Category: External Music (Page 31 of 50)

Ruby Tuesday: The Boomtown Rats, “Me and Howard Hughes”

Bob Geldof’s Boomtown Rats were originally pegged as Springsteen ripoff artists – and if you’ve ever heard “Rat Trap” or “Joey’s on the Street Again,” you know exactly where that rumor got started – but their US debut, A Tonic for the Troops, was much more than a series of “Rosalita” rewrites. And while the band came to prominence during the punk scene, let’s face it: the Rats were no more a punk band than the Clash were. They could rock, sure (“She’s So Modern,” “Blind Date,” “Mary of the 4th Form”), but at heart they were a pop band. A very strange, wonderful pop band.

Thus, “Me and Howard Hughes,” a harmony-drenched song about a guy who fancies himself a self-loathing eccentric. Lock yourself up in your room and enjoy this criminally overlooked band.

Boomtown Rats – Me and Howard Hughes

Everybody else is talking about it, so why don’t we?

Radiohead’s releasing their new album as a digital download through their site, and they’re letting the buyers determine what they’re willing to pay.

You know, I’m not even really that big a Radiohead fan, but I’m very seriously considering going online and buying a copy at a reasonable price – y’know, $11.99 or something – just to show my support for the mere idea of such a huge band going out of their way to avoid the major labels.

Anyone else…?

Ruby Tuesday: House of Love, “You Don’t Understand”

If you scoured CD bins at any point in the mid to late ‘90s, chances are you saw dozens of copies of Babe Rainbow, the album that spawned this Tuesday’s ruby, “You Don’t Understand.” The song serves as House of Love’s answer of sorts to the Charlatans UK’s “The Only One I Know.” You can almost picture singer/songwriter Guy Chadwick saying, “Oh, you’re gonna steal Deep Purple’s ‘Hush,’ are you? Well, I’ll steal Spencer Davis Group’s ‘I’m a Man,’ then! How ya like them apples?”

Actually, them apples is pretty sweet, if you ask me.

House of Love – You Don’t Understand

Ruby Tuesday: Freiheit, “Tears Are A Girl’s Best Friend”

Back in 1989, when Cameron Crowe rounded up John Cusack, Ione Skye, and John Mahoney and produced one of the greatest teen romances of all time (duh, of course we’re talking about “Say Anything…”), he also found time to compose a rather memorable soundtrack as well. The film’s money shot, of course, belonged to Peter Gabriel’s “In Your Eyes,” but songs from The Red Hot Chili Peppers and The Replacements were used to great effect as well. Hiding way, way at the end of the soundtrack album, however, was a song that I fell in love with about as hard and fast as anything I’d heard in awhile: “Keeping the Dream Alive,” by Freiheit…or, as they’re more commonly known in their native Germany, Münchener Freiheit.

I didn’t know the first thing about Freiheit when I discovered “Keeping the Dream Alive,” but, damn, that song was such a gorgeous, sweeping ballad of ELO-sized proportions that I immediately knew that I’d have to seek out more of their material. As it happens, there wasn’t anything else to seek out…well, not in the U.S., anyway. Not long after, however, the band’s debut American release, Fantasy, found its way onto shelves and, almost immediately thereafter, into my collection. To this day, I’m still surprised that it never scored much in the way of success; it’s a highly enjoyable pop album that owes as much to Benny Andersson and Björn Ulvaeus as it does Jeff Lynne. The only real explanation I’ve ever come up with is that it’s a bit heavier on synths and electronic drum beats than the kids were listening to at the time, but it still features heavily in my regular playlist even in 2007.

Unfortunately, Fantasy remains out of print in the U.S., and since that was the only Stateside release of the band’s career, Freiheit’s profile remains woefully low on our shores. Even the usually helpful All Music Guide gives them short shrift, with the bio in their entry simply reading, “This German band (orig. Munchener Freiheit) played power-pop music from 1982 to 1988.” That’s it. Talk about your inglorious retrospectives!

