Category: Interviews (Page 3 of 7)

A Chat with John Oates

It’s more than a little unfair that John Oates has spent so many years serving as the butt of jokes, but, c’mon, you know you chuckled at least a little when “The Simpsons” offered a scene where Lisa, feeling low after not making first chair in the school band, imagined herself as a member of Garfunkel, Messina, Oates, and Lisa. Fortunately, Mr. Oates has a sense of humor, one which he’s getting to show off in the new animated web series, “J Stache,” which reunites him with his long-lost mustache to fight the forces of evil. Yes, seriously. Bullz-Eye talked to Oates about his new online endeavor, his work with Daryl Hall, some of his other musical appearances (he co-wrote Icehouse’s “Electric Blue,” you know), and how bizarre it is to be talking about a bit of facial hair that he hasn’t sported in almost two decades.

* On “J Stache”: “I haven’t had a mustache for 20 years and people actually still talk about it! But I kind of understand it on the level that the mustache is back in vogue, you know. It’s back in style, and there is a lot of talk about it. My mustache took on this iconic kind of symbol of the era, of those decades in a way. Of course, I didn’t carry the ‘stache torch singlehandedly…”

* “Even though Daryl is outstanding as a singer, his trademark personality and his trademark voice have become the stamp of Hall & Oates, and I don’t think people recognize the contribution I made on the writing side, with the amount of songs I have written and contributed to.”

* On going indie: “We realized that we knew how to make records. We knew pretty much everything we needed to know, and we had everything in place. We had a vision that the future of the music business was changing, and that in order for us to continue to be creatively happy and do what we wanted to do, we really couldn’t just listen to the dictates of some businessman in an office in a traditional record company. It just wasn’t working.”

Is your interest piqued? If so, click right here or on the big ol’ graphic below:

Are you there, America? It’s me, Moby

Moby, you can get stomped by Obie — you 36-year-old bald-headed fag, blow me
You don’t know me, you’re too old
Let go, it’s over, nobody listens to techno
–Eminem, “Without Me”

Those words may have seemed somewhat clever in 2002, but seven years later, Moby’s still here, and arguably as relevant as ever. Matter of fact, he’s just about to release his ninth album, titled Wait for Me, and to celebrate, he sat down for a chat with Bullz-Eye’s James B. Eldred in which he discussed the recording and creative process, his waning popularity in America, and what he thinks the future of the record industry holds.

“As sad as this might sound, I sell more records in Belgium than I do in America. Even though I was born in the United States and I live in the United States, in terms of status or in terms of my record sales, it’s quite a small country.”

Remarkably candid about everything from his creative process to his cost of living, Moby comes across as thoughtful and contemplative — just like Wait for Me, which is being described as a somber and meditative departure from his last album, the more upbeat Last Night. And, much as you might expect for an artist who runs a site full of free tracks from his vaults, he’s pretty pragmatic about this whole Internet filesharing thing:

“Honestly, I’m flattered if anyone makes an effort to listen to my music. If they want to pay for it, that’s great, but I’d certainly rather someone steal my music than not listen to it.”

To read more of Moby’s Bullz-Eye interview — and learn about his gear setup, what went into the making of Wait for Me, and what he’d do if given the chance to produce a Britney Spears record, click here!

Dhani Harrison talks up the Beatles’ “Rock Band”

Dhani Harrison…yes, you may know him as George’s son…has been making the press rounds, talking up You Are Here, the album by his band, thenewno2. While doing so, however, it hasn’t exactly required a great deal of arm-twisting to get him to chat about how he had more than a little bit to do with the folks at Apple Corps agreeing to license the Beatles’ music for their very own volume of “Rock Band.” But that’s fair enough, since “Yomp,” a song by thenewno2, was released as downloadable content for “Rock Band” on July 29, 2008, and another track, “Crazy Tuesday,” was released as one of 20 free songs for “Rock Band 2.”

“I basically did that for Apple,” admitted Harrison, “so that they could see it and say, ‘Oh, look, there’s Dhani, he’s a new media kind of person, and this is how he’s selling his stuff. Maybe we should consider doing that with the Beatles, seeing as we don’t have any digital deal or anything.'”

