Category: Artists (Page 98 of 262)

Dhani Harrison talks up the Beatles’ “Rock Band”

Dhani Harrison…yes, you may know him as George’s son…has been making the press rounds, talking up You Are Here, the album by his band, thenewno2. While doing so, however, it hasn’t exactly required a great deal of arm-twisting to get him to chat about how he had more than a little bit to do with the folks at Apple Corps agreeing to license the Beatles’ music for their very own volume of “Rock Band.” But that’s fair enough, since “Yomp,” a song by thenewno2, was released as downloadable content for “Rock Band” on July 29, 2008, and another track, “Crazy Tuesday,” was released as one of 20 free songs for “Rock Band 2.”

“I basically did that for Apple,” admitted Harrison, “so that they could see it and say, ‘Oh, look, there’s Dhani, he’s a new media kind of person, and this is how he’s selling his stuff. Maybe we should consider doing that with the Beatles, seeing as we don’t have any digital deal or anything.'”

The Beatles’ “Rock Band” evolved out of several meetings Harrison had with Alex Rigopulos, co-founder of Harmonix Music Systems, the developers of “Rock Band.”

“He’s a genius,” said Harrison, “just the loveliest, loveliest guy. We were sitting around one day, and he just said to me, ‘Do you think they would ever go for a Beatle game?’ And I was thinking the same thing to talk to him about! ‘It would be amazing, wouldn’t it?’ I said to him. Actually, I think I said, ‘It would be amazing because I could kick your ass at ‘I Am the Walrus’ while dressed as a wizard in Shea Stadium.’

“Do you know what I mean? Or I could put on the ice skating outfit from ‘Help!’ and then beat you at ‘Tomorrow Never Knows’ in the universe somewhere. I don’t know. Just make up whatever you can; ‘I Am the Walrus’ at the Cavern Club, even. Wouldn’t that be fun? And we both just started riffing on that kind of stuff until we both just were in hysterics, and it was obviously a brilliant idea, but I said, ‘Well, that’s never going to happen, is it?’ And he said, ‘No, it’s never going to happen.’ I said, ‘But I should talk to the guys from Apple, anyway. Because it is actually a no-brainer. It is the biggest no-brainer that I’ve ever, ever thought about, and if Apple don’t go for it, then they are shooting themselves in the foot, because someone else is going to do it. Someone else is going to get their own game.

“In the way the media works these days, in the way that music delivery systems work these days, I find it quite often best to be first,” Harrison explained. “If you were the first person ever to design an application for the iPhone and you patented it, you would be very, very better off than we are right now, you know? But you’ve got to be the first one to do it. So I figured that Led Zeppelin or The Stones were going to do it unless we just got on to it. So I got cracking with the guys from Apple. I kind of almost bullied them into believing how amazing it was. They really didn’t need much convincing if you looked to the fourth quarter, the month of December 2007, I think they sold something like 10,000,000 units of ‘Guitar Hero 2’ in just one month, and they are $50.00 each. I said, ‘If you do the math, if you go 50/50 with ‘Rock Band’ and you sell a Beatles ‘Rock Band’ game, that’s a big deal’ you know. And not to mention that, once the game is made, you can just keep adding songs to it. You could do the Bangladesh pack, you could do the ‘Live and Let Die’ pack, you could do the ‘Imagine’ pack…”

Are you salivating yet? Better clean yourself up. You’ve got ’til September 9th until the Beatles’ “Rock Band” hits stores.

Pop/Rock Gets A Shiny New Twist

My Favorite Highway's, Anywhere But Here

When it comes to alternative emo bands, there’s certainly no shortage of aspiring talent. It seems like another whiney, longhaired group of adolescents pop up on radio and MTV every other day, replacing the boy bands of the 90’s with actual instrument-playing musicians. However, the recent surplus of young bands has meant only one thing: it’s harder to find the real talent behind the masses of wanna-be’s.

Fortunately, there is real talent out there waiting to be discovered. Case in point: My Favorite Highway. This young band from Fairfax, Virginia is comprised of cousins Will (bass) and David Cook (vocals/guitar/piano), Bobby Morganthaler (drums), and Pat Jenkins (guitar). The quartet came together after David dropped out of college because he was, “feeling uninspired” and after several line-up changes, have created the perfect combination of pop/rock with an alternative/punk flare. Their knack for incredible songwriting, catchy melodies, and infectious energy set them apart from the rest of the pop/punk masses.