If you’re curious about the band, there are several import best-of collections available via Amazon, but you should be prepared to find them almost completely free of English-sung material. If you don’t speak German as fluently as the members of Freiheit, however, here’s a song from Fantasy that you might appreciate a bit more:

Freiheit – Tears Are A Girl’s Best Friend

Hey, all you cover-song-lovin’ sumbitches, let’s take a test:

Look at the following track listing for this upcoming tribute to forty years of the BBC’s Radio 1 – the station begun in 1967, so they’ve gotten current artists to go back and cover one song from each year that they’ve been on the air – and see how far into it you can get before clicking on the big red button on the album cover and ordering it from Amazon.co.uk.

1967 – ‘Flowers In The Rain’ (The Move) covered by Kaiser Chiefs
1968 – ‘All Along The Watchtower’ (Jimi Hendrix Experience) covered by The Fratellis
1969 – ‘Cupid’ (Johnny Nash) covered by Amy Winehouse
1970 – ‘Lola’ (The Kinks) covered by Robbie Williams
1971 – ‘Your Song’ (Elton John) covered by The Streets
1972 – ‘Betcha By Golly Wow’ (The Stylistics) covered by Sugababes
1973 – ‘You’re So Vain’ (Carly Simon) covered by The Feeling
1974 – ‘Band On The Run’ (Wings) covered by Foo Fighters
1975 – ‘Love Is The Drug’ (Roxy Music) covered by Kylie
1976 – ‘Let’s Stick Together’ (Bryan Ferry) covered by KT Tunstall
1977 – ‘Sound & Vision’ (David Bowie) covered by Franz Ferdinand
1978 – ‘Teenage Kicks’ (The Undertones) covered by The Raconteurs
1979 – ‘Can’t Stand Losing You’ (The Police) covered by Mika
1980 – ‘Too Much Too Young’ (The Specials) covered by Kasabian
1981 – ‘Under Pressure’ (Queen & David Bowie) covered by Keane
1982 – ‘Town Called Malice’ (The Jam) covered by McFly
1983 – ‘Come Back And Stay’ (Paul Young) covered by James Morrison
1984 – ‘Careless Whisper’ (George Michael) covered by The Gossip
1985 – ‘The Power Of Love’ (Huey Lewis & The News) covered by The Pigeon Detectives
1986 – ‘Don’t Get Me Wrong’ (The Pretenders) covered by Lily Allen
1987 – ‘You Sexy Thing’ (Hot Chocolate) covered by Stereophonics
1988 – ‘Fast Car’ (Tracy Chapman) covered by Mutya Buena
1989 – ‘Lullaby’ (The Cure) covered by Editors
1990 – ‘Englishman In New York’ (Sting) covered by Razorlight
1991 – ‘Crazy For You’ (Madonna) covered by Groove Armada
1992 – ‘It Must Be Love’ (Madness) covered by Paolo Nutini
1993 – ‘All That She Wants’ (Ace Of Base) covered by The Kooks
1994 – ‘You’re All I Need To Get By’ (Mary J Blige) covered by Mark Ronson
1995 – ‘Stillness In Time’ (Jamiroquai) covered by Calvin Harris
1996 – ‘No Diggity’ (Blackstreet) covered by Klaxons
1997 – ‘Lovefool’ (The Cardigans) covered by Just Jack
1998 – ‘Ray Of Light’ (Madonna) covered by Natasha Bedingfield
1999 – ‘Drinking in LA’ (Bran Van 3000) covered by The Twang
2000 – ‘The Great Beyond’ (REM) covered by The Fray
2001 – ‘Teenage Dirtbag’ (Wheatus) covered by Girls Aloud
2002 – ‘Like I Love You’ (Justin Timberlake) covered by Maximo Park
2003 – ‘Don’t Look Back Into The Sun’ (The Libertines) covered by The View
2004 – ‘Toxic’ (Britney Spears) covered by Hard-Fi
2005 – ‘Father & Son’ (Yusuf Islam & Ronan Keating) covered by The Enemy
2006 – ‘Steady, As She Goes’ (The Raconteurs) covered by Corinne Bailey Rae

(For the record, I think 1975 was finally the breaking point for me. When you can actually hear the cover in your head at the moment you read the pairing of artist and song, it’s time to suck it up and break out the credit card. And I guarantee that even if Medsker thinks he can hold out, there’s always 2004 to make him go, “Oh, goddammit, now I *HAVE* to get it!”

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