Category: CD Reviews (Page 196 of 399)

Donavon Frankenreiter: Pass It Around

If Joe Cocker had a little brother who was raised by England Dan and John Ford Coley, and he grew up to be a musician, he might sound something like Donavon Frankenreiter. Part of the Jack Johnson school of guitar-toting pro surfers, Frankenreiter has more of a fondness for things like melody and rhythm than some of his more famous peers (most notably Johnson himself); his last album, 2006’s Move by Yourself, was even something close to muscular in spots – in the context of the genre, anyway. In comparison, Pass It Around is more subdued; Frankenreiter is enough of a craftsman to flesh out his arrangements and make room for something more than his sandy vocals and acoustic guitar, and even if the vibe never wavers from “good ‘n’ mellow,” you at least get the feeling he’s trying to entertain someone other than himself. He doesn’t always succeed, mind you – Frankenreiter is still much more distinctive as a vocalist than a songwriter – but on the surf-rock continuum, Pass It Around is far closer to boss than bammerwee. (Lost Highway 2008)

Donavon Frankenreiter MySpace page

Cantinero: Better for the Metaphor

Christopher L. Hicken, the man behind the Cantinero name, has quite possibly created the best indie sleeper hit album of 2008 with Better for the Metaphor. It’s obvious Hicken has not only the talent but time and money to put behind his project, as the production and mix on this CD is near flawless. The songs are top notch, too, with the opening “My House” reminding one of the great Thrillcat from many years ago. Hicken has a playful way with his pop, and “Goodbye Life” explores this quality in a most winning fashion with its retro feel and Gershwinesque bounce. Even on a semi-morose tune like “Medicated,” Christopher manages to plant tongue in cheek and have some fun with it. Hicken’s softer side as heard on “Sometimes” is just as engaging. And “Thinner” is both stately and pure pop at its best. This is truly a fascinatingly satisfying pop album and Hicken will certainly be an artist to keep your ears on as he goes along in his career. Great stuff. (Tinkle Tone Records)

Cantinero MySpace page

Valerie Mih: Meridians

There’s something very calm and elegant about the title track from Valerie Mih’s new release. It sounds very much like something that goes perfectly on an autumn’s day with its somber but moving melody. Mih is a pianist who basically works in the instrumental mode, letting her keyboards tell the story. Unfortunately, like other artists of this style, Mih doesn’t escape the scene without a lot of this disc sounding the same. After the great opening title tune, the trio of “Flow,” “Little One,” and “Interwoven” are almost interchangeable if you’re not paying close attention. “Reflections” goes for a bit more of a sparse sound and works better, sounding like something between Vince Guaraldi and John Costa. “Saturn’s Rings” employs Mih’s accordion and also is a welcome sound. Everything on this album is very delicate yet not too ornate. It’s certainly better than other albums I’ve heard lately that fall into the same sort of musical category, but Mih could definitely stand to change up the atmosphere a bit more. (self-released)

Valerie Mih MySpace page

You Heard It Here First: Erin McCarley

Erin McCarley was born in Dallas and cultivated her music career in San Diego, but she now resides in Nashville, home of country music and great songwriters. And right now, she is fitting in as one of the top pop artists on Music City. McCarley was on the Ten out of Tenn compilation recently and her debut album, Love, Save The Empty, on Universal Republic, comes out in early 2009 (January 6 to be exact). Folks, you need to keep an eye on Miss McCarley, because not only does she know how to craft infectious pop, but she delivers it with a humble charm and with a compelling voice. Here are a couple of samples courtesy of the label:

“Pony (It’s OK)”

“Love, Save the Empty”

Erin McCarley MySpace
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Erin McCarley website

and since I know you’re all wondering what Erin looks like, here is a link to photos

Clifton Williams and the Blue James Band: WILL

Clifton Williams and the Blue James Band bill themselves as “a rock, reggae, folk, and funk train riding through the world of music,” but if their second album is any indication, they’re really more like a smoky old VW bus aimlessly rolling through Humboldt County. WILL is brah rock of the first order, the kind of stuff you expect to hear blaring from the second story of a frat house on a Sunday afternoon (perhaps not coincidentally, the album contains a song titled “Sunday Afternoon”). Williams’ claims to rock, reggae, folk, and funk influences ring clearly enough over the course of these 13 tracks, but they’re all employed in the service of an extremely mellow vibe that renders them all more or less inert. It’s to Williams’ credit that most of the songs hover around the four-minute mark – most of the jamming is saved for the drawn-out closing track, “My New Window” – but they still feel curiously drawn out; the melodies wander, and the arrangements are full of noodly chord progressions that will be overly familiar to anyone who’s ever listened to a Dave Matthews Band album. And unless you really are a college student in your 20s, it’s probably best if you don’t look at the lyrics, which are heavy with searchin’-for-myself platitudes like ”Down this path I walk with uncertain steps / The life I live is a life built on hopeful promises.” In other words, don’t expect too much from WILL, but it’s excellent music for a barbecue, or the soundtrack of Matthew McConaughey’s next movie. (Chappy Payne Records 2008)

Clifton Williams and the Blue James Band MySpace page

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