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Southern Boys Put A Country Spin On Rock ‘N Roll

Cage The Elephant, Relentless Records
One sunny afternoon just north of Nashville, TN, the grit of southern rock fell in love with the energy of funk and the very essence of rock n’ roll. Their love grew and multiplied and a short time later, out of Bowling Green, Kentucky, was born Cage The Elephant.

Brothers Matt and Brad Schultz joined up with a high school friend Jared Champion, and family friend Danielle Tichenor. A few months later Lincoln Parish, an eager young musician, e-mailed the group several times asking to join. Subsequent jam sessions proved successful and Parish joined the group at the ripe old age of fifteen. Cage The Elephant began to conquer the local tour circuit, and after word spread of their high-energy, high-chaos live shows, they signed with Relentless Records. Since then, they’ve been working hard to release their debut album “Cage The Elephant” which dropped in the US June 23, 2008

Since 2007 Cage The Elephant has been touring and living in the UK where their first single, “In One Ear” debuted at number 26 on the Top 40 charts, and their intense live shows have earned them opening spots on tour with Kings of Leon and Queens of The Stone Age.

Now, that their self-titled LP has finally been released in the States, Cage is poised to take control of the American rock scene. The band’s organic melodies channel the likes of The Chili Peppers and outspoken lyrics mock their critics with a raw poignancy reminiscent of Dylan himself. On the opening track “In One Ear” the band claims, “They say that we ain’t got the style/we ain’t got the class/we ain’t got the tunes that’s gonna’ put us on the map” but subsequent tracks like “James Brown” and “Lotus” dispel any such rumors.

BBC reviewed the new record saying, “’In One Ear’ is a definite two fingers up at the music industry (”I’m an antisocial anarchist who sounds like so and so… Rock ‘n roll is dead I should have stayed at school”).” The story behind the lyric is, no doubt, one of the many things that draw fans to Cage’s live shows and helps to make the track so phenomenal.

Cage The Elephant continues the record with tracks like the fan-favorite “Tiny Little Robots” which channels “the kind of guitar playing that The Hives would appreciate,” (Contactmusic.com)and finishes everything off with the distinct, “Soil To The Sun,” a track that proves Cage is in it to win it with their haphazard enthusiastic rock.

While DrownedInSound.com called Cage The Elephant, “Kings of Leon 2.0.” nothing could be farther from the truth. While it’s true Cage shares geographical origins with Kings, the overall intensity and passion found in Cage songs such as “Back Stabbin’ Betty” and “Back Against The Wall” put the two bands in completely different categories; Cage is pure rock, while Kings have a distinct indie-edge.

Opinions aside, Cage The Elephant have made it clear that they are here to rock, and with their debut record, courtesy of Relentless, they’re not about to let anyone forget the fact. Online music source, Mirror.Co.UK described Cage’s magic perfectly saying, “[Cage] moves in demented unison, hits you with the force of a hurricane and doesn’t forget to drop killer riffs and top tunes.” Their energy smacks the listener in the face from the very first beat and keeps him coming back for more track after track.
Check out Cage The Elephant on iTunes, or sample some tunes for free on the band’s MySpace here.

Let the Right Ones In: Ten bands that should be in the Rock ‘n Roll Hall of Fame

The 23rd annual induction ceremony for the Rock and Roll Hall of Fame is coming up, and with it comes the annual bitchfest by music fans and critics as to which bands deserve to get in and which do not. The general public has no say in the nomination or induction process; instead, an anonymous committee chooses the nominations, which are then voted on by an equally anonymous group of 500 “rock experts.” Bands are eligible for induction 25 years after the release of their first record. Usually there’s little controversy when it comes to the artists chosen for induction, with the real debates circling around those artists who have yet to be recognized by the Hall of Fame.

The Hall has its prejudices when it comes to selecting those worthy enough for induction. Heavy metal, punk and prog rock have a hard time getting in, while anyone with an obvious blues or country influence seems to be a shoe-in. It also helps to be American or British; no artists from mainland Europe, Africa, South America or Asia have been inducted yet.

With that in mind, Bullz-Eye has selected 10 artists, listed in chronological order of their eligibility, that we feel have been given the shaft by the Hall. These are by no means the 10 “best” artists who have failed to be inducted; just 10 “of the best” who have not yet gotten their due.

The Stooges
Eligible since: 1994

The Stooges self-titled debut came out in 1969 and it’s hard to imagine just how abrasive and loud the Stooges must have sounded to audiences at the time. Try putting them in context: the biggest albums of that year were Abbey Road, Blood, Sweat & Tears’ self-titled record that had the hit “Spinning Wheel” and the original cast recording of “Hair.” One of the biggest singles was “Sugar Sugar” by the Archies. Contrast that with “I Wanna Be Your Dog,” and a sense of just how far ahead of the times they were begins to develop.

