Category: Rock (Page 33 of 241)

Lollapalooza 2010 recap: Friday

August 7, 2010 /

The Lolla grounds grew again, stretching the grounds out wider so that there is no chance of one stage bleeding into another. Which is awesome, if you’re a band, but bank on walking an extra mile and a half over the course of the day.

Foxy Shazam, Sony Bloggie Stage
Got there late thanks to the relocation of the media area (Roosevelt, really?), but their final song was a beast. Lead singer Eric Sean Nally leapfrogged onto the guitarist’s shoulders, then kicked his guitar as he was trying to solo. The keyboardist stood on top of his keyboard, stomping on the keys. It was bedlam. It was awesome. Definitely see these guys if they come near you.

First cover song of the day: B.o.B., covering MGMT’s “Kids.”

Ancient Astronauts, Perry’s
These guys got stuck in a reggae groove and couldn’t get out, but there was a neat mash-up of “Blitzkrieg Bop” thrown in, which was cool.

Playstation edit

“That’s right, I paid $200 to spend the weekend inside on a Playstation. So?”

Raphael Saadiq, Parkways Soundstage
I’m still not sure how he wound up on the bill but I’m not complaining, as his album The Way I See It was one of my favorite albums of 2008. His set was refreshing, the band decked out in suits while Saadiq dished out his vintage Motown jams. Then right in the middle, he completely threw down this gargantuan guitar track. Very odd, but the kids loved it.

The Big Pink, adidas Stage
So…much…droning…must…play…this…one…note…forever…

On the plus side, they ended their set 15 minutes early. Whew.

Devo, Parkways Soundstage
Hats off to the boys from Akron, as their afternoon set killed. They mixed in a few songs from their (damn good) new album Something for Everybody, played “Whip It” surprisingly early in the set, then went on a fans-only trip from there that had this old-school Devo fan flipping out. “Smart Patrol/Mr. DNA”? Hell, yes.

F**k Buttons, Sony Bloggie Stage
Went to catch up with my buddy Tim at this set, but he was already bored and moving on before I got there.

Second cover song of the day: Matt & Kim doing Biz Markie’s “Just a Friend.”

Kim of Matt & Kim also had the quote of the day, when she talked of wanting the people working the Jumbotron to do a close-up of her tits.

Neon Trees, BMI stage
These guys sounded pretty good, and the singer said he saw some kids sneak over the fence. It was amazing to watch everyone bail on their set after they played “Animal,” though. Same thing happened during Devo’s set after “Whip It.”

Hot Chip, Parkways Soundstage
There wasn’t anything particularly wrong with Hoy Chip’s set, but I had been on my feet for six hours at that point, and I needed to rest. Went to lie down on the hillside, and fell asleep. Damn, that felt good.

Meanwhile, the crowd gathering for Lady Gaga is without question the biggest crowd I’ve ever seen, at Lolla or anywhere else. all of Grant Park is a sea of bodies. And there’s still one more band to go before she takes the stage.

Ass Pear edit

Lady Gaga wannabe ass pear.

Chromeo, adidas Stage
These band of funk poppers are about to jump to the next level. The new material was good, and they know how to entertain a crowd. They even fooled around with Dire Straits’ “Money for Nothing,” with one of them singing in Auto-Tune, “I want my Chromeo.” Nice

Lady Gaga, Parkways Soundstage
Say this for the girl – she puts on an elaborate show. There was a car on the stage with a keyboard built into it, and one of her backing singers looked like Grace Jones. The problem is that there were a lot of young kids there to see her, and Ms. Gaga spent a bunch of the time swearing like a sailor. It grew tiresome. And at any rate, there was someone else we wanted to check out.

2ManyDJs, Perry’s
The brothers in Soulwax – speaking of which, any time you guys want to make another Soulwax album is all right with me – closed the DJ tent with a fun set that featured the Chemical Brothers, 808 State, Guns ‘n Roses, the KLF, Stardust (a.k.a. Daft Punk), the Clash, the Gossip and even Pink Floyd in a medley of songs about money. The graphics that they had synced up with the set were awesome too, taking the album covers of the songs they’re spinning and bringing them to life. Best of all was the shot of Nicolas Cage and what I’m pretty sure was Macaulay Culkin. Fun times.

