Category: Alternative (Page 124 of 155)

American Idol: Breathe a Sigh of Relief

In the final faceoff of the season on “American Idol” last night, Blake Lewis and Jordin Sparks did very well, but there is one thing I noticed about them both….they were extremely relieved upon finishing their final songs. Blake was like a kid on a sugar rush, and Jordin started crying during her last few notes. Then, it was in the hands of voters, and there was no more preparation or nerves….there is no decision, but they both knew that they could now relax and enjoy the grand finale.

Before we get to the performances by Blake and Jordin, we have to mention that Paula Abdul allegedly broke her nose after tripping over her dog at home. I wonder if the dog was waiting with a Breathalyzer.

So this week the final two got to choose their favorite song from a past episode, another random song of their choice, and the song written by the winners of the songwriting competition on the show.

Blake started with Bon Jovi’s “You Give Love a Bad Name,” one of his shining moments from a few weeks back. It wasn’t quite as good as the first time, but still pretty damn good. Randy gave Blake a 10 out of 10 on the beatboxing, but said the vocals were just “aight.” Paula said he outdid himself, and Simon said Blake is a great performer but that the vocal was flat in the middle. His second choice was Maroon 5’s “She Will Be Loved,” and it was kind of mediocre. Randy said it was a nice vocal this time, Paula said it sounded great (she is a wuss with or without a broken nose), and Simon said it was good but safe, and not as good as the first song. Then Blake performed the winning song, “This Is My Now,” which was a horribly sappy, formulaic piece of crap…..it doesn’t matter if they leave this to professionals or everyday peeps, the result is always going to be something along the lines of Diane Warren Lite. Anyway, the song was clearly better suited for Jordin, because Blake sounded pretty bad singing it. Randy said the song didn’t suit him, but that it was still pretty good; Paula said he did a great job (of course she did), and Simon said it was a little odd, and “not you.” Taking nothing away from those songwriters, that song may have cost Blake the title.

Jordin started with Christina Aguilera’s “Fire,” a very ambitious song but one that she kind of grabbed by the balls to force out a decent performance. Randy said it wasn’t the greatest performance but that the vocal was stellar, Paula said it was stellar, and Simon was happy she chose a “younger” song, but that it was “shrieky.” He then said that Round One went to Blake. Jordin’s second choice was Martina McBride’s “Broken Wing,” and she hit it further out of the park than the first time she sang the song. It was the kind of performance that wins titles. Randy said Jordin is the most talented singer at her age the show has ever seen and that the performance was flawless, Paula said it was a great vocal, and Simon said “THAT was good.” Tie game? Maybe a slight edge to Jordin at this point. But then she took on the sappy “This Is My Now” and as you would expect, did a better job than Blake. Randy said Jordin was the best singer of the night, Paula said she was proud, and Simon said he didn’t think Jordin did well enough last week to win, but that he was wrong…..and that she had just “wiped the floor with Blake.” Yep, pretty much.

So while Blake hung in there for a long time and is one of the most unique contestants the show has ever seen, barring a miracle Jordin will be crowned the sixth American Idol tonight. I’m still bitter about Melinda, but in the end, despite what they want you to believe, this is NOT a singing competition…..rather, it’s a competition based on a combination of singing, performance and good looks….and Melinda didn’t have as much of the latter as the other two.

The show closed last night with Chris Daughtry playing “I”m Going Home,” the song that has been played at the end of each results show this whole season. That dude also was robbed last season, but he got the last laugh because he’s running rings around Taylor Hicks and Kat McPhee with his record sales. There is hope, Melinda.

See you all tomorrow as we wrap this sucker up.

Mix Disc Monday: I’ve been everywhere, man

Roll out, roll out for the mystery tour. Well, it’s not a mystery, but this week’s selection of songs will definitely take us places. From the east coast, to the west…Dear God, I’ve never hated John Mellencamp as much as I do right now.

Since half the journey takes place in the US and Canada, we’re splitting this up into sides, winding up in the Far East. Hope you like sushi.

Side One: North America
“Wichita,” The Jayhawks (Hollywood Town Hall)

Funny to think that there was once a time when the Jayhawks were tagged as Black Crowes knockoffs. Does anyone even miss the Black Crowes? Not as much as I miss the Jayhawks, I’m willing to wager. Please come back soon, Gary.

“Wascana,” The Waltons (Cock’s Crow)
When someone asks you what the last great Billy Joel song was, play ‘em this folk-pop ditty from one of Saskatchewan’s finest, and see if they bite.

“Talking Seattle Grunge Rock Blues,” Todd Snider (Songs for the Daily Planet)
Ah, the hidden track. That’s what Todd Snider’s biggest taste of success was: a hidden track. My question: why on earth would anyone hide a song as funny and as spot-on as this satire of Seattle in the early ‘90s? “Space needle. Eddie Vedder. Mud ‘n honey!”

“Brooklyn-Queens,” 3rd Bass (The Cactus Album)
The late ‘80s may have been a dark time for pop, but it was a spectacular time for hip hop. Streeeeeetch, boooooiiiiiiing.

“Texarkana,” R.E.M. (Out of Time)
Remember when Mike Mills actually played a significant part in R.E.M.’s songs? Truth be told, I much prefer “Near Wild Heaven” over this, but I wanted include cities on Earth, despite Belinda Carlisle’s claims to the contrary.

