Category: CD QuickTakes (Page 102 of 149)

Various Artists: Motown 50 – Yesterday, Today, Forever

How does a legendary label celebrate its 50th birthday? By inviting the public at large to vote on its 50 greatest hits, turning the results into a terrific 3-CD compilation…and then releasing it only in the UK. The upshot is that even though you’ll have to pay import prices for it – and even though anyone who’s interested in Motown probably already has copies of most, if not all, of these songs – Motown 50 is one of the more interesting and consistently interesting label retrospectives to come down the pike in quite some time. Much of this is owed to the strength of the catalog, of course, but still, Motown has never been a label known for playing fast and loose with its heritage, both of which make this the entry-level Hitsville compilation to own. If Motown 50 has a major drawback, it’s that it’s sequenced in order, meaning you start out listening to the classics (Marvin Gaye’s “I Heard It Through the Grapevine,” Martha and the Vandellas’ “Dancing in the Street”) and wind up with lesser entries like Lionel Richie’s “My Destiny”; it would have been better (and braver) to count down rather than up. But hey, that’s what the shuffle button is for – and when the label takes enough care to tack on 11 tracks of Motown artists covering (often left-field) hits, who can complain? When you can get the Elgins’ “Heaven Must Have Sent You” and Stevie Wonder covering “Light My Fire” in one compilation, all disagreements are minor. Now when is this getting an American release? (Motown 2008)

Motown 50 Official Site

Laura Roppe: Girl like This

On the cover of her new CD, Laura Roppe is pictured standing in the middle of a dirt road in a little black getup, and heels posing rather defiantly. Yes, it’s another bid on the indie circuit for some soundalike Hollywood Nashville pop. And it’s every bit as mediocre as you might imagine. Roppe’s main problem is that she doesn’t have the voice to carry strong pop country tunes. It sounds like she’s really forcing it on the title track, almost missing her marks in a number of places. It gets a little worse on “Mama Needs a Girls Night Out” where her voice starts sounding a bit more Kermit the Frog and less country diva. She tries to bring the sass to “Ooh La La,” and sounds like she’s painting by numbers than putting anything honest into her performance. And by the time “Crazy about You and Me” arrives, you wish she’d just sing it straight without the affected twang in her throat. This may have been a nice vanity project for Roppe, but for the general listener, there’s far better stuff out there to be heard. (self-released)

Laura Roppe MySpace

Peel: Die in June

Average, darkly melodramatic modern rock fills out this four-track EP. If there weren’t already so many bands out there currently who mine a similar vein of this kind of music (think Incubus, among others), these guys might actually be hailed as something a bit more exciting than they actually are. But perhaps the local scene in Scandinavia doesn’t have as much of this sort of thing as we do here in the States. The problem is, at only four songs, Peel don’t have a whole lot of space to stretch out here. So the dark undertones that color “Falling from Grace” are pretty much the same ones that fill “Second Man on the Moon.” It all sounds very brooding, yet with that glimmer of hope way off in the distance. The kind of thing that would probably not be out of place in some superhero movie over the summer. But again, there are plenty of other bands out there doing this same thing who are just as mildly interesting. (Peelgrim Records)

Peel MySpace page

Rhett May: Calcutta Boy

Hoo boy. From the silly cover art down to the synth bass lines and programmed drums, everything about this EP by Rhett May just screams embarrassing. Definitely one of those discs that should have just been given out to friends and left at that, but undoubtedly there was someone out there who told Rhett to go for broke and let everyone else hear this stuff. Well, suffice it to say it’s a complete train wreck, with some of the worst canned, DIY production to be heard in a long time. Is this guy country? Is he pop? Who knows? It’s just tough to listen to a song like “There’s a Little White Powder” or “African Queen” and not think you could be listening to something – anything – better than this. On the third track, May asks “Have Your Arms Been Missing Me?” I can’t answer that question, but I can say that my ears won’t be missing the auto-chord settings on Rhett’s old clunky keyboard. (self-released)

Rhett May MySpace page

Jeff Beck: Performing This Week…Live at Ronnie Scott’s

Though almost universally acknowledged as one of the best guitarists on the planet, Jeff Beck has never been able to translate his brushes with superstardom into the sort of name value enjoyed by his fellow ex-Yardbirds, Eric Clapton and Jimmy Page – due at least in part to his seemingly utter disregard for the importance of maintaining any kind of consistent industry presence and predilection for interminable waits between new studio albums. For a brief while, it seemed as though Beck might be changing his ways – between 1999 and 2003, he released three albums of new material – but since 2003’s Jeff, he’s re-entered the wilderness, popping out only for the odd “American Idol” cameo or live collection. Performing This Week…Live at Ronnie Scott’s is his third live release of the new millennium, which would seem annoyingly excessive if it weren’t for two things: One, a 64-year-old Jeff Beck still plays smoke rings around nine out of 10 of his fellow guitarists; and two, he plays here with an ace band that includes drummer Vinnie Colaiuta and an incredibly talented bass player named Tal Wilkenfeld. Ronnie Scott’s, which is also being released on DVD, plays solidly to Beck’s strengths – 16 tracks, culled from across his career, none lasting longer than a hair over six minutes – but since he’s always been more about discipline than noodle-fingered wankery, the set’s staidness makes perfect sense. If it ultimately doesn’t add much of anything to Beck’s legacy, well, there wasn’t much to add anyway, was there? (Eagle 2008)

Jeff Beck MySpace page

« Older posts Newer posts »