Page 177 of 583

Collaborations, collaborations

Flea

During a lengthy discussion about records, a friend of mine once told me that music is so incredible because it is rewarding when experienced alone, but also when shared.

I couldn’t agree more. I rarely write or learn songs just to keep them locked inside my inner musical being. After spending time with a new track, I want to call over my friends and have a hootenanny. I want to stay up late in a garage drinking beers and recording whatever happens.

As we know, collaborations and supergroups are not a new trend by any means. Nevertheless, a slew of unlikely pairings have surfaced over the past week. I’ve summarized them below.

– Thom Yorke has recruited a band consisting of Red Hot Chili Peppers bassist Flea, Radiohead producer Nigel Godrich, REM collaborator Joey Waronker, and Brazilian instrumentalist Mauro Refosco. The band will back Yorke live as he tours in support of his solo material.

Broken Bells is the new collaboration between Danger Mouse and Brian Mercer of the Shins. How this came about, I have no idea. Of all the recent match-ups, I’m most amped about this one. Hip hop mixed with jangly pop? Could work.

– On that note, what about hip hop merging with some dirty blues? The new Black Keys album, Blakroc, will feature Mos Def, Ludacris, RZA, Raekwon, Q-Tip, Pharoahe Monch, and many more.

– But Dr. Dre collaborating with Lady Gaga? Really? Sounds like a very smart move constructed by their publicists. However, I don’t really see the relevance, or the possibility of sonic magic coming from these two in the studio.

Ah, to play music every day and get paid for it…

Karen O and the Kids: Where The Wild Things Are


RIYL: The Yeah Yeah Yeahs, Deerhunter, The Kills

“Where The Wild Things Are”is a classic for multiple generations, and many (present company included) frequently site it as their favorite book from childhood. So most likely the upcoming film adaptation will mean a lot to kids of all ages, unless it sucks. However, if the soundtrack is any indication to the broad appeal of the film, we probably have nothing to worry about.

The soundtrack is credited to Karen O. and the Kids, but “the kids” are more than just the child singers on back up; they are the Yeah Yeah Yeahs, Bradford Cox from Deerhunter, Dean Fertita from The Dead Weather, Raconteur Jack Lawrence and the Liars’ Aaron Hemphill. That’s a lot of indie rocking, but there’s nary an ounce of pretension to be found here. Instead, there’s something for everyone.

Kids will enjoy the tribal beats and easy-to-sing along choruses of tracks like “All Is Love” and “Capsize,” while hipster 20- and 30-somethings will enjoy the complex and layered instrumentation that is present throughout, and everyone will be in awe once again of Karen O’s remarkable voice, which shows more variety growth here than on any Yeah Yeah Yeahs record. Sure, she may have been quiet before on classics like “Maps,” but she’s never done it as effectively as she does here on haunting, dreamy tracks like “Worried Shoes” (a surprising Daniel Johnston cover) and “Hideaway.” And while Karen’s always wailed with the best of them, she really lets it out on “Animal,” a banging acoustic stomper that serves as one of the few loud points of the album. This is a soundtrack though, and some parts are very score-like, with a good chunk of the second half being mostly instrumental and incidental. Still, it’s very pretty instrumental and incidental music, but those expecting the pop music of the single “All Is Love” should be forewarned.

But that’s a small complaint. This album rocks for all ages. Hipsters and pre-schoolers unite! (DGC/Interscope 2009)

Click to buy Where the Wild Things Are soundtrack from Amazon

The Happy Hollows: Spells


RIYL: Deerhoof, The Pixies, Q and not U

The Happy Hollows’ world as laid out on their debut full-length album, Spells, is inhabited by monsters, horses, flowers that turn into radios, and all sorts of other colorful characters, both real and imaginary. Such is the place sometimes referred to as Negahdariland, the namesake inner world of the Happy Hollows’ mistress-mind, singer/guitarist Sarah Negahdari.

