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Gov’t Mule: By a Thread


RIYL: Allman Brothers, Robin Trower, Mountain

Gov’t Mule treads that narrow divide that links jam band excess, raucous Southern rock and blustery white boy blues. Founded by guitarist Warren Haynes and the late Allen Woody, both of whom had been drafted to serve with the Allman Brothers during one of the band’s frequent reshufflings, the duo subsequently launched Gov’t Mule as an active side project in the mid ‘90s.

Since then, Gov’t Mule hasn’t digressed all that much from the rambling jams and blustery exhortations that distinguished the music Haynes and Woody created as employees in their day job. In fact, if the band was actually striving to set itself apart, it was never all that evident. For the most part, the group’s recorded catalog has been dominated by concert recordings, which have emphasized their instrumental prowess over more concise songcraft.

To a certain extent then, By a Thread marks something of a turning point in their recording campaign, placing a focus more on the material rather than their usual pyrotechnics. To be sure, there are the usual overwrought growls and howls, as evident in such blazing rampage of “Broke Down on the Brazos,” “Steppin’ Lightly” and “Monday Morning Meltdown,” each a searing onslaught that finds them adhering to more turgid testimonials. On the other hand, “Forevermore” and “Frozen Fear” suggest the band might be willing to treat the material with a hint of subtlety by toning down the more aggressive posturing. Of course, fans need not worry about an abrupt change of course, but it is worth noting that By a Thread might provide something of a kick to Govt Mule’s newer recruits. (Evil Teen 2009)

Gov’t Mule MySpace page

Nirvana: Live at Reading


RIYL: Pearl Jam, Mudhoney, The Melvins

Although they’re credited with “changing everything” nowadays, more people remember remember Nirvana for the tragedy surrounding Kurt Cobain’s life and untimely death than their killer live shows. Live at Reading should help remedy that. This 1992 performance by the band, recorded at the height of their popularity, shows everything that was great, exciting and dangerous about not only Nirvana, but the “grunge” rock scene as a whole. Surrounded not only by unheard-of popularity but also rumors about Kurt’s drug use, his health and his relationship with Courtney Love (who just gave birth to daughter Frances Bean less than two weeks earlier) the group seemed to focus all that energy, both negative and positive, into what has since gone down in history as one of their best performances. Everything is perfect here, from the set list (which includes just about everything you’d want to hear), to the feedback-drenched guitars and an ecstatic audience that goes absolutely batshit crazy for “Lithium.” From the Muddy Banks of the Wishkah was good, but Live at Reading is absolutely essential. If you were a fan of Nirvana back in “the day,” then watching live footage now sometimes usually be a bit of a downer. But Live at Reading is so powerful, energetic and flawless that it can even lift the band out of its own dark legacy. At least for a little while. (Geffen 2009)

Nirvana MySpace Page

50 Cent: Before I Self Destruct

50 Cent – nee Curtis Jackson – is one of the more brilliant entrepreneurs to come out of modern hip-hop, but as a rapper, the man has problems: He’s been locked in a sales slide since releasing his seven-times-platinum debut, Get Rich or Die Tryin’, in 2003, and these days, you’re more likely to see him in theaters (where he’s popped up in horrible movies like (“Righteous Kill”) or video games (such as “Call of Duty: Modern Warfare 2”) than hear him on the radio. 50’s artistic confusion is reflected in Before I Self Destruct’s troubled birth: Originally slated for release in 2007, Destruct was bumped in favor of the roundly panned Curtis, then shoved all over Interscope’s schedule for months; no fewer than six singles from the album have been released since October of 2008, and tellingly, none of them have had half the impact of earlier hits like “In da Club” or “Candy Shop.” Whatever 50’s been doing to this album for the last two years, it hasn’t helped much: Whether he’s engaging in unintentional self-parody with ludicrous gangsta tracks or raging against seemingly everyone in his personal and business life, Self Destruct lacks any of the menacing, mush-mouthed charm that made him a star.

He’s clearly making a desperate effort to make up for embarrassing pop concessions like “Amusement Park,” but none of it works; the production (courtesy of top-shelf producers like Dr. Dre, Polow da Don, and Rockwilder) is as dull and played out as 50’s subject matter – his current single, “Baby By Me,” even samples his own “I Get Money.” Meanwhile, 50 himself strains to sound dangerous, but it’s hard to take tracks like “Death to My Enemies,” “Crime Wave,” and “Gangsta’s Delight” seriously coming from a guy who just debuted his first fragrance for men. His laconic flow has always been part of his appeal, but here, 50 Cent just sounds flabby and tired, and at 16 deeply uninspired tracks, Before I Self Destruct is a painfully long slog. Try to imagine the musical equivalent of being peed on in a rainstorm while an escaped mental patient with a speech impediment shouts at you, and you’ll come close to the experience. With a long list of movies in production and a contract-sealing greatest hits collection on the way, it could be some time before we hear new music from 50 Cent; hopefully, the time off gives him a chance to recharge his creative batteries. (Aftermath/Interscope 2009)

50 Cent MySpace page

The Who will play at Super Bowl XLIV Halftime Show

The Who

I like The Who. I saw them twice at the Hollywood Bowl when I was in high school and surviving members Roger Daltrey and Pete Towshend were fun to watch both times. But that was at the Hollywood Bowl — not the Super Bowl. As SI.com reports, the band will perform during the big game’s historic halftime show. The Super Bowl Halftime Show usually features relevant acts with mass appeal. While The Who are reportedly writing a new album, the band hardly seems as enticing as Paul McCartney, Prince, Tom Petty and the Heartbreakers, and Bruce Springsteen, who have all performed at the show in the past.

Who wants some breaking news? Who wants to know who is performing at halftime of Super Bowl XLIV on Feb. 7 in Miami? Who wants me to shut up and just get to it already? Well, if you haven’t figured it out by now, according to a source, The Who will take the stage during the NFL’s championship game. Reached for comment, an NFL spokesperson said, “When we have something to announce, we’ll announce it.”

I don’t doubt that The Who will play their hearts out, but acts like Kanye West, Jay-Z, Weezer, and Neil Young are all better choices.

Yes, Tyler will sing for Aerosmith…in two years

Aerosmith

Sorry to burst your bubble Aerosmith fans, but I guess things aren’t all peaches and cream with the aging band. Although Steven Tyler won’t be quitting Aerosmith, he does want to take two years off from touring and recording.

Despite Tyler’s onstage insistence that he isn’t quitting the band, Perry says Aerosmith is still considering touring and recording with a new singer. “He wants to take two years off from the band,” Perry says. “The rest of the band wants to keep on working. We have so many different options to fill up that time. Anything is possible at this point. Basically, any communication that we’ve had over the last couple of months has been through managers, so that’s been pretty strange.”

Perry adds, “I never won any money trying to second-guess what goes on in Steven’s mind. I guess this is just Aerosmith business as usual.”

A friend of mine wrote a great piece on Aerosmith’s album Rocks. Apparently, the band used to have a spark. Still, I think that spark lies in the songwriting and prowess of the musicianship, not Tyler’s vocals.

My advice: Ditch the singer. Just have fun, boys.

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