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Air: Love 2


RIYL: Gary Wright, Tangerine Dream, Phoenix

The French electronic duo’s first album since 2007’s Pocket Symphony – and the first to be recorded in the band’s brand-new recording studio – Love 2 is a back-to-basics effort of sorts, dusting off several of the keyboards they used on their genre-busting 1998 album Moon Safari. But don’t think of Love 2 as a Moon Safari sequel; it shares a little bit of that album’s spacey loungey cool (hey, it’s Air, how can it not), but the goings here are much lighter and peppier. “Love” is the bounciest song the band’s done in years, and “Be a Bee” is a far better foray into rock than pretty much everything on 10,000 Hz Legend.

Air_Love2

Granted, it’s a bit slighter than their best work (we’ll pause while you crack your best ‘slighter than air’ joke), but as long as they give us something like “Heaven’s Light” every couple of years, you will get no complaints from us. (Astralwerks 2009)

Air MySpace page
Click to buy Love 2 from Amazon

Sonic Youth on “Gossip Girl,” Grizzly Bear on “The Tonight Show,” Tom Waits

Sonic Youth made their surreal appearance on last night’s episode of “Gossip Girl.” Unfortunately, their acoustic rendition of “Starpower” is hampered by the actors’ dialogue. At least Kim Gordon makes a surprising cameo as a minister.

Also, Grizzly Bear performed their song “Two Weeks” on “The Tonight Show.” I hope Conan continues to showcase talented bands.

In other news, Tom Waits is releasing a new live album full of cuts from his recent Glitter and Doom tour. Check out his new website to download some free tracks off the album.

Bill Engvall: Aged and Confused


RIYL: Jeff Foxworthy, Larry the Cable Guy, Blue Collar TV

Bill Engvall aoppears to be an all-around good guy, and as one of the few clean comics working today, we take no pleasure from saying anything less than flattering about the man or his work. But it must be said; Aged and Confused, Engvall’s new album, is just…fine. It isn’t particularly bad or good – it just moseys along in that safe zone of zip lines, annoying kids, embarrassing naked stories and, something that will definitely appeal to his core demographic, colonoscopies. It’s all harmless enough, and the crowd at Chicago’s Vic Theatre lapped it up. (It is also, thankfully, free of Engvall’s catch phrase ‘Here’s your sign’ bits.) But the painful truth is that it’s just not terribly funny. Borrow it from the library, listen once, return it, and your Engvall fix will be complete. (Warner Bros. Nashville 2009)

Bill Engvall MySpace page
Click to buy Aged and Confused from Amazon

Bob Dylan continues to do whatever he wants

Dylan

Bob Dylan is one of rock’s most prolific artists, flaunting a massive and brilliant discography. At age 68, he’s been recording for years and probably has more than a few tracks he’s never bothered to release. For whatever reason, he’s chosen to lend one of these songs to America’s most popular show, “NCIS.”

Up until now, mustaches were just about the only thing Bob Dylan has had in common with TV cop shows. But on the November 3 episode of the CBS procedural drama “NCIS”, we’ll hear our very first taste of a long-unreleased Dylan song called “California”.

The song comes from the same sessions that produced Dylan’s 1965 acoustic/electric transitional classic Bringing It All Back Home, but it’s been unheard since then, sitting in the vault for the better part of a half-century. Maybe if they’d had “NCIS” back in 1965, we would’ve heard it a long time ago.

I’ve never seen the show, but I’ll be tuning in along with every other diehard Dylan fan.

Ticket Master-Live Nation merger hits another snag

tickets

Earlier this year, Ticketmaster and Live Nation attempted to merge companies. Since Ticketmaster is the largest ticketing distributer in the country, one could understand why the Justice Department would balk at a union with Live Nation, a huge concert promoter. Smaller production companies feel they would lose out on events if this deal goes through. They’re right, of course. The merger would create a ticketing powerhouse, one that has the ability to simultaneously sell and promote their own events. Negotiations may be starting back up in Washington, but they’re also receiving harsh criticism in the UK.

The U.K.’s Competition Commission issued a provisional ruling on Thursday that the union of the L.A.-based firms “could severely inhibit the entry of a major new competitor, CTS Eventim, into the U.K. ticketing market.”

The commission’s ruling echoes objections of witnesses who assailed the merger as anticompetitive at U.S. congressional hearings early this year.

Prior to the merger announcement in February, Bremen, Germany-based CTS agreed to provide ticketing for Live Nation’s British events, and it has enabled the U.S. promoter to operate a ticketing platform, which competes with Ticketmaster, in the U.S. since January.

A Live Nation-Ticketmaster alliance could erode CTS’ position in the U.K. market by cutting the number of tickets made available to the smaller firm, the commission said. “This could lead to higher net prices … and/or lower service quality or less innovation in the market,” the ruling stated.

Ticketmaster is one of the most hated companies in the world. They’re the schmucks that invented the 40 percent surcharge to see your favorite band. This deal wouldn’t benefit anybody but the companies. The bands, fans, and independent operators would all get screwed.

I never understood why venues didn’t just sell tickets exclusively in-house. I know you can buy tickets at the box office, but why can’t you also order them online? The venue would only have to hire a couple more employees to process the orders and send out the tickets. They’d tack on a surcharge to pay the staff, but it wouldn’t be as monstrous as they one utilized by Ticketmaster.

There has to be better way!

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