJ Cowdery MySpace page

Amy MacDonald wishes a Merry Christmas to all scumbags, maggots, and cheap lousy…

…well, you know.

There is no quicker way to our hearts during the holiday season than by covering “Fairytale of New York,” the staggeringly awesome duet between the Pogues and the late, great Kirsty MacColl. So congratulations, Amy MacDonald: we liked your debut album well enough, but this live version of “Fairytale,” recorded at the Barrowlands in Glasgow, permanently puts you in our cool book. Her bassist and duet partner does a mean Shane MacGowan impression to boot.

Amy MacDonald – Fairytale of New York (Live in Glasgow)

Guggenheim Grotto: Happy the Man

Their odd, ill-defined moniker aside, Guggenheim Grotto are a deeply emotive trio, hailing from Ireland but obviously adept at capturing universal sentiments, particularly when it comes to matters of the heart. On this, their sophomore set, the group opts for gentle, dreamy melodies that reside midway between the arched anthems of Coldplay and the contemplative designs of the Beautiful South, capped by soaring refrains coupled with a distinct sense of wistful yearning. That’s especially true of “Her Beautiful Ideas,” perhaps the most torrid song about severed romance in recent memory, and “Sunshine Makes Me High,” which regales in sublime inspiration. Likewise, “Oh Nikita” glides on supple rhythms and a bittersweet plea, while “Just Not Just” provides a breezy lesson in unrequited love. Indeed, there’s a profound sense of desire that permeates the set as a whole, a hope for a passionate connection that remains just out of reach. “What has love in store for me,” they ask plaintively on the guardedly hopeful “Lost Forever And?,” a song that surmises the answer but reaches no definitive conclusion. Its title to the contrary, Happy the Man finds bliss an elusive ideal and optimism all the more difficult to cling to. (United for Opportunity)

Guggenheim Grotto MySpace page

Listing Ship: A Hull Full of Oil and Bone

Listing Ship specializes in writing nautically-themed folk songs and sea shanties. Sure, the audience for that may small, but specializing in a modernized version of a defunct musical genre worked well enough for the Dresden Dolls, so there’s no reason to knock it this time around. The level of nautical influence varies from track to track on A Hull Full of Oil and Bone. Some songs are traditional folk ballads, while others, like the crazy title track, sound like something you’d hear on Captain Ahab’s iPod (between Mastodon cuts) . It’s all a bit overpowering in its weirdness, but Listing Ship never take themselves too seriously, and that’s what saves them. Their cleverness is most abound in the perverse romantic ballad “Coal-Hearted Woman,” which begins as a Irish folk song between two lovers, before dropping the wonderfully obscene line “I’d like to sink my shaft in your soft Virginia hills,” followed by a chorus of “let me come inside.” Damn these are some nasty mother folkers! In case you haven’t already figured it out A Hull full of Oil and Bone isn’t for everyone, and unless you celebrate National Talk Like a Pirate Day or attend Renaissance festivals, it probably isn’t going to be your thing. However, this is your thing, then you’ve probably just found your new favorite band. (Listing Ship 2008)

Listing Ship MySpace Page

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