Category: South by Southwest (Page 9 of 9)

SXSW Music 2010, Day 2: Upping the Ante

AUSTIN – I sacrificed an extra hour of sleep to make it out for what was scheduled as an 11:35 am day party set from Sass Jordan, the sensational Canadian blues rock goddess that seems like she’d be more from a place like Austin. But the stage at the club had collapsed and they had to move to another venue, pushing their set back to 12:20 pm. I told Sass I’d catch one of her other two shows, because I had a moral imperative to catch the 12:30 pm panel on “Music and The Revolution,” featuring ex-Weather Underground leader Bill Ayers, Country Joe McDonald, the MC5’s Wayne Kramer and Kent State 1970 massacre survivor Alan Canfora. This was an amazing panel that I will report on in-depth in my SXSW wrap-up next week (along with more on all the following bands.)

Then there was a great panel on the 40th anniversary of Miles Davis’ seminal jazz-rock masterpiece, Bitches Brew. More on that next week as well. The 1969-70 revolutionary rock magic was clearly in the air…

After a quick lunch it was over to the Jambase Treehouse Party at Cheers Shot Bar on 6th Street, up on the roof deck. Very nice setting for Red Cortez, a band out of Los Angeles that are pals and tourmates with the Airborne Toxic Event. They have an edgier sound, but clearly some of that same soulful, tuneful indie-rock thing that has long been brewing in LA’s Silverlake district.

The Mother Hips from San Francisco rocked it next, throwing down a hot set of their rich, melodic and bluesy sound. Paul Hoagland even brought his 12-string custom Hamer bass, and did it ever sound great out in the sun in the 5 o’clock hour. I was originally planning to stick around to see a couple more bands, but some gear issues had pushed it all back a half hour. I rode my trusty Trek 800 over to Threadgills to meet a friend, where we also heard a bit of Austin legend Roky Erickson, from the 13th Floor Elevators. Classic sounds…

Then it was over to Auditorium Shores, where LA’s Ozomatli was headlining the free outdoor fest by Town Lake. The band entertained a huge audience, driving the crowd into a frenzy with a “Masters of Puppets” tease during one funky bluesy jam (recalling Metallica’s electrifying semi-secret performance at Stubbs during SXSW 2009.)

From there it was over to the Austin Music Hall for Stone Temple Pilots, who threw down a true headlining set of 90 minutes that featured some strong new material and just kept getting better. The peak was during the encore when Robbie Krieger of the Doors joined the band for “Roadhouse Blues”! Absolutely epic SXSW moment that seriously raised the bar for the rest of the weekend. Krieger tore it up.

Grace Potter & the Nocturnals were up to the task afterward at Antone’s, throwing down a captivating 75-minute set that went right up til 2 am, also featuring very strong material from their impending new album. At least three tunes went into sick jams catalyzed by the fantastic bass skills of new Nocturnal (and former Cardinal of Ryan Adams), Catherine Popper. The two of these gals were just dynamite and a hoped-for cover of “White Rabbit” did indeed materialize (they play it on the soundtrack for the new “Alice in Wonderland” flick), a great match on the evening with “Roadhouse Blues.”

Now I have to go find out when Potter & Co are playing tomorrow and try to get some sleep!

SXSW Music 2010, Day 1: It Begins

The music world converged on Austin, Texas today for what is generally viewed as the biggest, bestest music industry event in the world. The thing that makes SXSW so unique is that you not only know you’re going to see some great bands you’ve had your eye on, but you’re also going to discover some great new bands. There are so many playing all over town all day for four straight days, so you can’t help but just stumble upon some cool new sounds.

This was the case early on when the line to try and see Broken Bells’ 1:00pm Red River garage show was too long to get in. I wandered over to the Mohawk up the street and there was a band throwing down a strong sound with some Neil Young/Crazy Horse vibes, and some of that My Morning Jacket kind of vibe. It was Yukon Blonde from Vancouver BC. Good stuff.

The line at the Forcefield PR/Terrorbird Media day party at Red 7 was also way too long, so again I wandered up the street and heard some Beatles coming out of Jaime’s Spanish Village, a Mexican restaurant across the street from Stubbs BBQ. It has a small patio where The Eggmen where dishing out the Beatles tunes, which sounded great on a warm sunny afternoon. It was a rotating lineup, with seven musicians up there for great readings of “I’m Only Sleeping,” “Fixing a Hole,” “From Me to You” and “All You Need is Love.”

I waited in a crazy 45-minute line to get into the Levis/Fader Fort, because I wanted to see Philadelphia band Free Energy. The band’s studio stuff sounds amazing, but it was too bad they didn’t seem able to match it live. They have great gear, great looks and a great name, but something in the musicianship seemed lacking. Maybe I’ll give them another shot on Friday. The venue was pimped out though, dubbed by one fan as “a funhouse for hipsters.”

Walking past the Independent up the street, I heard the call of a bluesy sound, the Maldives from Seattle were rocking out, also with a Crazy Horse vibe, and maybe some Ryan Adams & the Cardinals influence. The Canadian Blast tent outside by the registrants lounge closed out with Plants and Animals, who blended reverb-y vocals with a cool groove to close their set. Austin’s own Strange Boys packed Emo’s Jr for an 8:00 set of their retro ’60s-style garage rock. There were moments, but I don’t think it was really my thing.

Jonneine Zapata out of Los Angeles caught my attention first with her name and then with her powerful voice at the Red Eyed Fly. This is a great little venue with nice outdoor stage where Zapata and her band rocked the stage with a powerful bluesy sound that recalled Concrete Blonde.

Here We Go Magic packed Club Deville for a 9:00 set. The sound was excellent although the songs kept seeming like they were building up to something that never came. They were doing something right though, as the indie rock crowd seemed to dig it.

Sharon Jones and the Dap Kings tore up the stage at Stubbs BBQ, with the great band throwing down ’60s and ’70s-influenced funk behind the soul queen. This was the first major highlight of the day.

I caught up with Broken Bells when they followed Jones at Stubbs and James Mercer of The Shins led the band through a collection of tunes that sounded pretty Shins-y, with maybe more synth and less guitar. But when they added some more guitar toward the end, it was even better.

I bailed waiting for Spoon at Stubbs to go back to Emos main for Nas & Damian Marley. Mixing the hip-hop with the reggae was a slamming formula for the really packed crowd, who loved every minute. This is the new duo to watch out for in 2010, what a great set! It was all too brief though, leaving me able to catch the end of Spoon’s set. These guys confuse me. They play three songs in a row that are kind of blah, and then just when you’re about ready to give up on them they throw down a great rocker. Then they play two or three more blah, than some dope groove. Strange formula.

Compared to last year, this first day was so-so at first, picking up toward the end. Things looked primed to pick up tomorrow though, stay tuned…

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