The Beatles’ “Rock Band” evolved out of several meetings Harrison had with Alex Rigopulos, co-founder of Harmonix Music Systems, the developers of “Rock Band.”

“He’s a genius,” said Harrison, “just the loveliest, loveliest guy. We were sitting around one day, and he just said to me, ‘Do you think they would ever go for a Beatle game?’ And I was thinking the same thing to talk to him about! ‘It would be amazing, wouldn’t it?’ I said to him. Actually, I think I said, ‘It would be amazing because I could kick your ass at ‘I Am the Walrus’ while dressed as a wizard in Shea Stadium.’

“Do you know what I mean? Or I could put on the ice skating outfit from ‘Help!’ and then beat you at ‘Tomorrow Never Knows’ in the universe somewhere. I don’t know. Just make up whatever you can; ‘I Am the Walrus’ at the Cavern Club, even. Wouldn’t that be fun? And we both just started riffing on that kind of stuff until we both just were in hysterics, and it was obviously a brilliant idea, but I said, ‘Well, that’s never going to happen, is it?’ And he said, ‘No, it’s never going to happen.’ I said, ‘But I should talk to the guys from Apple, anyway. Because it is actually a no-brainer. It is the biggest no-brainer that I’ve ever, ever thought about, and if Apple don’t go for it, then they are shooting themselves in the foot, because someone else is going to do it. Someone else is going to get their own game.

“In the way the media works these days, in the way that music delivery systems work these days, I find it quite often best to be first,” Harrison explained. “If you were the first person ever to design an application for the iPhone and you patented it, you would be very, very better off than we are right now, you know? But you’ve got to be the first one to do it. So I figured that Led Zeppelin or The Stones were going to do it unless we just got on to it. So I got cracking with the guys from Apple. I kind of almost bullied them into believing how amazing it was. They really didn’t need much convincing if you looked to the fourth quarter, the month of December 2007, I think they sold something like 10,000,000 units of ‘Guitar Hero 2’ in just one month, and they are $50.00 each. I said, ‘If you do the math, if you go 50/50 with ‘Rock Band’ and you sell a Beatles ‘Rock Band’ game, that’s a big deal’ you know. And not to mention that, once the game is made, you can just keep adding songs to it. You could do the Bangladesh pack, you could do the ‘Live and Let Die’ pack, you could do the ‘Imagine’ pack…”

Are you salivating yet? Better clean yourself up. You’ve got ’til September 9th until the Beatles’ “Rock Band” hits stores.

Bruce Springsteen visits The Daily Show

Jon Stewart is a huge Springsteen fan, so naturally he treated Bruce a little better than how he treated Jim Cramer.

The Daily Show With Jon Stewart M – Th 11p / 10c
Bruce Springsteen Pt. 1
comedycentral.com
Daily Show Full Episodes Important Things w/ Demetri Martin Political Humor

Bruce also performed a solid acoustic version of “Working on a Dream.”

The Daily Show With Jon Stewart M – Th 11p / 10c
Bruce Springsteen Pt. 2
comedycentral.com
Daily Show Full Episodes Important Things w/ Demetri Martin Political Humor

Rolling Stone visits U2 in the studio

U2 is currently tweaking their new album, No Line on the Horizon, and Rolling Stone visited the band to get a preview.

The journey was as spellbinding and energizing as you might imagine, and you’ll be able to read all about it when our new issue hits newsstands on Wednesday, January 7th. To tide you over, here’s a track-by-track preview of 10 choice songs (and you can dig deeper into all our U2 coverage in our archive):

“Get On Your Boots”

The likely first single, this blazing, fuzzed-out rocker picks up where “Vertigo” left off. “It started just with me playing and Larry drumming,” the Edge recalls. “And we took it from there.”

The preview goes through a list of 10 songs in the same manner, but don’t be surprised if titles change or the songs disappear altogether. Apparently, the album is still in a state of flux.

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