This psychedelic punk approach radiates excitement of narcotic addictiveness, given a solid driving force by powerhouse drummer Chris Hernandez and nimble bassist Charlie Mahoney, whose often trebly bass lines jump over Sarah’s rhythm guitar to tag team on melody duty, most effectively so on opener “Faces,” on which Sarah declares that she’s trying to “escape from great expectations.” This is the only failure evident on Spells – after three years of high-energy live shows and two solid EPs that hinted at what a full Happy Hollows album could achieve, the band has actually met expectations and produced the most exciting debut album of the year. Props to ex-Mighty Lemon Drop David Newton for capturing the band’s live vibe while also making room for subtle decorations, like the tastefully placed violin in “Turtle and Hare” and “Second Lieutenant,” and punctuating several songs with Sarah’s adorably idiosyncratic background vocals.

You can feel the band smiling and having fun throughout all 14 of the album’s songs, and unconsciously injecting a renewed vitality into punk that has been lost in so many other quarters due to over-production and too many layers of polish. On Spells, the band got it just right. Prepare to fall in love. (Happy Hollows 2009)

The Happy Hollows MySpace

Sunny Day Real Estate: Diary/LP2 (Reissues)

Diary

LP2

RIYL: Smashing Pumpkins, Polvo, Mineral

Even if you haven’t actually heard the music of Sunny Day Real Estate, chances are you at least have seen them name-checked in countless record reviews and interviews. We’ll spare you all of the “they helped spark the emo movement” hoopla and just dig into what’s really important here. The folks at Sub Pop have just re-released the first two albums by this almost mythical Washington state outfit. Both collections are filled to the gills with angular guitars, prog-rock styled rhythmic arrangements, and unorthodox yet infectious vocal melodies.

Originally released in 1994, Diary sounded like nothing else when it first crept its way onto college rock playlists. For starters, Jeremy Enigk’s vocals seem to come from another planet completely. His ethereal singing style had his notes often floating through the guitars and drums much like a keyboard or orchestra would. Imagine the Cocteau Twins’s Elizabeth Fraser fronting Smashing Pumpkins during the Gish era, and you would be close to what SDRE sounded like at the time. As layered and dissonant as the material on Diary was, the band’s hardcore punk roots definitely sprout up in moments. “Seven” and the bombastic chorus in “In Circles” were straight-forward and crunchy enough to hook in Sick of it All fans, while the introspective parts of the music appealed to the indie kids. This album changed a lot of people’s lives, and a million bands were born out of its influence.

In 1995 SDRE released LP2, which their cultish following quickly dubbed “The Pink Album.” The record came out posthumously as the combo had broken up earlier that year. It seemed like the adulation and mounting pressure that came along with the left-field success of Diary had done the guys in. Luckily SDRE managed to finish the sessions for LP2 despite the personal struggles they were going through at the time. The album’s nine songs span everything from King Crimson-esque guitar spaz-outs to gentler ballad-like moments. It’s a tougher listen than their debut album, but once you dig deeper into its heart, it’s an even more rewarding experience than anything else they’ve ever recorded. (Sub Pop 2009)

Click to buy Diary from Amazon
Click to buy LP2 from Amazon

Jemina Pearl: Break It Up

It’s not all the cocaine/not a chemical reaction in my brain/that’s making me go insane.” That’s the first line to “Heartbeats,” the opening track of Jemina Pearl’s solo debut Break It Up. It’s nice to see that the lead singer of the recently departed Be Your Own Pet hasn’t lost her edge. Sure, the music behind her vicious and vindictive lyrics may be better tailored for the dance floor than the mosh pit this time around, but this is dance music in the vein of Blondie, using disco beats to accompany dark lyrics and an overall menacing feel. While the Yeah Yeah Yeahs took the same approach this year with their excellent disco revival record It’s Blitz!, Pearl instead goes even further back in time with her dance-pop, instead drawing from ’60s pop music. Songs like “Selfish Heart” and “Ecstatic Appeal” sound like punk rock covers of unreleased Ronnettes songs. And others, like the brilliant “I Hate People,” an ode to misanthropy and true love (featuring Iggy Pop!), are freakish bubblegum pop songs from hell combining easy listening sounds with twisted lyrics and themes. “I Hate People” might just become an anti-love song classic; its chorus of “I hate people but I love you” should be anthem of every punk rocker in love, maybe even becoming a new wedding song. One thing’s for sure – Jemina’s back, she’s still pissed and kicks more ass than ever. (Ecstatic Peace! 2009)

Jemina Pearl MySpace page

« Older posts Newer posts »