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SXSW 2010 Quick Hits, Day 1: Broken Bells

I caught up with Broken Bells here at Stubbs since they followed Jones with an 11:00 PM set. The new band from the Shins’ James Mercer and Danger Mouse was definitely one of the most buzzed about. This probably comes from the fact that the Shins have quite simply become one of the most influential bands of the 21st century’s first decade. The Broken Bells sound a lot like the Shins, frankly, due to the distinctive voice and talent of James Mercer. But there’s less guitar and more keys and samples, triggered by Mr. Mouse on drums. The band has a groovy if laid back sound that seemed to hold the crowd’s attention fairly well. “Vaporize” and “Mongrel Heart” both have that classic Shins-y vocal from Mercer over a Shins-y type of groove, which seemed to resonate. The last two songs also featured more guitar, which helped build the energy some more, with Danger Mouse also playing guitar at the end over a sampled beat. It wasn’t the dazzling set that SXSWers have come to expect from evening showcases at Stubbs, but this is a new band, so it’s only logical that they might need some time to develop. There’s definitely some potential here, though.

SXSW 2010 Quick Hits, Day 1: Sharon Jones & the Dap Kings

I had to get over to Stubbs BBQ a little early for Sharon Jones’ 9:45 PM set because the line is always long to get in at this venue, which tends to host the more popular acts. The place was packed for NPR night, with the radio station broadcasting the entire evening nationally. The soul queen hit the stage with her crack band and owned the audience instantly. The band’s rendition of “This Land is My Land” was surely the funkiest version ever played. A new song had an early ’70s James Brown funk vibe, while another song took the crowd “back to 1965 on a soul train” and featured a big groovy jam. This stuff was retro to be sure, but with the fresh vibe that comes from top-shelf talent getting the most out of each song. It was a fantastic set.

Sharon Jones, SXSW 2010
Photo by Steve Hopson

SXSW 2010 Quick Hits, Day 1: Here We Go Magic

At 9:00PM it was up the street to Club Deville for Here We Go Magic, out of Brooklyn. It was another outdoor stage with Christmas lights, which provided a festive vibe, and the place was pretty packed. The sound was crystal clear but the first couple of tunes seemed like they were building up to something that never came. The third tune got a bouncy psyche groove going, though, which started to establish some more vibe. I couldn’t stay until the end of the set, but was intrigued enough to want to check them out again some time.

magic
Photo by Ben Ritter

Jen Gloeckner: Mouth of Mars


RIYL: Polly Scattergood, Amanda Palmer, Tori Amos

Jen Gloeckner is…odd. That’s the best way to put it. I’m not good enough a writer to come up with a better word to describe her dark combination of dreamy surrealism and Gothic themes that traverse the genres of Americana, rock and electronic music via liberal use of cello, electric violins and what sounds like a wind chime on at lest one track. Some might call her quirky, but quirky implies a sense of goofiness and a lighthearted tone. And while there is some innocent fun to be had here, such on the 50-second interlude “Let’s Get Honest,” most of Mouth of Mars is either deliberately dark or just downright weird. “Burn Me” seems to be an indictment of a former lover but instead of taking an angry tone, it’s a darkly somber one due to a creaky cello and some haunting vocal effects that turn Jen’s already ethereal voice into that of a ghost. It’s followed up with “Die,” a much more obvious attack on a former flame, where she repeatedly proclaims that “I’m not gonna lie / One of us will have to die” over electric violins and a catchy dance beat. Gloeckner is no doubt amazingly talented and with her second album she’s already found her unique voice and style. It probably won’t appeal to most, but those who dig this will more than likely fall head over heels in love with it. (Spinning Hand Records 2010)

Jen Gloeckner MySpace Page

SXSW 2010 Quick Hits, Day 1: Jonneine Zapata

Ms. Zapata’s name caught my eye when I saw it on the grid. It’s not often you find an artist who shares a surname with legendary Mexican revolutionary Emiliano Zapata (who also begat the modern day Zapatista rebels of Chiapas.) I walked up Red River to the Red Eyed Fly and discovered that the venue has a great little outdoor stage in the back. The set was a treat, with the Los Angeles-based Zapata backed by a full band and displaying a powerful voice that at times recalled another great LA female rocker, Johnette Napolitano of Concrete Blonde. One tune started off slow and almost meditative before building into a hard-edged riff rocker with Zapata really belting it out. It’s no surprise to see her album is titled Cast the Demons Out, as Zapata seemed like a tortured soul at times. But watching her channel that energy into the music was compelling. “Burn” was a muted-riff rocker, while “Cowboy” also had an aggressive sound before breaking down into a deep well of bluesy feedback.

Jonneine Zapata
Photo by Tiffany Kyees

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