“Hollywood,” World Party (Bang!)
Wouldn’t she? I don’t care if he’s only recorded two new songs in the last seven years: Karl Wallinger’s one of the coolest guys in rock.

“Cleveland Rocks,” Ian Hunter (You’re Never Alone with a Schizophrenic)
It is as sad fact that, of the handful of kids (I define “kids” as anyone under 30) who actually know this song, most of them will tell you that it was written by the Presidents of the United States of America. Sigh.

“LA,” Elliott Smith (Figure 8)
This is how I choose to remember Elliott Smith: upbeat. I’m still mad as hell at him for checking out like that, but songs like this soften the blow a little.

Side Two: London and beyond
There is a world out there, and while we could have spent this entire second side panicking on the streets of London, we decided to spend only a few days in Merry Ole England before hitting the road.

“Guns of Brixton,” The Clash (London Calling)
It is an unwritten law that all bass players must know how to play “Money,” “Jungle Boogie,” and this.

“Battersea,” Hooverphonic (Blue Wonder Powder Milk)
I actually learned me a little geography the first time I heard this. Hooverphonic soon turned into a wimpy little synth-pop band, but this, which is like Massive Attack doing drum ‘n bass, is just stunning.

“Rumble in Brighton,” Stray Cats (Built for Speed)
History has diminished just how kickass the Stray Cats’ breakthrough album was. There was much more to these guys than “Rock This Town,” that’s for sure.

“London Loves,” Blur (Parklife)
David Bowie is surely still trying to figure out how to sue them over this song.

“Vienna,” Ultravox (Vienna)
Boom. Boom boo-boom. Ka-Kaaaang. Is there a more signature electronic percussion track than this? If there is, well, it means nothing to me.

“Night Boat to Cairo,” Madness (One Step Beyond…)
The opening note is the greatest saxophone sound in the history of recorded music. The rest of the song is pretty awesome, too.

“Tokyo Expressway,” Fluid Ounces (The Whole Shebang)
Seth Timbs is a poor man’s Ben Folds, only without the snark and general crotchetyness. You have to love a song with a chorus of “There was a party everywhere I went tonight / And that was all right.” That is all right, indeed.

You heard it here first: Mark Ronson w/ Daniel Merriweather, “Stop Me”

As in, “Stop Me If You Think You’ve Heard This One Before.”

Mark Ronson, whose name is on two of the best records released this year — that would be Amy Winehouse’s Back to Black and Lily Allen’s Alright Still, for those keeping score at home — is about to release Version, which is basically him teaming up with his mates to cover classic modern rock songs. Who’s covering who, you ask? Aside from Daniel Merriweather covering the Smiths:

Lily Allen covers the Kaiser Chiefs (“Oh My God”)
Kenna covers Ryan Adams (“Amy”)
Amy Winehouse covers the Zutons (“Valerie”)
Phantom Planet covers Radiohead (“Just”)

And lastly….
Robbie Williams covers the Charlatans UK (“The Only One I Know”)

If it’s half as cool as this Smiths cover, Amy and Lily may have some competition for the top slot on my Top 10 Albums of 2007 list.

Windows Media

American Idol: Are You Kidding Me?

So tonight the unthinkable happened on “American Idol.” Melinda Doolittle was voted off. I have this sick feeling in the pit of my stomach, kind of like when the Giants lost in the playoffs the last two seasons. But it’s more than that. Melinda was a lock. She had this thing in the bag. Well, this proves more than anything that the show is not a singing competition. We realized that when Sanjaya made it as far as he did. Melinda is simply this year’s Eliott Yamin–a great singer who didn’t have the marketable look that Jordin and Blake have. America can see talent, but it sure as hell can’t hear it.

It went down this way tonight….no farmer’s market, by the way….

They showed clips of each contestant when they went home last Friday and got to perform in front of and hang with their hometown friends, family and fans. Jordin in Phoenix, Blake in Seattle and Melinda in Nashville.

Elliott Yamin got to come out and sing his new single, and pimp his tour that starts tomorrow. He also got to sport his new teeth and hair. Dude looked like a weird cross between Greg Brady and Peter Brady, and his teeth looked so unnatural that it was disturbing. But he sounded great as usual, and gives hope for Melinda, who my wife predicted will be the next Clay Aiken.

Also, Maroon 5 came out of a five-year hiatus and performed their new single, “Makes Me Wonder.” The band sounded great but singer Adam Levine looked a bit disinterested, and frighteningly thin. But it’s good to have them back in action.

Then the results….first, Jordin was safe….and I felt like that was it for Blake. Then Ryan had Melinda come out front, surely to tell her she was also in the final. But no…it wasn’t to be…..when he said “Melinda, the journey ends for you tonight,” I thought it was a joke. And I know Melinda thought it was a joke. The judges all said the right thing, that she’s got a bright career ahead of her, blah blah blah. But you know they are all looking at each other now that the cameras are off, and shaking their heads.

Props to Jordin and Blake, but I’m telling you, America….you screwed this one up, big time. Enjoy the final next week that me and millions of others will not give a crap about. Then watch as Melinda sells more records than either one of the finalists. Yeah, I’m bitter. But I know I’m right. See you next week.

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