Category: Artists (Page 61 of 262)

Ariel Pink’s Haunted Graffiti readies new album

A while back, I was introduced to Ariel Pink’s Haunted Graffiti by my friend Aaron Olson, a veritable rock historian and badass bassist (badassist?) of Cyrptacize. The song in question was “Helen,” and I instantly disregarded it because I didn’t understand it. What was with the flange overload and the yelping? I couldn’t instantly buy into this concoction of spooky baroque sounds. Gradually, I was won over by the chorus, which is so fun at face value. I almost want to strip the song down of all its embellishments, because I think whats hidden underneath is just solid pop song.

So, I’m excited that 4AD will release their new album, Before Today, on June 8.

Six months in the making, Before Today was recorded in part in Encino at the House of Blues (once Tito Jackson’s home studio) with Sunny Levine (Quincy Jones’ grandson) and Rik Pekkonen (Bill Withers, Seals & Crofts, Bread) as well as at the band’s home studios. The result is a beguiling mix of glam rock, West Coast funk and Merseybeat harmonies with a high-production sheen; a contrast to the corroded bedroom recordings that have fomented a fervent cult following over the past decade.

Give them a chance if you like your pop with a dose of strangeness.

Thurston Moore to lecture noisy kids about noise

It’s hard for most people to appreciate “noise” as music. I’ve taken my chances and more often than have to bow out, angry at myself for either wasting my time or failing to understand its value. Nevertheless, I do find the containment of noise interesting.

I guess the trick is to get ’em while their young, which is what Thurston Moore (Sonic Youth) is attempting to do this Sunday when he will give a dissertation on white noise to children at the New York gallery Partners & Spade.

From Papermag.com:

Ya gotta love Partners & Spade. This Sunday, April 11th, they will be hosting another session of their Avant Garde Preschool. Don’t expect any papier-mache animals. At 11:30 a.m., for a one-time “tuition” payment of 30 bucks, Thurston Moore will deliver a “Dissertation on White Noise” to kids ages 8-12. Sounds wild, eh? All proceeds go towards the arts program of PS 126.

Even though I’m not a parent, I’d love to take my kid to this thing. It would be a sort of punishment for the youngster. They’d have to sit through excruciating, yet challenging guitar feedback while I’d just try to get Thurston Moore to talk to me.


Photo from fOTOGLIF

Neil Young serious about summer

Neil Young has added more dates to his “Twisted Road” tour with fellow folk musician Bert Jansch. The 14-date jaunt will feature Young playing solo, the first time he’s done so on a tour in many years. The dates are below.

05/18 – Albany, NY @ Palace Theatre *
05/19 – Buffalo, NY @ Shea’s Performing Arts Center *
05/21 – Worcester, MA @ Hanover Theatre *
05/23 – Wallingford, CT @ Oakdale Theatre *
05/24 – Washington, DC @ Constitution Hall *
05/26 – Louisville, KY @ Palace Theatre *
05/27 – Knoxville, TN @ Civic Auditorium *
05/29 – Atlanta, GA @ Fox Theatre *
05/30 – Spartanburg, SC @ Memorial Auditorium *
06/01 – Nashville, TN @ Ryman Auditorium *
06/02 – Nashville, TN @ Ryman Auditorium *
06/04 – Houston, TX @ Jones Hall *
06/05 – Austin, TX @ Bass Performance Hall *
06/07 – Dallas, TX @ Meyerson Symphony Center

No California love, I see. What gives, Neil?

Steal This Song: Oh Mercy, “Lay Everything on Me”

There are few ways to get our attention faster than comparing an artist to Neil Finn. It’s a double-edged sword, though; there are scores of artists who try to emulate Finn brothers Neil and Tim, but almost none of them succeed in replicating his signature blend of rich melodcism with a healthy dose of neurosis. Still, when someone dares to make the comparison, we listen.

And, if the song turns out to sound more like the Go-Betweens than the Finn Brothers, we listen again. And again.

oh mercy

Alexander Gow and Tom Savage. The new McLennan and Forster?

“Lay Everything on Me,” the first single from Melbourne quartet Oh Mercy, feels like a lost track from 1987, the kind of thing that would have received heavy airplay in the early days of 120 Minutes. Think the Immaculate Fools, Danny Wilson, the aforementioned Go-Betweens, or if you want a modern-day comparison, Jupiter One. It’s insanely melodic guitar pop, with a simple, driving drum beat (and lots of cowbell) and a bare-bones scratch guitar line. But this is no retro hipster douchebag band cashing in on a movement; they simply favor melody over an ironic pose or sonic gimmicks – as it should me, damn it.

The band’s debut album, Priviledged Woes, is set to drop in the States soon, and after a dozen spins of this song and a quick glance of the songs on their MySpace page (which features a nifty cover of the Cardigans’ “Lovefool” that they recorded for an Australian radio station), it can’t come soon enough.

Oh Mercy – Lay Everything on Me

Just filling you in: The Black Keys

I am running on fumes right now and will likely crash at any minute. I’d like to blame it on an eight-hour work day, but I’d be lying. No, the real reason I’m absolutely exhausted is because I just completed an excruciatingly long draft for a fantasy baseball league. We’re talking 24 teams and 22 rounds of rabid attention, filled with both bouts of glory and misery. It’s consumed my day, and now I’m left in a crumbling, yet mildly accomplished state. Still, I wanted to post something.

To the delight of many, The Black Keys will release Brothers on Nonesuch Records on May 18. I’ve got two of their full lengths and an EP, and I’m just waiting for the band to produce something truly great. I know they’ve already reached an impressive level of popularity, but I feel the band is capable doing something more sonically challenging. Well, we now have a new song on their MySpace called “Tighten Up” (apparently the album’s first single), and it definitely is a step in the right direction. I love that rhythm change toward the end. It comes out of nowhere.

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