Rush
Eligible since: 1999

We are loath to use album sales as a measure of a band’s true worth, but it’s worth noting that Rush’s first 16 studio albums, spanning 22 years, have sold a minimum of 500,000 copies each. The only band with a longer gold-or-better sales streak is the Stones. Aerosmith is just behind Rush, with 14 straight gold-or-better albums, and U2 will probably get there if the band doesn’t kill Bono first. Fittingly, Aerosmith, U2 and the Stones are all in the Hall; Rush, however, are not, and their exclusion can be boiled down to three words: critics hate prog.

Motorhead
Eligible since: 2002

They may have paved the way for Anthrax and their thrash metal ilk, but Motorhead’s influence can be heard in punk music of the ’80s and ’90s, alternative rock groups such as Queens of the Stone Age and even in electronic and new wave music (industrial music is basically thrash metal with keyboards). The Hall hates metal, for some reason – it even took them 11 years to get off their asses and induct Black Sabbath. And if Ozzy and company can barely squeak into the Hall of Fame, an underground act like Motorhead doesn’t have a prayer. Pity.

To read the rest of the bands that should be in the Rock ‘n Roll Hall of Fame, click here

USS Make Smoothies, Impress Crowd In Austin

USS

Canadian rock duo USS (Ubiquitous Synergy Seeker) brought their high energy rock to RedGorilla Music Fest Wednesday, complete with techno inspired beats and homemade smoothies (they made them on stage), giving everyone a taste of what it would be like if Nirvana went to a rave.

It’s true there are thousands, probably millions of independent bands in the US alone. They record in their basements or garages, tour on meager merch sales, and survive purely on adrenaline. Most of them will never make a dent in the mainstream rock market, but every now and then a band comes along that possesses enough talent and drive (the combination is key) to take them straight to the top. Case and point: USS.

You may not be familiar with USS yet, but these guys have been enjoying great success in Canada thanks to heavy radio rotation and a never-ending desire to create something completely unique. With the help of their trusty MacBooks, USS has been creating Nirvana inspired indie-rock laced with infectious beats and energy to boot, for years. Now, with intuition to guide them, USS is embarking on the ride of their life: the release of their upcoming album, and an exciting tour to follow.

USS’s set at RedGorilla Music Festival last Wednesday was an experience in and of itself. Their energy, above everything else was intense. They ran around stage shouting lyrics in perfect harmony, and spitting energy with their wicked rhymes. To top off the night, USS took the audience on a strangely entertaining ride when they proceeded to make homemade smoothies on stage, while singing. Ash would sing a line, pick up a banana, rub it all over his face and then sing another line. He’d do some more rubbing and then place the banana into the blender and pick up a strawberry. After some more singing and eccentric expressions, he would rub the strawberry all over his face, sing some more and then throw it into the blender with the other fruits. The set ended with the two drinking the smoothies and acting surprised as to how they wound up with smoothies in their hands. It was borderline train wreck, but it was brilliant, and the music was so spot on live it was incredibly entertaining. I laughed my head off, danced my heart out, and still have their melodies stuck in my head. USS puts on such a great set it’s a wonder they haven’t been around longer.

For USS, the journey to the top of the Canadian charts was surprisingly organic. It began with Ash’s desire for something he had never heard before. After swapping his electric guitar for a new MacBook—the first computer he had ever used in his life, mind you—Ashley Boo-Schultz paired up with pal and turntable master the Human Kebab. The evolution of the duo’s thoughts and desires came to fruition in the bass-heavy sound that can be heard on the band’s new record Questamation that is currently on iTunes, and will hit stores soon.

Interestingly enough USS has recorded, produced, marketed, promoted, and distributed their music without any help from a label. They’ve also been fortunate enough to grow a significant following without falling victim to mainstream media, bypassing the hoops of fire most new artists are forced to jump through to secure radio play. Instead, USS’s music has spoken for itself. The synth-pop and grunge-inspired rock that defines them has risen above the masses of indie music as some of the freshest, most promising tunes on the radio. Here’s to USS and their incredibly unique brand of indie-rock. If you missed this band at RedGorilla you should be ashamed of yourself. Trust me—you want to get to know USS, they’re coming your way. It’s only a matter of time before they’re dominating radio and tour circuit here in the states, and when they do all I can say is “I told you so!”

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