Category: Pop (Page 81 of 216)

Operation Aloha: Operation Aloha

They’re being called a supergroup, but Operation Aloha doesn’t carry the odor of a manager-brainstormed corporate rock merger, like, say, Damn Yankees; instead, it sounds like a bunch of guys dicking around between trips to the beach – which is appropriate, because that’s exactly how Operation Aloha came together. Sprung from a month-long vacation to a “treehouse compound” in Maui, Aloha loosely strings together contributions from a staggering 14-member crew whose members count Maroon 5, Phantom Planet, and Gomez among their respective day gigs, and the music is relaxed to a fault – though hooks occasionally poke through the mellow haze, for the most part, the album consists of perfectly pleasant sketches that sound like they might be on their way to becoming songs at some point. Not the type of record that’s going to grab you right away, in other words (or maybe not at all) – but given enough spins, it starts to feel awfully comfortable, like an old, patchouli-drenched poncho at a beachside campfire. It’s ultimately a little bit like a 21st-century version of the Traveling Wilburys – without the songs, mind you, but with more than enough charm to get by. (Operation Aloha 2009)

Operation Aloha MySpace page

Jana Mashonee: New Moon Born

NAMMY Award winning and Grammy-nominated artist Jana Mashonee will surely be hitting some new career peaks with her latest release New Moon Born. The Native American artist has taken a new direction with this disc, aiming for a more contemporary pop style. A gifted singer, Mashonee hits her mark numerous times on this excellent disc. The opening “Osiris’ Star” is equally hypnotic, tribal, and dance-worthy. But then there’s something like “Faded Love” which strikes a deeply soulful and smooth groove that’s every bit as tantalizing. “Solid Ground” is near-angelic, and “Take Me Back” showcases what makes Mashonee so attractive: a silky voice, nary a note misplaced with a full range and a delivery that is kept in check where if these songs were given to other artists you can easily imagine them getting bombastic. Jana Mashonee is definitely a gifted artist and this new album should find her a whole new set of fans. If you enjoy well-crafted pop music with spectacular vocals, than this one’s for you. (Miss Molly Records)

Jana Mashonee MySpace page

Sway: Let It Roll

When it comes to a band like Sway, one knows immediately to expect: comfortably safe country pop that countless other lesser and well-known acts have explored to the nth degree time and again. Lead singer and guitarist Gina Quartaro kicks off the album with the clichéd “Cowgirl Scene” that trots out all the old standards such as do-si-dos, common folk, and hitting the local bars. In the meantime, lead guitarist Perry Martin throws down a lead riff that sounds like it’s been played out in a million songs before this one. Comfy like an old pair of shoes but hardly original. If that’s not enough, the worn-out subject matter continues on the father to son life lessons explored in the title track, and other rote lyrical ideas such as thunderstorms, cold winds blowing, and crying in one’s sleep are spilt like milk on “I’m Over You.” Sway don’t have much of anything “new” to offer, from their unimaginative name to their musical and lyrical ideas. It’s safe to say you’ve heard at least ten other artists of varying quality do this exact same thing. If you need to hear another one do it all again, this may be your meal ticket. (self-released)

Sway home page

The Hours: See the Light

They would surely bristle at the idea that their songs are of the throwback variety, but the simple fact is that there aren’t many, if any, bands writing the kind of music that propels See the Light, the magnificent new album by UK duo (or is it septet?) the Hours. Singer Antony Genn’s phrasing recalls Wonder Stuff frontman Miles Hunt (though Genn is a much better singer), and the songs are flat-out skyscrapers, gorgeous piano-driven epics that put the ‘wide’ in widescreen. “Come On” uses seven words to create one of the catchiest choruses you’ll hear this year, while the seven-minute title track is a brilliant, two-chord slow burner, like a mid-tempo version of Pulp’s “Common People” (which is fitting, since Genn is a Pulp alumnus). There is a lyrical gaffe here and there – “The Girl Who Had the World at Her Feet” opens with the line “The cash cow is heading for the slaughterhouse,” ugh – but such bits come with the territory, and their damage is minimal. Don’t be surprised if these guys become a very big deal in a very short amount of time. (IsGoodLtd 2009)

The Hours MySpace page
Click to buy See the Light

Spain Colored Orange: Sneaky Like a Villain

They hail from Houston, but there’s nothing about Spain Colored Orange’s sound that will make you think of oilmen and longhorns; instead, their debut full-length effort, Sneaky Like a Villain, suggests a rainbow-colored collision between 10cc and late-period Tears for Fears, with perhaps a dash of Jellyfish thrown in. Pop fans, in other words, will find this album seriously addictive; from the moment you hear the bright, brassy overtones and sugary sweet melody of “Who Am I?” you’ll know you’re in for a treat. The set’s biggest flaw, really, is that the band isn’t content to stick with those sounds — Sneaky falters when it drifts into more ambitious territory, such as songs like “I Remember It Was Christmas Time,” whose compositional depth, though admirable, comes as something of an annoyance after the glorious melodic highs of songs like “Hide” and “Cheap Thrills.” Both sides of the band’s personality mesh perfectly, though, on “Uh Oh, Trouble,” a sprawling, vaguely “Tusk”-like epic that offers five minutes of twists and turns without forgetting the hooks. It’s clearly just an opening statement from the band, but it’s a strong one; by the time the record struts off your speakers with the kids’ chorus and trumpets that close out “The Birds and the Bees,” you’ll be ready to start it up all over again. (Shout It Out Loud 2009)

Spain Colored Orange MySpace page

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