Big, big opening day. Fortunately, or perhaps unfortunately, Saturday isn’t quite as hectic. Looking forward to seeing Green Day tear the place down. They’re booked for two hours and 15 minutes, which is the longest set we’ve seen at Lolla yet. I’m pretty sure they’ll make it count. For now, though, it’s time for bed.

Alternative, Artists, Concerts, Dance, Electronica, Lollapalooza, Metal, Pop, Reggae, Rock

The Henry Clay People: Somewhere on the Golden Coast

August 4, 2010 /


RIYL: Pavement, The Hold Steady, The Replacements

The Henry Clay People are busting out of LA’s famous Eagle Rock/Echo Park/Silverlake scene and they’re bringing a timely update to a familiar alt-indie, guitar-driven sound. The band’s ragged guitars will recall Pavement for some, though the vocals often bring a more energetic vibe. The album is also filled with zeitgeist lyrics that will resonate to many here in the Great Recession of the 21st century.

The opening duo of “Nobody Taught Us to Quit” and ”Working Part Time” establishes a high energy ’90s type of influence, but leaning toward the indie side of things rather than psychedelic grunge. The band is busting out loud guitars, simple yet infectious riffage and earnest vocals that add up to a compelling vibe. The latter tune features one of the best lines of the year with “We got drunk and called in sick,” instantly establishing this band as a bunch of guys that could be your drinking pals instead of some pretentious rock stars.

“Digital Kid” brings an endearing melodic slacker theme, while “Slow Burn” somewhat recalls a Neil Young & Crazy Horse sound with guitar solos that are only a few notes but which still sing out. “End of an Empire” blends a ’90s alt-rock with some ’50s rockabilly for a unique vibe, while “This Ain’t a Scene” is an anthem for the aughts – a mid-tempo number that gets deep and melodic, with some great lyrics about “ a generation caught in between… we won’t settle down until we’ve seen everything we paid to see.” “Two Lives at the End of the Night” closes the album out with a beautiful ballad about a relationship gone wrong – “I would pay to hear you say I’d never never make the same mistake.”

There’s definitely something deeper going on with the lyrics on this album. The band knows how to rock too, but can mix up the moods. It all seems to promise a bright future for the Henry Clay People. (TBD Records 2010)

Henry Clay People MySpace page

Alternative, CD Reviews, Rock

Sugar Army: The Parallels amongst Ourselves

August 4, 2010 /


RIYL: Interpol, Red Light Company, Neil Finn

“Detach,” the third track on Sugar Army’s debut, needs to be placed on everyone’s iPod immediately, and also included on every playlist therein (yes, even the one with Nat “King” Cole and Perry Como that you don’t tell anyone about). Sinister, urgent, and undeniably propulsive, it exemplifies the best aspects of the record, slicing out of the speakers like an ICBM just before it hits its target. You should also reserve disc space for “Acute,” “You Are a Possession, Up for Sale,” and “Tongues in Cheeks” – hell, just put the whole thing on there. This is a terrific modern rock album, a serious blast from start to finish.

With a voice like a younger, more forceful Neil Finn, singer Patrick McLaughlin steers the Australian band’s tight groove without ever reining it in. Even on slower songs like “No Need for Lovers” he expresses something ominous and powerful, leaning out of the group’s intense sonics and pulling the listener in. The rhythm section – bassist Ian Berney and drummer Jamie Sher – are particularly locked in and menacing, especially Berney, whose low-end riffs gurgle and hum like some outback monster.

The Parallels amongst Ourselves simply must find an audience in the US. Check it out for yourself and spread the word. (Shock 2010)

Sugar Army’s Myspace Page
Click to buy The Parallels amongst Ourselves from Amazon

Alternative, CD Reviews, Rock

Stevie Ray Vaughan: Couldn’t Stand the Weather (Legacy Edition)

August 4, 2010 /


RIYL: Indigenous, The Arc Angels, Eric Johnson

Couldn’t Stand the Weather was Stevie Ray’s second album and many fans consider the 1984 classic to be his best work. It’s full of the pioneering Texas blues virtuoso playing that made Stevie Ray famous. Now the new Legacy Edition expands the album with a slew of additional tracks, plus a second disc featuring most of the songs performed live in Montreal during the band’s 1984 tour.

The live disc absolutely smokes, making this package a big winner. Adding this to the remastered album makes this release the go-to disc for any newcomers who might wonder where to start with SRV. From the scintillating “Scuttbuttin’” opener to the epic title track to the smoldering cover of Jimi Hendrix’s “Voodoo Child (Slight Return),” the album is just one classic after another. Then you have Stevie Ray branching out with a variety of blues styles throughout the rest of the album. Another cover, “Come On (Part III)” updates Hendrix’s cover of the blues classic and it plain smokes.

