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Jen Gloeckner: Mouth of Mars


RIYL: Polly Scattergood, Amanda Palmer, Tori Amos

Jen Gloeckner is…odd. That’s the best way to put it. I’m not good enough a writer to come up with a better word to describe her dark combination of dreamy surrealism and Gothic themes that traverse the genres of Americana, rock and electronic music via liberal use of cello, electric violins and what sounds like a wind chime on at lest one track. Some might call her quirky, but quirky implies a sense of goofiness and a lighthearted tone. And while there is some innocent fun to be had here, such on the 50-second interlude “Let’s Get Honest,” most of Mouth of Mars is either deliberately dark or just downright weird. “Burn Me” seems to be an indictment of a former lover but instead of taking an angry tone, it’s a darkly somber one due to a creaky cello and some haunting vocal effects that turn Jen’s already ethereal voice into that of a ghost. It’s followed up with “Die,” a much more obvious attack on a former flame, where she repeatedly proclaims that “I’m not gonna lie / One of us will have to die” over electric violins and a catchy dance beat. Gloeckner is no doubt amazingly talented and with her second album she’s already found her unique voice and style. It probably won’t appeal to most, but those who dig this will more than likely fall head over heels in love with it. (Spinning Hand Records 2010)

Jen Gloeckner MySpace Page

SXSW 2010 Quick Hits, Day 1: Jonneine Zapata

Ms. Zapata’s name caught my eye when I saw it on the grid. It’s not often you find an artist who shares a surname with legendary Mexican revolutionary Emiliano Zapata (who also begat the modern day Zapatista rebels of Chiapas.) I walked up Red River to the Red Eyed Fly and discovered that the venue has a great little outdoor stage in the back. The set was a treat, with the Los Angeles-based Zapata backed by a full band and displaying a powerful voice that at times recalled another great LA female rocker, Johnette Napolitano of Concrete Blonde. One tune started off slow and almost meditative before building into a hard-edged riff rocker with Zapata really belting it out. It’s no surprise to see her album is titled Cast the Demons Out, as Zapata seemed like a tortured soul at times. But watching her channel that energy into the music was compelling. “Burn” was a muted-riff rocker, while “Cowboy” also had an aggressive sound before breaking down into a deep well of bluesy feedback.

Jonneine Zapata
Photo by Tiffany Kyees

SXSW 2010 Quick Hits, Day 1: The Strange Boys

The evening showcases kicked off with Austin’s own Strange Boys, who hit the stage at Emo’s Jr., inside, at 8:00 pm. These guys (and one gal) have a very retro, ’60s garage rock sound. They’ve been generating some local buzz and the room was full of onlookers. Singer/guitarist Ryan Sambol has a gritty rasp that fits the R&B-flavored tunes well, but this sound is going to be an acquired taste for some. I don’t think it was quite my thing. I suspected this might be the case, so I had lined up a backup plan.

SXSW 2010 Quick Hits, Day 1: The Maldives

Exiting the Levis/Fader Fort, I heard a bluesy sound coming out of the Independent across the street. The Maldives out of Seattle were rocking the stage with a honky-tonk, roots rock sound that recalled Neil Young and maybe Ryan Adams & the Cardinals. There were three guitars, pedal steel, banjo and fiddle along with the rhythm section and free Pyramid Hefeweizen on tap, which really hit the spot since it was rather steamy inside.

(Editor’s note: we went to add a picture from the band’s MySpace page to this entry, but received one of those fake anti-malware messages, so no picture. Sorry, Maldives.)

SXSW 2010 Quick Hits, Day 1: Free Energy

Over to the Levis/Fader Fort, which I’d seen described on Twitter the night before as a “funhouse for hipsters.” I wanted to check out Philadelphia buzz band Free Energy, and therefore braved a ridiculous 45-minute line to get in. I was rewarded with free drinks, which are often served at the sponsored day parties, but the power-pop rock quartet turned out to be a bit of a disappointment. They have catchy tunes, vintage gear, a great name and cool looks, but something seemed to be missing. The band members seemed like they were into it, but the tunes kept falling a little flat, like the musicians lacked the chops to propel the songs higher in a live setting. I wanted to love this band, but I just wasn’t feeling it and the crowd seemed to feel the same way. I wanted to catch one of their other showcases to give them a second chance, but was unable to do so. The Fort was definitely a great venue though, with lots of spots to chill, beer pong, a blogger’s lounge with laptops, a Korg soundlab with musical toys and more.

free energy

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