Category: Artists (Page 180 of 262)

Get to Know: Regina Spektor

Russian-born Regina Spektor makes quirky, piano-driven music for the hipster set. She scored a minor hit this year with “Fidelity” from Begin to Hope, her fourth full-length release, but her catalog features several great songs. Where possible, I included links to a live performance or the proper video for each song (hosted by YouTube). I also included links to iTunes and/or Amazon for convenient purchase. Let’s get to know Regina Spektor.

“Fidelity” – Begin to Hope
This song is insanely catchy, from the lovely melody to the creative chorus. It’s one of the few of her songs that doesn’t feature the piano, but it works nonetheless.
iTunes | Amazon

“Samson” – Songs / Begin to Hope
This track is also available on Begin to Hope, but the version on Songs is longer (and therefore, better). “Samson” is Spektor’s signature tune. Her voice and the piano are gorgeous and the lyrics are inventive.
iTunes | Amazon

“Buildings” – 11:11
This song is about an alcoholic wife who is enabled by her husband. Despite the subject matter, it’s quite lovely.
iTunes

“Ode to Divorce” – Soviet Kitsch
This haunting track is about a breakup. Spektor hits one out of the park when she asks, “Won’t you help a brother out?”
iTunes

“Modern Girls & Old Fashion Men” – Reptilia (by The Strokes)
The Strokes brought Spektor in for this duet, which is a little bit harder than most of Spektor’s usual fare. The song still shows off her considerable singing chops.
iTunes

“On the Radio” – Begin to Hope
Like “Fidelity,” this song is meant to be radio-friendly. The strings and piano at the beginning are inviting and the lyrics (which describe listening to “November Rain” on the radio) are quite witty.
iTunes | Amazon

“Us” – Soviet Kitsch
This track shows of Spektor’s great voice and illustrates the beginning of the stuttering singing style she later used in “Fidelity.” The video is pretty quirky, not unlike her music.
iTunes

Pissing away what little credibility they had in the first place…

…the Billboard Music Awards have announced this year’s hosts.

I don’t know about you, but I refuse to watch any award show whose hosts’ privates have not been exhaustively documented by multiple paparazzi. Because, you know, ya gotta have standards.

UPDATE: Britney has pulled out of the hosting commitment…which officially represents the first time she has made an intelligent decision with regard to breaking off an engagement.

After receiving the billionth request, God complies with perv nation

Britney Spears, bottomless. (Most decidedly NSFW)

The Superficial comes through again, and thankfully (if there is indeed anything thankful to be had from this) Brit’s junk doesn’t look like it’s been through the wringer like those hideous shots of Lindsay Lohan from a while back. But be warned, fellow readers. Once you click this link, your life will be forever changed, and not necessarily for the better. (Prepare for delays in uploading. The site, as you can imagine, is getting pummelled with traffic.)

Notes From The Orphanage VII: “…And We’ll Watch Them Fall”

Rex Moroux, Royal Street Inn (self-released) – The first thing that’ll probably strike you about Rex Moroux is that he sounds an awful lot like Adam Duritz of Counting Crows. Unfortunately, not much else will probably stick with you. Nice enough Americana stuff, but not terribly memorable.

Marty Rudnick, More Songs about Cars and Girls (Sandbox) – Marty Rudnick pays tribute to the collected works of Brian Wilson, with production assistance from Australian pop god Michael Carpenter. Stay tuned for the bonus tracks, which include a Beach Boys and a Beatles cover. I apologize for only just now getting around to writing about this, since it’s a wonderful summer album…but, hey, there’s always next summer, right?

The Thermals, The Body, The Blood, The Machine (Sub Pop) – With a voice that’s somewhere between Roky Erickson and Stan Ridgway, it’s clear that Thermals frontman Hutch Harris (no relation) is gonna be an acquired taste, but this is an energetic rock album with some post-punk tendencies. The lyrics, not to mention the artwork, have some pretty strong indictments of modern religion, but given that their last album was called Fuckin A, would you really expect them to pull any punches?

Urban Delights, Revolution No. 1 (Unique) – If you remember ‘90s dance heroes Apollo 440, you’ll love these guys, since they’re led by Harry K, who was Apollo 440’s primary songwriter. Urban Delights do the blending of dance beats and rock rhythms as well as anyone, with songs like “Crush” and “Y U Cum 2 The Party,” a floor-filling, jump-to-the-beat number that’s as good as its title suggests. The more I spin it, the more I like it.

Pepper, No Shame (Atlantic) – Hailing from Hawaii, these guys have a white-boys-doing-reggae thing, like Sublime, 311, or early Smash Mouth. It’s better than you might think, given that description…and if you’ll just stay tuned through the third song, “No Control,” you’ll believe me. But, guys, trust me, you don’t need to intersperse skits throughout the album. It doesn’t work for most rappers, and it doesn’t work for you.

El Presidente, El Presidente (Sony BMG) – Part dance, part disco, part funk, and just enough rock to keep things interesting, El Presidente have some pretty good tunes on their self-titled debut, which is just now making it to the States after a 2005 UK release. Unfortunately, they’re in the shadow of the more popular Scissor Sisters, and, unlike the Sisters, they don’t have Elton John in their corner. Still, “Rocket” and “100 MPH” kick ass, “If You Say You Love Me” is nice and dreamy, and the rest of the disc is quite likeable as well.

Ronnie Milsap, The Essential Ronnie Milsap (RCA / Legacy) – We’ve all been through this: someone mentions an artist, you say, “I know the name, but I don’t know anything by them,” and they say, “Yeah, you do, you just don’t know you do.” That’s totally Ronnie Milsap. There are forty songs on this collection, and even if you’ve never listened to country music, you’ll know the better part of a dozen of these tracks. Examples: “Daydreams About Night Things,” “Smoky Mountain Rain,” “Stranger In My House,” and “I Wouldn’t Have Missed It for the World.” See, I told you.

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