Then you get into the live disc where Stevie Ray was in his true element. But it’s also here that the Double Trouble rhythm section of drummer Chris Layton and bassist Tommy Shannon demonstrate what a lean, mean rhythm machine they were. They’re tight in the studio, but they really step up in the live setting. The band comes out guns blazing on “Testify,” which immediately conjures visions of the Jimi Hendrix Experience, where not only was Jimi ripping it up, but Mitch Mitchell and Noel Redding were often going for broke as well. There’s a reckless yet focused abandon that Stevie Ray and Double Trouble display like perhaps no other power trio has since the Experience.

“Voodoo Chile (Slight Return)” gets an almost 12-minute workout here that is worth the price of admission, as does the 10-minute “Tin Pan Alley.” The latter is more of a straight blues, but features Stevie Ray delivering some of his finest old-school playing. The gorgeous ballad “Lenny,” that SRV dedicated to his lady, also receives an epic 11-minute workout. The entire release is a worthy expansion of this classic album. (Sony Legacy 2010)

Blues, CD Reviews, Psychedelic, R&B, Rock

Lollapalooza 2010 Pre-Day One: Choose your battles

August 4, 2010 /

One of the things about Lollapalooza’s marketing angle was that we’ve always found amusing is the idea that the consumer was getting well over 100 bands for about $200, so they’re paying about two bucks per band. The problem with that logic, of course, is that most of the time there are five bands playing at once, meaning that you couldn’t possibly see every band that you’re supposedly paying two bucks to see. And that’s all right – we get that they’re trying to provide as much entertainment for as many different musical cliques as possible, and that’s how it should be. Yes, it may create the occasional conflict – last year’s biggie for us was when they pitted the Kaiser Chiefs against the Airborne Toxic Event – but for the most part, the worst thing you’ll have to deal with is missing the beginning or end of a band’s set as you’re trekking from the northern stages to the southern stages, or vice versa.

This year, however, boasts some scheduling conflicts that frankly have us scratching our heads. Why, for example, book Mavis Staples and Raphael Saadiq, presumably here to add some color to a largely lily-white music festival, and then have them play at the same time? Odds are, anyone who’s interested in seeing one of those two would like to see the other; why make that impossible? If crowd control is the issue, it couldn’t have been too much trouble to have them play one after the other on opposite ends of Grant Park, would it? Or even better, have them play back to back on the north side or south side. We know that they all have other touring commitments that complicate things, but really, we see no reason why Saadiq and Staples couldn’t play against artists that, you know, they have nothing in common with.

But alas, there are a lot of bands that we’d love to see this year but can’t, due to some conflict or other. In order to see Devo, Green Day, 2Many DJs and Wolfmother, we’ll have to miss the New Pornographers, Cut Copy, Phoenix, the Strokes, and MGMT. On a heavily front-loaded lineup (Friday is easily the most star-studded lineup this year), missing out on five bands is big. We suspect that we’ll be killing much time at the DJ tent this year, and that’s all right: we had a great time there last year (thanks to our friend Leyla at Sunday Morning Soliloquy for showing us the light), and with the inclusion of Ancient Astronauts and 2ManyDJs, a.k.a. Soulwax (they’re huge in Belgium, because they were born and raised there), Perry Farrell clearly understands the importance of taking the DJ tent seriously. We still haven’t forgiven Beastie Boys DJ Mixmaster Mike, though, for making us late for the Go! Team in 2006 when he blew off his appearance at a Hard Rock function. No one’s late at Lolla, period. Well, except Amy Winehouse, and you all saw what happened after that. (much drinking and drugs…)

Still, scheduling conflicts aside, we’re looking forward to a fun – and if the current forecast is to be believed, not terribly hot – weekend of music, and though we’re missing the New Pornographers, we’re interviewing one of them next week. Wonder how she’ll react when we tell her we decided to see Devo instead…

Along with a giant, comprehensive recap of the festival highlights, there will be nightly recaps of each day’s events, so make sure to check back here each day to find out what went down.

Alternative, Artists, CD Reviews, Concerts, Dance, Electronica, Hipster, Lollapalooza, Melodramatic, Pop, Rock

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